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RajeevKhandelwal Soundtrack-page 54 (Page 47)

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Posted: 05 October 2011 at 7:28am | IP Logged

Can't do too many films: Rajeev Khandelwal

The very versatile Rajeev Khandelwal and Mrinalini Sharma talk about their much awaited film Soundtrack. The duo also spoke about their respective roles and experiences with Komal Nahta on the show ETC Bollywood Business on channel ETC.

Rajeev Khandelwal has proved himself with Aamir (2008) and Shaitan respectively, but in his next film, Soundtrack, we will see him in a new avatar, going through a series of ups and downs. The official remake of award winning cult film It's All Gone Pete Tong (2004), will release this week.

The Delhi girl, who has charmed the film buffs with her acting acumen in Awarapan and Hide and Seek, would be seen matching wits with Rajeev Khandelwal in their forthcoming film Soundtrack.

Sharing the reason to Sountrack, Rajeev said, "When Neerav Ghosh (Director) asked me to do this movie and I was like, 'Do u really want me to do this movie.. LOLLOL There's music, drugs, alcohol, intimacy to its extreme. I have such a modest guy imageEmbarrassedEmbarrassed ….Neerav replied, that's the reason why I want you to do this movie.'LOLLOLLOL

Talking about his Bollywood career so far, Rajeev said, "None of the movie I have done so far is Rajeev Khandewal's movie.TongueTongue  Mujhme itni kabiliyat nahi ki main bahut sari movies ek sath kar saku.LOLLOLLOL" However he believes, the movie soundtrack breaks all rules.

Soundtrack movie script demanded intense intimate scenes between Rajeev and Mrinalini Sharma. Talking about dealing with such scenes Mrinalini said, "We would discuss the scenes at length. We would discuss all the technical aspects of the scenes before execution." Adding, "I'm playing the role of an attention-grabbing girl in Soundtrack, but in real life, I'm not at all like that. I'm very happy in my personal space!"

To catch the whole conversation, tune into ETC on 7th Oct, Friday at 8:30 PM.Embarrassed

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Posted: 05 October 2011 at 10:16pm | IP Logged
Originally posted by -purnima-

Can't do too many films: Rajeev Khandelwal

The very versatile Rajeev Khandelwal and Mrinalini Sharma talk about their much awaited film Soundtrack. The duo also spoke about their respective roles and experiences with Komal Nahta on the show ETC Bollywood Business on channel ETC.

Rajeev Khandelwal has proved himself with Aamir (2008) and Shaitan respectively, but in his next film, Soundtrack, we will see him in a new avatar, going through a series of ups and downs. The official remake of award winning cult film It's All Gone Pete Tong (2004), will release this week.

The Delhi girl, who has charmed the film buffs with her acting acumen in Awarapan and Hide and Seek, would be seen matching wits with Rajeev Khandelwal in their forthcoming film Soundtrack.

Sharing the reason to Sountrack, Rajeev said, "When Neerav Ghosh (Director) asked me to do this movie and I was like, 'Do u really want me to do this movie.. LOLLOL There's music, drugs, alcohol, intimacy to its extreme. I have such a modest guy imageEmbarrassedEmbarrassed '.Neerav replied, that's the reason why I want you to do this movie.'LOLLOLLOL

Talking about his Bollywood career so far, Rajeev said, "None of the movie I have done so far is Rajeev Khandewal's movie.TongueTongue  Mujhme itni kabiliyat nahi ki main bahut sari movies ek sath kar saku.LOLLOLLOL" However he believes, the movie soundtrack breaks all rules.

Soundtrack movie script demanded intense intimate scenes between Rajeev and Mrinalini Sharma. Talking about dealing with such scenes Mrinalini said, "We would discuss the scenes at length. We would discuss all the technical aspects of the scenes before execution." Adding, "I'm playing the role of an attention-grabbing girl in Soundtrack, but in real life, I'm not at all like that. I'm very happy in my personal space!"

To catch the whole conversation, tune into ETC on 7th Oct, Friday at 8:30 PM.Embarrassed



@red highlighted...

tumhain to kuch bhi nahi pata kia kia kabiliyat hai tum main WinkWink

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Posted: 06 October 2011 at 3:48am | IP Logged
Movie Review: Soundtrack
Reviewed By: Dailybhaskar.com  
Movie Name:Soundtrack
Critic Rating:
Viewer Rating:
Click here to vote
6
Click here to vote
0
Star Cast:Rajeev Khandelwal, Soha Ali Khan, Mohan Kapoor, Yatin Karyekar and Mrinalini Sharma
Director:Neerav Ghosh
Producer:Sanjiv Goenka and Apurv Nagpal
Music Directer:Midival Punditz, Karsh Kale, Kailash Kher,Vishal Vaid, Laxmikant Kudalkar, Pyarelal, Ankur Tewari and Papon
Genre:Musical /Drama

Story:  Soundtrack is based on the true story of a prolific Indian musician portrayed by Rajeev Khandelwal as Ronak Kaul. He inherits his love for music from his father and in order to make it big in the music world begins as a DJ in a big-time club, Tango Charlie, owned by Charlie (Mohan Kapoor). Moving around with right people at the right time gives him an early opportunity to work with filmmaker Anurag Kashyap in his film. But, destiny has something else in store for him as excessive consumption of drugs, alcohol and most importantly loud music all the time gets him completely deaf. He is into deep depression until Gauri (Soha Ali Khan), a deaf since birth, enters his life as a ray of hope. Now, will Ronak ever hear again and fulfill his dreams or will he overcome his weakness and emerge as a winner is a real interesting watch.

Story Treatment:  A film by a debutant filmmaker isn't just rich in content but in execution too. The opening shot where Ronak is introduced and his passion for music is revealed, says a lot about how brilliantly story is going to unfold further. His slow indulgence in the world of drugs, again, comes out finely, considering his strong inclination towards alcohol. The crisp screenplay doesn't let your eyeballs move off the screen even for a second. The transition from the party to tragic mood and then, to some soothing light moments, with no loopholes, makes Soundtrack, one of the flawless films ever made.

Star Cast:  Rajeev Khandelwal yet again proves his acting prowess, as the character of alcohol or a drug addict is so unlike the real sophisticated Rajeev. He springs a surprise with his flawless performance, each time the story unfurls a different side of his character. Soha Ali Khan, too, is refreshing and brilliant as a deaf girl. Mohan Kapoor gets into the skin of his character very well and delivers a fine performance. Mrinalini Sharma as Ronak's ex-girlfriend plays her part well. Yatin Karyekar gives an honest performance as a caring uncle. 
 
Direction:  Neerav Ghosh sets a benchmark with Soundtrack and cries it loud that he is surely here to stay. In no way does the film give a feel of being made by a debutant director. To induce twists with no room for confusion at the same time getting perfect expressions from the actors seems to be a cake walk for this filmmaker. Neerav has taken the creative part seriously with some innovative moments in the film in terms of camera moves and direction. The 'attempt to suicide' scene is a perfect example to support the claims.

Music/ Cinematography/ Dialogues/Editing: Music syncs with the temperament of each passing phase of the film but doesn't impress much, considering the expectations from a musical film. Cinematography is 'A' class, in fact quite innovative at some places like catching the lively moments on the streets, railway stations. Dialogues - a combination of some serious tone and humour - surely create an impact. Editing complements the screenplay and does the needful to make the film more engaging.

3 Ups and 3 Downs: Extremely appealing storyline, flawless performances, first time yet brilliant direction are the strengths of the film. Music below expectations, slightly slow-paced initial second half, are the weaknesses.

Overall, if you have a taste for meaningful, juicy cinema, Soundtrack is a must watch.

http://daily.bhaskar.com/article/ENT-movie-review-soundtrack-2482751.html?HFB=

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Posted: 06 October 2011 at 3:58am | IP Logged

Soundtrack Movie Review

Updated on: Oct 06, 2011



Soundtrack:
Soundtrack doesn't boasts of a huge star cast but has one thing that is really important to make a movie work and that is content. A fresh, entertaining and light film that will leave a smile on your face at the end.


Story:
Raunak (Rajeev Khandelwal) is an aspiring musician from a small town, comes down to Bombay to make is big. He becomes the hottest DJ in town and lives life like a ockstar. His routine is composing music in the day and DJing at night. His life starts taking a toll on him. He goes deaf. He has to leave his passion, his music. For a few months he goes into depression but then decides to live life. He gradually learns lip reading and creates revolution by composing music.


Analysis:
Soundtrack is different, not like the regular run-of-the-mill kind of a film. It has content and is entertaining. It comes off as a fresh attempt though is inspired from another motion picture. Also it is based on the life of a famous musician Beethoven. And another plus point is that it is a musical extravaganza that has some mind boggling tracks.


Performances:
There is no doubt that Rajeev Khandelwal is a powerhouse of talent. He carries the film on his shoulder well.
Soha Ali Khan plays and hearing and sound impaired girl and shines. Mrinalini Sharma plays Rajeev's girlfriend and has nothing much to do. But whatever little also that she does is best avoided talking about. Mohan Kapoor plays Raunak's manager. He is loud at places but still is decent enough.

Technicalities:
Direction, camera works, cinematography all are pluses. Though my only problem is that when Raunak is said to be in Bombay and Alibaug, why is the film shot in Bangkok and Pattaya/Phuket. All the songs are composed by different musicians and all make a mark. They fantastic specially 'Prem Baba'.

Plus Points:
        Music
        Performances

Minus Points:
        Seems slow at a point

Verdict:
        Definitely worth a watch

Rating: 3.5/5

Banner: Saregama India Limited, Indie Ideas
Starring: Rajeev Khandelwal, Soha Ali Khan, Mrinalini Sharma
Producer: Sanjiv Goenka, Apurv Nagpal
Director: Neerav Ghosh
Genre: Musical
http://www.supergoodmovies.com/29185/bollywood/Soundtrack-Movie-Review-Movie-Review-Details

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Posted: 06 October 2011 at 4:59am | IP Logged
Soundtrack
Movie Reviews 
By Taran Adarsh, October 6, 2011 - 14:36 IST
There's nothing like watching a guy hit the ebb and then trying to crawl back again. The triumph of the human spirit catches our attention all the while. After all, people love watching a good tragedy. SOUNDTRACK, the official remake of the award winning IT'S ALL GONE PETE TONG, narrates one such story.

Rajeev Khandelwal is one of the few actors to have made a successful transition from television to cinema. His choice of films, starting with AAMIR, followed by SHAITAN and now SOUNDTRACK prove that he's keen to be a part of movies that push the envelope, that push him beyond his boundaries. He's gradually emerged as the face of intelligent urban cinema. That's also one of the reasons why SOUNDTRACK catches your attention.


SOUNDTRACK may be a 'small budget film' [in film parlance], but I strongly believe that budgets, however big or small, can never decide on the quality of cinema. A mockumentary, SOUNDTRACK takes a closer look at a musician's life faced with a career-ending handicap. It has some heartwarming moments, some amusing moments, some comic moments and some lump in the throat moments.


Very well shot drama with touches of black humor, director Neerav Ghosh deserves immense praise for handling a complex story with amazing maturity. The story is attention-grabbing -- it traces his alcohol, drug and sex-fuelled meteoric rise, as he battles his internal demons and a damaging handicap -- and I must add that the film has a strong melodramatic theme with some terrific moments that stay with you.

SOUNDTRACK narrates the story of a successful DJ, Raunak [Rajeev Khandelwal], who gets addicted to drugs and alcohol and loses his hearing ability. He goes through low phases and also starts hallucinating, seeing a joker around him all the time. He is diagnosed with a hearing disorder that ultimately leads to his going deaf. Subsequently, Gauri [Soha Ali Khan] enters his life. His career nosedives, but his love for music helps him resurrect himself.

If you think SOUNDTRACK is distressing and disheartening, let me tell you, it's not! On the contrary, it is young, colorful and most importantly, inspirational, something that goes very well what a majority of movie-going audience these days. The director also ensures that the soundtrack is befitting the content of the film. Besides, the party culture, which is prevalent in metros, where one can find sex and drugs, is depicted well in the plot.

Director Neerav Ghosh narrates an interesting story in an altogether new format. Only thing, the film tends to get stretched at places and could've done with sharper editing. Cinematography is eye-filling.

Rajeev is known for giving his best at whatever he does. Playing an emotionally unstable character is always taxing and an edgy journey for any actor, but Rajeev emerges triumphant with a bravura performance. Ditto for Soha, who delivers a sparkling performance. Soha is capable of delivering a powerful performance if given an opportunity and this film proves it. Though Mrinalini Sharma doesn't really get scope, yet, the pretty lass gives it all to her character and registers an impact. Another winning performance comes from Mohan Kapur, who is superb in a rather tough role. This film should make people sit and notice this talented actor. Yateen Karyekar does very well as well. Ankur Tewari and Sidd Coutto, the musicians, are wonderful in their respective roles.

On the whole, SOUNDTRACK captivates you with a story that talks of the triumph of the human spirit. An inspiring film, a human story, a relatable and credible journey with an atypical, feel-good conclusion, SOUNDTRACK is not to be missed.

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Posted: 06 October 2011 at 7:31am | IP Logged

 
Soundtrack

Director
Music :
Lyrics :
Starring :
 Neerav Ghosh 
 Midival Punditz and Karsh Kale
 Dhruv Jagasia, Anushka Manchanda, Kailash Kher, Majrooh Sultanpuri, Ankur Tewari, Papon and Anand Bakshi
 
Rajeev Khandelwal, Soha Ali Khan, Mrinalini Sharma, Mohan Kapoor, Yatin Karyekar, Ankur Tewari, Anurag Kashyap and Siddharath Coutto 


Soundtrack Movie Review

October 6, 2011 06:18:22 PM IST
By Martin D'Souza, Glamsham Editorial

SOUNDTRACK can easily be classified as an experiment in creativity. It's a bold move by director Neerav Ghosh who has found willing backers in his generous producers. Not everyone gets a chance to explore the realms of his thoughts and explode on celluloid with such gay abandon as does Neerav and his protagonist Rajeev Khandelwal. With AAMIR, released three years ago, Rajeev stamped his imprint as a quality actor. In SOUNDTRACK, he further endorses that truth. 

view SOUNDTRACK stills

Anurag Kashyap tried his hand at this 'experimental element' in NO SMOKING. That's probably the reason why he is part of this film in a small role as someone who talks glowingly about Raunak Kaul (Rajeev Khandelwal) who is now a successful music composer, although he has turned deaf. There are others from the music industry as well, who speak about Raunak's genius. There's Anu Mallick, Salim (of Salim-Suleiman fame), Kailsah Kher apart from successful VJs and DJs. That's a novelty Neerav brings into this film as he intersperses their views on the central character as he tells the story. 

Raunak is full of life. He comes to the city from a small town to make it big. He lost his father at the age of six, but does remember the 'musical times' he had with his dad. His uncle hands him some unfinished tapes of his father and Raunak adds layers to it which become an instant hit in the night club where he is the most sought-after DJ. Already high on alcohol, he takes to drugs of all sorts not to mention women. Life is actually a mess, but he perceives it as bliss. Excess takes its toll on his body and the constant loud decibel levels at the club aided by his 'wasted' lifestyle brings about a hearing disability. He turns stone deaf.

The image
The first half is full of excesses to the point of being repulsive. Drugs, alcohol, women and what have you... But I guess, Neerav had to drive home his point. And you realize the reasoning behind this move after the break when things glide smoothly. Raunak comes to terms with his deafness, returns to civilian life and meets with Gauri (Soha Ali Khan), who is also deaf. She is his lip-reading teacher. 

It is the second part that balances out the tumultuous first. Both Soha and Rajeev share a chemistry that endears you to them.
Modulating her voice and aiding it with her finger movements and facial expressions, Soha is first rate. I mean this is not a movie any heroine would do. It's only the bold who will experiment with such technically difficult roles. 

It's hard-hitting and creatively presented. But what could have worked in Neerav's favour is if the rest of the cast were within the confines of the parameters he had in mind for the film.

It would be tough to get in the audience (read commercial success), but those creatively inclined should definitely watch this flick. 

http://www.glamsham.com/movies/reviews/06-soundtrack-movie-review-101103.asp

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Posted: 06 October 2011 at 7:41am | IP Logged

Soundtrack: Movie Review

Gaurav MalaniGaurav Malani, TNN | Oct 6, 2011, 06.50PM IST

Based on true events, Soundtrack is an official remake of the cult English film ' It's All Gone Pete Tong ' (2004). The film traces the meteoric rise and fall of a DJ, Raunak Kaul (Rajeev Khandelwal) who has the talent to make the world dance to his tunes (quite literally). But an excessive lifestyle of sex and substance abuse, not only makes him lose focus towards work, but also leads to a permanent physical disability. In his world dominated by loud music, Raunak turns completely deaf and is unable to pursue his dreams to make music.

Things change when Raunak meets Gauri (Soha Ali Khan), who too is hearing impaired but has mastered the art of lip-reading. In Gauri, Raunak finds a tutor and life-partner. Also his passion for music is rekindled, as he attempts to sense sound (if not hear) and study digital waveforms of tunes he knew, to create new music. Thereby a deaf DJ turns a renowned composer.

Debutante director Neerav Ghosh attempts to give a docu-drama shade to the narrative to make it seem like a biographical take on the life of his protagonist. Thankfully the documentary treatment never overcomes the actual story, which has enough scope for drama per se. The first half seems obsessed with close-up shots of alcohol, drugs, smoke and sex. Raunak boozes as if he were drinking water and smokes like he is breathing air. The idea might be to give a dark and disturbing shade to the film like Anurag Kashyup brand of cinema (the maverick filmmaker also has a cameo), more so with ample scope for substance abuse in the narrative. But after a point of time, it only gets repetitive and seems forced.

The tone of the film suddenly changes in the second half when the narrative turns more soft and sober, as Raunak goes on a self-rehabilitation drive, shunning all addiction. His romance track (with Soha) is blithe as compared to his hardcore sex-drive (with Mrunalini Sharma) in the first half. But beyond the somber shade and his chemistry with costars, the narrative isn't able to create as much contrast between the first half and the second that would have resulted in relating and feeling for the protagonist's plight better.

The depth that it adds to Raunak's relearning process of music (which is the soul of the film) in the second half pales in comparison to the intensity that it lends to the buildup of substance abuse in the first half. Which means the film adds intensity where not needed and vice versa. A basic idea of a deaf person composing decent music makes for an inspiring story. While the promising premise of the film doesn't let you down, one still feels the entire account could have been more stimulating, esp. when the director had straight reference point in the form of the original film.

The entire track of Raunak's fight with his inner demon (clowning around him in a joker-faced mask) looks ludicrous over being symbolic. It gets exasperating after a point and the entire track could certainly have been avoided. For a film dealing primarily with music, the actual 'soundtrack' isn't as stimulating as one would have expected. Also the length could have been shorter and the film could have done away with several repetitive portions. However, the dialogues, esp. in the second half, are well-worded and leave an impact.

Soundtrack
works to a big extent because of the persuasive performance of its protagonist played by Rajeev Khandelwal. At the onset, one seems uncertain if the sober-imaged actor would be able to pull off a character as wild and weird as this. But as you see him getting more and more into his character, you are amazed at the conviction he brings to his role. Soha Ali Khan not only plays a deaf character, she has to lisp in her diction too. And the actress does it with absolute subtlety (as compared to the Bollywood stereotypes that go overboard) and brings grace to her role. It would have made more sense if the story enlightened on the reason behind her lisp. Mrinalini Sharma looks refreshingly sexy and is not one-bit vulgar in her skimpily-clad character. Mohan Kapur hams. Manu Rishi doesn't get much scope. Yatin Karyekar is decent.

While it had potential to be a rocking film, Soundtrack, at least, turns out to be sound cinema. Worth giving an ear (and eye) too!

http://timesofindia.indiatimes.com/entertainment/bollywood/news-interviews/Soundtrack-Movie-Review/articleshow/10231796.cms

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Posted: 06 October 2011 at 10:17am | IP Logged
Rajeev Rocks as Neerav Triumphs With 'Soundtrack'! 

By MovieTalkies.com, 06 October 2011 

Soundtrack Review

There's something irresistible about a heroic triumph, something about an individual overcoming all odds, that appeals to something in every one of us. That appeal is only multiplied, when stories of such triumph leave the pages of fiction, and come into the world of reality, touched by a sense of realism. Perhaps that is why director Neerav Ghosh's debut effort, 'Soundtrack', makes for such a deeply satisfying watch.

However, let one state at the outset, that while this documentary-like feature film claims to be based on a true story, that, in fact, isn't quite true. The film is actually an official remake of the 2004 Canadian indie classic, 'It's All Gone Pete Tong', a similar mockumentary of sorts that spoke of the rise, fall and rise of a fictional Ibiza DJ, Frankie Wilde, with names like DJ Tiesto, Paul Van Dyk and Lol Hammond appearing as talking heads relating Frankie's story through the film. While the original film has turned into something of a cult touchstone, 'Soundtrack', with a first-timer in Neerav at its helm, still has some way to go before it achieves that sort of success. Where the film does see success, however, is in the way Ghosh manages to Indianise as urbane a story as this subject, and makes it quite relatable.

The film's plot is almost Beethoven-esque in its scope, and indeed, more than 'It's All Gone Pete Tong', it is the master composer's legendary life that 'Soundtrack' will invite direct comparisons with. Smartly, then, Neerav makes Ludwig himself a narrator in the film, peppering the narrative with framed quotes from the composer's life.

The plot revolves around a music-maker called Ronak, played superbly by Rajeev Khandelwal, arriving in the city to hit the big-time. Ronak carries within him, the legacy, or rather, the burden of his late father, Parth, who himself tried to make a mark in the music industry, but simply couldn't find success. Ronak, though, tastes victory immediately, as he quickly turns into the superstar DJ at the Tango Charlie club, with the club's owner, Charlie, played by Mohan Kapur, acting as his manager. It is evident that Ronak has a great ear for music, though this is accompanied by a vicious addiction to sex, drugs and alcohol, all of which he finds quite easily in the wonderland of his fame. However, the film's pivotal turn comes when he finds that even as the noose of his addictions is tightening around his neck, his ear is quite literally leaving him, rendering him deaf. The rest of the film deals with Ronak's own tribulations with his condition and how he eventually rises to meet the challenge of life, with some help along the way.

The film, though slow at some points, hooks from the start. The film scores with its interesting narrative, where Ronak's story is told in flashbacks, interspersed with interviews with characters from the film, like Ronak's uncle, his manager Charlie, his band mates Biscuit and Banjo, and his girlfriend, model Shonali, along with real life characters like Kailash Kher and DJ Aqeel, speak of their meetings with Ronak and their impression of him. The tone that they speak of him in, which casts him in an almost genius-like silhouette, makes his character that much more intriguing and appealing. The use of the mysterious Johnny Joker character is also quite interesting, taking the narrative forward in quite unexpected ways, though one must say that the credit here goes to the makers of the original film.

Rajeev Khandelwal, though just two films old as 'Soundtrack' rolls in, has quickly become one of the most interesting actors to watch on the Indian cinema screen. The actor has successfully made the transition from the small screen to the big, and his performance here as Ronak proves that this isn't without reason. Khandelwal is amazingly sincere on centre-stage here, and comes up with a truly captivating performance. The scenes where he is still struggling to deal with his condition are heartbreaking, while you can't help but cheer him on as he finally finds him triumph in the climax.

Soha Ali Khan is also a revelation as Gauri, entering the narrative almost halfway through the second half, but leaving quite a mark. The actress charms in her 'special' role, and shows that given the right scope, she too has the histrionic skills to deliver. Mrinalini Sharma, unfortunately, doesn't get this scope, though, as Ronak's supermodel girlfriend Shonali, she does show potential. Yatin Karyekar, as Ronak's uncle, delivers a great performance, as do the non-actors on the cast, musicians Sidd Coutto and Ankur Tewari, who play Biscuit and Banjo, respectively. Mohan Kapur is perhaps the other main character, apart from Ronak, here, and with a performance that is over the top at points and beautifully understated at others, shows what Bollywood has been ignoring all these years. His Charlie is hilarious, yet endearing, throughout the film.

Given that the film revolves around music and a musician, it was imperative that 'Soundtrack' have a flawless soundtrack itself, and on that front, the film's music directors, the superb Midival Punditz and Karsh Kale, deliver handsomely. Tracks like 'what the f', 'atomizer' and 'fakira' rock the dancefloor, while 'banao', by Papon, and 'jannat', by the film's Banjo, Ankur Tewari, truly charm. However, the climactic number, 'ek manzil', with its haunting cello hook, is where it all truly comes together in a piece of addictive brilliance.

There are points in 'Soundtrack' where the scene-to-scene influence of 'It's All Gone Pete Tong' is unshakeable. And, given the fact that it's an official remake of the film, the question arises as to how much of the credit for 'Soundtrack' goes to Neerav Ghosh. Holistically speaking, the plot is undoubtedly the most crucial aspect of any film, as it is here. However, when that plot is backed up bravura performances like those from Rajeev Khandelwal and Soha, as well as an OST that is as brilliant, the credit then legitimately lies with the director for having the vision to come up with a work as complete as 'Soundtrack'. While the argument can be made for watching the original instead of 'Soundtrack', one has no doubt that if you miss watching this debut effort from Neerav Ghosh, you will be missing out on something promising indeed…


 http://www.movietalkies.com/movies/reviews/20091/soundtrack

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