Joined: 12 July 2005
Bole Toh ! Bole Toh !
Kaisi hoyegi hayee....
Aisi ya Waisi? Arey kaisi hoyegi hayee..
Apun ko jaisi mangti hai waise hogi haye!!
Haye re Haye.....Haye re Haye ! Lage raho "Peter" Bhaiii !
Hmm, Since the search for the herione for "Peter gaya kaam se" is going on ! I wanted to find a perfect heroine for Rajeev !
So lets do some Heroine scouting for Rajeev !!
After all, The audience is the King......So we have a right to choose !Karo apni manmaani !!
So here are a few Namooni's .......These are the heroines I could think of opposite Rajeev.......
Bachnaa Aye Haseeno.....Lo Main Aagaya !!
Husn ka aashiq ,Husn ka dushman...
Apni adaa hai yaaron se juda...
So, Now coming to the Probable Pairings ! Choose your favorites...Coz we might see him with one of these actresses sooner or later !!
1.Amrita Rao ..
(To debut with Aamir Khan's Ghajini)
(Debuted with Jannat)
(Jaane tu....Yaa jaane na..)
The following 1 member(s) liked the above post:
Joined: 12 July 2005
Review Column !!
He won innumerable hearts as Sujal in a television show. Now TV's Numero Uno actor Rajeev Khandelwal is sure to multiply his fan-following with his feature film debut AAMIR. The film also heralds the arrival of a supremely talented storyteller -- debutante director Rajkumar Gupta.
It's not easy to think out of the box. It requires courage to swim against the tide. Rajkumar Gupta does not take shortcuts in his first film. It's not a love story or a laughathon. It's not a masala potboiler either. AAMIR is about an ordinary mortal caught in a vicious web.
Shot brilliantly at several locations of Mumbai [DoP: Alphonse Roy; incredible camerawork], the film leaves a hammer-strong impact on the minds of the viewer. The penultimate 20 minutes especially are breath-taking. The culmination catches you by complete surprise, it's unexpected. Not one of those heroic ends.
Films with unconventional themes rarely find backers, but AAMIR has found a strong name to reach out to millions of moviegoers across the globe -- UTV. What's noteworthy is that on one hand this studio backs films like JODHAA AKBAR and RACE and on the other, provides support to films like AAMIR, which may not boast of great stars or great visuals, but has a great story to tell.
Films like AAMIR reinforce your faith in the new talent that's surfacing in Bollywood. The entrants -- Rajkumar Gupta and Rajeev Khandelwal -- have taken a giant leap in their very first film attempt. Kudos!
AAMIR hits the screens on June 6. A detailed review of the film will appear on its release.
Grit, grime, great guerilla stuff!
DIRECTOR: Raj Kumar Gupta
ACTORS: Rajeev Khandelwal
RANKING: * * *
Gupta, the evidently gifted debutant director, says in an interview to Time Out's Leo Mirani that his film has nothing to do with Cavite. It's apparently a mere coincidence that the premise, plot and the genre of the two are entirely similar. I find it odd then that the director says he's credited in the first frame a film he hasn't seen!
Few outside Philippines and some film festivals may have heard of the said Neill Dela Llana and Ian Gamazon's indie-flick (2005). In Mumbai, the first DVD-rental I checked (Shemaroo on Napeansea Road) didn't have a copy; the second (Movie Time in Bandra) did. At least we must credit the makers of this film for digging out an inaccessible source before setting out to brilliantly indigenise the subject.
Aamir (Khandelwal), a young doctor in the UK, lands in Mumbai. He wonders at the beginning if destiny is handwritten. He is harassed at the airport-entry by a customs official. His name has something to do with it. Was it Amar, as he rightly says, the treatment would've been different. On this city's streets though, whether you're Amar or Aamir on the backseat, the cabbies never know the direction to any place. He gets off one and hails another to Dongri. The protagonist is in urgent hurry. A voice from a cellphone handed to him at the airport has been guiding him from the start. He is directed to several other innards of South Bombay, best known for the city's Muslim ghettos.
Aamir's family has essentially been abducted. The voice on the phone is the captor's: a crack-head of an Islamic terror-group. The lead character need obey all instructions, for fear of losing his loved ones. Clearly the motive of the abductors is a lot beyond money. We follow the suited doc then across the gutters and garbage of Mohammed Ali Road, Nagpada, Bhendi Bazaar etc. These are portions of the affluent Island City that we've chosen to build over a JJ flyover, and keep our eyes away; conditions that needn't then affect our dead consciences daily. It's strangely cathartic to watch it bare on the big-screen, and closely observe for ourselves where we live.
The abductor sends Aamir off on a gutter-trail firstly so he can learn the state of the 'qom' (or community) he's left behind for a life of a deracinated, urban, middle and upper-class individualist. The hero is rational enough to know terrorism is no solution still. He has a heinous task at hand, and a choice to make at the end of the film (which you may, or may not agree with).
The grit, grime, gore that comes with guerilla filmmaking of this sort is immediately captivating. For once a film has been put together in the heat of real locations than the unnecessary technical wizardry of a cold edit suite. The intended pace of such a thriller is usually easy to go overboard on. This one doesn't. Here, the director need share applause with his leading man.
I don't watch soaps. I'd only heard of Khandelwal from excited colleagues who'd plaster his face on top of TV pages, for a character called Sujal on Kahiin To Hoga (if I've spelt it right).
It was a pleasant surprise to watch this rare actor as sincere in his performance as the film is carefully restrained in its narrative. I had to immediately rush after to watch Cavite as well. This is the best compliment to pay an exceptionally crackling (intended or unintended) adaptation. You should consider catching this one for sure.
[06 Jun 2008]
Rajeev Khandelwal and others.
Masand's Verdict: Aamir, a skillfully directed thriller
'Aamir': A terrific watch!
If you discount the implausibility of the plot — and you do, for most commercial films, right? — then Raj Kumar Gupta's debut film 'Aamir' is a terrific watch.
Movie review by Deepa Gahlot:
Unfortunately, the film isn't original — it bears too close a resemblance to Philippino film Cavite (which had similarities to Nick of Time and Phone Booth) to be coincidental — but Gupta's control of the medium is still masterful.
Aamir Ali (Rajeev Khandelwal), a doctor returning from London, puts up with the insolence of the customs officer with remarkable patience. The minute he steps out of the airport his nightmare begins.
A cell phone is tossed to him by two sinister men on a mobike, a voice tells him to take a cab and come to Dongri (a Muslim-area in South Mumbai), and that his whole family has been kidnapped and will be killed if he won't obey.
Aamir is made to go on a mad chase through the slums and ghettos of the area, presumably because the caller (Gajraj Rao) wants the privileged doctor to see how poor Muslims live, and feel the anger and urge to fight "them." Eerily, the film captures an ordinary day in the life of the caller — including his playing with a cute child.
Aamir's complete passivity is odd, as is his not taking off his suit jacket and tie in Mumbai's heat; at a few points in the film it looks as if Aamir will attempt to fight back, but this is not about unreal herogiri, it's about an ordinary man's extraordinary heroism.
Finally, in a tense few minutes shot in real time, his courage and humanism come to the fore. It is this kind of Muslim, the film seems to say again, who suffers the most and still holds on to his innate decency.
Apart from Khandelwal's superb performance, the other hero of the film is cinematographer Alphonse Roy, who realistic work (a lot of handheld and hidden camera shots) gives the viewer goose bumps --a scene in a filthy toilet makes you hold your breath, as if you were there yourself. The actors all look like they were picked from the real locations. The editing and music are near-perfect too.
Gupta worked with Anurag Kashyap earlier and the similarity in style is discernable, but the newcomer has all the makings of an excellent director. If only he can come up with an original script the next time.
Source: India Syndicate
NDTV Review !
Anupama Chopra, Consulting Editor, Films
Aamir is the most harrowing film I've seen this year. It's also the most outstanding debut an actor and director have made in a long, long time.
Writer-director Raj Kumar Gupta, actor Rajeev Khandelwal and creative producer Anurag Kashyap create a Kafakaesque nightmare that is so plausible that by the end you are hardly breathing.
Aamir Ali, a London-returned doctor lands in Mumbai. He comes wearing a tie and a suit and bearing gifts for his family, who will be waiting for him at the airport.
But when he finally gets past the immigration and custom officials who check his records twice and open all his luggage because his name is Aamir, he discovers that they are not there.
Instead two men hand him a mobile phone and a voice begins to instruct him on a job that he must do if he wants to see his family alive again. What follows is a relentless, brutal journey that ends, as it must, in gut-wrenching tragedy.
To call Aamir a thriller would be reducing its power and ambition. The film is an eloquent statement on the state of the nation and the Indian Muslim.
But Gupta doesn't go for easy polemics. Instead, he takes us through the minutiae of lives in areas like Dongri and Behndi Bazar.
His camera snakes through dirty lanes and decrepit buildings and even a bathroom in a chawl that is so vile that Aamir throws up when he emerges from it. Which makes the voice on the phone remark: dekha, hamen hagne ki jagah nahin dete toh jeene ki kya denge.
This isn't the underbelly of Mumbai. It's the city's beating, living heart that largely remains invisible for people like us.
There are a few bumps in the narrative but mostly, the film maintains its claustrophobic tension.
The music and background score by Amit Trivedi is haunting. And remarkably Khandelwal who is in every frame doesn't hit a false note. His bewilderment, helplessness and anger are palpable.
I strongly recommend that you make time for Aamir. It's a horror story that we are all part of.
Review and video!!!!!!!!!!!!:....
'Aamir' is a small movie but has plenty to offer to its audience. Its director Raj Kumar Gupta is new, but has proved his worth in his debut. The protagonist played by Rajiv Khandelwal attracts wide applause from the viewers as well as the critics though he doesn't belong to the big star category. The movie is different in many respects: It has no heroine kind of a character nor does it contain regular formula of a romance, song and dance track or an item number. The movie is without much-hyped foreign or domestic locales shooting. The director has justly shot the Mumbai city's dingy lanes and bye-lanes that are too crowded to move about; small and cheap eating houses and hotels, besides all the dirt the city has.
After all, Aamir goes through it in the few hours of a day! The credit for all this goes to the proper handling of the subject by Raj Kumar Gupta. Yes, he wouldn't have been successful without the support from his other departments like the cinematography by Alphonse Roy and background score by Amit Trivedi, apart from tight editing and just screenplay. Among its anonymous cast, Rajeev lends full support to the director by his excellent performance inasmuch in emoting like a troubled common man. Gajrao Rao performs equally well as the vicious villain.
According to the story, 'Aamir' meaning leader takes off as a thriller about a common man forced into criminal exploitation in the course of a day. This is about Aamir Ali who lands on the Mumbai airport coming back home from London and when he finds his family missing to receive at the airport; he goes to the nearby PCO and makes a call back home. Two men on a bicycle throw a cell phone at him and the phone starts ringing and Aamir is forced to do follow instructions given on the cell phone because his family has been kidnapped by the caller, a terrorist group.
Rajeev Khandelwal who plays the lead character of Aamir has been turned a scapegoat by an extremist group to indulge in the worst crime. So, he has to move in the lanes and by-lanes of Mumbai city as instructed by the terrorist group with no clue about their mission. Before he comes to know about his assignment, he has already been involved in a bombing conspiracy. Though the basic premise of the film is the same as in 'Black and White', 'Shaurya', 'Hope and a Little Sugar' the movie doesn't attempt to give a lesson to its viewers. The director presumes that his predecessors have already dealt on the subject through their ventures.
On the whole, 'Aamir' has indeed succeeded unlike other contemporary movies. As said earlier, the movie is meant for appealing to the minds rather than the hearts of the audience. The movie is worth a watch. After all, it shows how a common man from London can help a big city like Mumbai from the clutches of terrorist-the enemies of the humanity.
Breath of Fresh Air in MUMBAI
This movie fulfills every requirement that movie should do - Hard core rugged mumbaiya look, frenzy camera angles with brillant cinematography, great music, brilliant action (thumbs up to rajeev - debutant actor) and most importantly a solid plot - great script on hands and brilliant execution by Mr. Gupta (debutant director)
Movie lovers should cherish this effort - Best movie of 2008 till now
From - www.MOUTHSHUT.com
Everything happens in one day. As the protagonist alights from his flight in India, he is taken for a ride, literally. For the first few minutes, as things happen in a flurry, your heart races anticipating the turn of events. Eventually, you settle to an engrossing fare with an unusual end. The end, as the beginning, raises many questions. About how unsuspecting Muslims are used by those in power to spread terror.
Rajeev Khandelwal as one who is caught between the devil and the deep sea is convincing in his performance. Dragged to the by-lanes of Mumbai, habituated by Muslims, he is given a taste of how his brethren are living. At least that is what is being drilled into his head by the one who is constantly feeding him information on Islam. Forced to follow orders on phone, Aamir is sent from one destination to another as his movements are tracked, until he is to do the final delivery of the red bag at Andheri station.
Aamir Review - By Indiaglitz.com
Aamir produced by the experimental wing of UTV – UTV Spotboys by debutant Rajkumar Gupta comes across very much unlike any UTV film lacking promotion and publicity. The film starring Rajeev Khandelwal , the face of Indian television comes across as the so called smaller film of the week.
Aamir, the name, means leader, but the protagonist [Rajeev Khandelwal] becomes a follower out of fear. The moment Aamir lands in Mumbai, he's transported to a world he never knew: The dingy areas of Mumbai. In its lanes and bylanes, cheap restaurants and lodges, amongst nameless pimps and whores, run-down buildings and over-crowded markets, filth and squalor, Aamir sees a different world in those few hours.
Aamir may not have been promoted well but the film from no angle is a small film. The script is splendid with a theme so universal such as terrorism. Raj Kumar Gupta excels with his storytelling and draws the viewer within the first 15-20 mins.
One element that works with the film is its length which is barely 2 hrs and the absence of unwanted monotonous songs. The hero does not break into any dance number or flashback sequences filled with the accommodation of some tracks but instead the music only acts at the background.
Another element that keeps the film going is the locations used which are the realistic bylanes within the city and the splendid cinematography. This is one film that comes as a complete exception of all bollywood rules with a film with no heroine, no supporting cast , no item numbers etc.
It's purely the director's vision carried forward by Rajeev Khandelwal's splendid acting and the excellent cinematography. The movie is a must watch. Take a look at every character used in the film be it the whore at the lodge, the men at the restaurant etc. Simply terrific.
As far as the locations are concerned it is splendid . Take a look at the lodge , the restaurant , the bylanes , the toilet sequence ; its remarkable and gripping.
Rajeev Khandelwal does a terrific job . The actors delivers well and carries the trauma and frustration the character Aamir undergoes with ease. Khandelwal comes as a revelation to Bollywood. He surely deserves much more from bollywood. Looks like lots of talent lies within the Indian television industry.
On the whole, Aamir comes as a complete surprise and emerges as the true winner of the week. Aamir is definitely a must watch and proves that a good film in bollywood can indeed be made without songs and without any big names. Ultimately, it's the script that is king. Don't miss the climax of the film; it's very much unlike most bollywood films.
Rating : ***1/2
Movie Review: Aamir
indya rating: 3.5/5
Aamir is all about Dr. Aamir Ali all the way and there are people placed to help him in his mission for the day.
From dilapidated buildings to filthy toilets to shady and shabby warehouses and slums, all the locations make the film so real. The explicit and merciless butcher market scene will make you cringe in your seat.
By Taran Adarsh, June 5, 2008 - 22:37 IST
AAMIR truly defies the stereotype. It's not a love story. It has no 'heroine'. Nor does the lead man break into songs. Also, it's not filmed at stunning locales of USA or Europe. On the contrary, the film takes you to dingy locations which not many of us must've never ever witnessed. Given the realistic theme of the film, the debutant director has filmed it at realistic locations.
One of the prime reasons why AAMIR works, and works big time, is courtesy Rajkumar Gupta's execution of the subject. The twists in the tale don't take the beaten path and Rajkumar's expertise shows while handling this difficult subject. The helplessness of the protagonist has been captured remarkably on celluloid.
Rajkumar gets able support from his cinematographer [excellent], editor [razor sharp editing] and the composer responsible for the background score [topnotch].
Rajeev Khandelwal is remarkable in the title role. The film would've fallen flat had it been entrusted to an inferior actor, but Rajeev lends the right shades and emerges trumps. Watch him emote with his eyes in the latter reels mainly, and you realize that he knows the craft so well. An excellent debut!
On the whole, AAMIR is a remarkable film. It may not set the box-office afire, but it succeeds where most films don't -- it hits where it hurts. The message this film sets out to convey comes loud and clear. Very strongly recommended!
Movie Review: Aamir
The film Aamir is suspense thriller about a common man who is being used by an extremist group for destroying lives in Mumbai. The film has no lead actress or supporting casts and the cinematography is average, but the film appeals for the performance of TV actor Rajeev Khandelwal and for the courage to make such a movie that has no support from areas of film making like, dance numbers, romance, emotions, love, actions etc.
The story of the film is about Aamir Ali who lands on the Mumbai airport coming back home from London and when he finds his family not present to receive at the airport; he goes to the nearby PCO and makes a call back home. Two men on a bicycle throw a cell phone at him and the phone starts ringing and Aamir is forced to do follow instructions given on the cell phone because his family has been kidnapped by the caller, a terrorist group.
The film is about how the man coming back home from London reaches the dirty areas of Mumbai where blasts plots are planted. The camera movements follow the eyes of Aamir who has been looking into unknown areas with suspicion and terror. The background score by Amit Trivedi is extremely supportive to the subject of the script.
The director chooses a risky subject for his film and did best from his part. The weakness in the film is the climax and few unexplained moments. The film has to be praised for its realistic approach. There is no scope for romance and dialogues in the film and the film has no high action and thrills, it has just a common man and the city Mumbai being controlled by enemies and how a common man can help the city from being destroyed.
The performance of Rajeev Khandelwaal is impressive and his personality matches the character he plays. He sharp looks are lovely in the film. The film will not be entertaining for kids but can be watched by families and audience who like sincere films with a difference.
Cast: Rajeev Khandelwal
Director: Rajkumar Gupta
What's in a name? Everything. Aamir ( Rajeev ) gets off a plane in Mumbai, is razzed by airport officials for his obviously-Muslim name, and gets sucked into a terrifying vortex of events, which take him from one seedy pocket of Mumbai's underbelly to another, leading him to his destiny.
Yes, it does look as if the film, helmed by first-timers both on the directorial and the lead actor front, has been 'inspired' by 'Phone Booth', but it has enough to stand on its own. The young doctor returning home after studying in the UK is asked at the airport: 'kyon, visa extend nahin kiya'? And that hits home, both with the hero, and with us, the viewers. Racial profiling has become a huge scourge, both at home and abroad.
A cell phone, flung at Aamir, becomes the weapon through which a shadowy character controls him. Taxis driven by a 'satka-hua' driver, encounters with a blowsy whore, filthy bylanes, overflowing toilets, become the points through which he has to pass, with an increasing sense of helplessness.
The tech specs are great. The characters know what they have to do; and so does Aamir, as he heads towards a searing, truly shocking climax. The film would have benefited, though, from a shorter length. In an on-the-go film like this, you need crispness at all times : there are not enough heart-in-the-mouth moments. But what there is, is a story which has something to say, and an everyman hero ( TV heartthrob Rajeev doing a good job of being hounded) believable every inch of the way. He asks that immigration guy right in the beginning : 'agar mera naam Amar hota tab bhi aap aisa karte'? That question stays with you.
Khalid Mohamed, Hindustan Times
Mumbai, June 07, 2008
First Published: 15:42 IST(7/6/2008)
Brilliant cinematography – largely executed with hidden cameras – is the hero of Aamir. Street shots, head-on walks through Mumbai's mean streets and mohallas are lensed with extraordinary stealth by Alphonse Roy. Editor Aarti Bajaj goes at the material with surgical precision. In fact technically, this boot string-budget enterprise, is a zinger.
You haven't ever seen the underbelly of Mumbai the way you do in Aamir directed by first-timer Rajkumar Gupta. Thematically, too, here's a little big movie that salutes the sacrificing secular spirit – not always convincingly but the climax, is likely to stir the social conscience of every viewer.
Terrific! But here's the rub. The plot: it's about an England-returned doctor (Rajeev Khandelwal), who on landing in Mumbai, is threatened to follow instructions over a cell phone. Alas, this is hardly plausible. In fact, the outcome is littered with so many questions and inconsistencies that Dr Aamir's dilemma becomes un-involving. Why is he the chosen one? Why the elaborate hatch-and-catch 22 charade?
Also, why does director Gupta have to go the DVD-pilfer route? The source, like it or not, is a Filipino movie called Cavite (2005) with virtually the same plot.
Gratifyingly, Rajeev Khandelwal affirms that he's a first-rate actor. A born natural, he's a welcome addition to the quality conscious Actors' Club.
Fanclub Member's Reviews
Review By Vandu
Aamir - Can someone else change your Destiny??
Im here with my Review and I'm gonna imagine that this is the most awaited review….hehehe! Ye galatfaimi mujhe bahut pasand hai……..lolzz !! Move away Taran Adarsh and Rajeev Masand…….This is where I take over now !! Muhahahaha!!
So, An unassuming opening shot…..makes u smile seeing the scene you know so well ,coz u have found yourself in the scene quite often….Either as the actor himself or the person sitting next to the actor………The opening shot will make u chuckle with understanding……..!
After the relaxed first scene, the film suddenly gathers momentum when a person who has just arrived in the country find himself in the midst of utter chaos ,confusion and extreme terror………A cell phone is thrown into his hands and his whole family's destiny starts being written by a man who's intentions are unknown and untold…! What happens?? Does Aamir succeed?? Kya Ek Admi Apni Kismat Khud Likh Sakta Hai?? The tagline catches u on the rebound and turns into a huge "?" and makes u shudder with the thought that the person could have been "U" for all the goon cares !
What follows is a totally pacy movie…….No hold ups or unnescessary distractions, read that as no dance sequences and no herione…….The film moves swiftly from one scene to other……Making u catch your breath in wonder and amazement……..The dialogues are very common and totally relatable…….Infact you mind find one or two dialogues which you have said to someone or someone has said them to you……….This makes you chuckle with familiarity on one side and hits u on the head with the realization of the extreme sense of relatability you hold with the character………Aamir's hapless journey to save his family and his meeting with different people whom he doesn't know and will never know but they have the most important involvement in his and his family's quest for life at the moment ! The tale makes your heart bleed for the lead protagonist and makes u pray for yourself ki " Hume Mehfooz har kadam karna aye Khuda"
Mumbai is shown in its true colour…….U might have seen the metropolitan life of Mumbai in films before……..U get into nausea seeing the scenes but slowly the resentment goes and the reality of the things gets into you and the nausea turns into a full blown hangover……..U are scared to blink ,that u might miss sumthing……..U unknowingly join the protagonist in trying to get out of this mess…….Not coz you have a soft corner for him or even in those dirty environments he looks "Oh sooo Chweet"……..But bcoz ………It is war between common man and undecided forces who are making life difficult on the name of "Qaum"………U have no choice but choose a side…….because the views are soo strong that it wrenches your conscience….!
The treatment of the film is Superb…….U can point out the places and guess where the hidden camera's have been used…….A salute to Rajkumar Gupta for the brilliant Direction……..U are gonna be one busy man Mr.Gupta………Just wait till production houses fall over their feet to sign you to direct for them……..An established master of the thriller genre…The camera work is first rate…….An applause for Alphonse Roy…..The background score is a character of the film in itself……..It totally gets us into the thriller mode……Take a bow Amit Trivedi and i must add excellent n apt music score!
And now…The acting….."A new cast"…….The lead actor has the onus of supporting the full film on his shoulder……He does it and how !! This is a Superlative Performance that will be hard to match for the quite some time now…….And I don't see Harman or Imran standing any chance at the debut awards unless they do something extremely out of the world……..Make a new shelf Mr.Khandewal……I can see the awards coming your way !…..U are the toast of the season….! The sincere performance is heart touching and evokes empathy and not sympathy for the character……..Totally in character and in control …….A Pleasure to watch…His eyes convey soo much…….U feel you could watch him alone for 2 more hours…….Hell !……Who needs a heroine when u have the hero all to yourself throughout the movie…..! Giriraj Rao evokes terror and menace with his performance…..No Gabbar like high-pitched laughter…..No self goading….No flashing of power……Though I wish he would eat with some manners…….His style of eating killed my appetite……..hahaha! The characters playing the family of the protagonist is good but forgettable…….U wont remember them,but one feels this is a ploy to reinforce the fact that it's a common face and its like the people you come across on the road and forget….And that it could actually be anyone…
Vandu's Rating : 4/5 (****)
To see or Not to see : U don't wanna miss this movie……This is gonna bring a sea of change in the way of directing thrillers….. Be the ones to welcome the catalyst for the change with open arms ! Not to be missed……I dunno about u……Im gonna watch it again and it's a movie worth recommending……Rest assured the person whom u recommended it to ,wont come a whack you on the face for it ……! My friendz had come only coz I emotionally blackmailed them,since they have not seen any of Rajeev's TV Shows…….But they in the end thanked me for dragging them and they are looking forward to watch the movie again …..The Khandelwal Effect without a doubt….!
Review By Yojana(Angelic eyes)
Okie I saw Aamir..First day First Show..here in Hyderabad..Just back to give the verdict
I have no words to express my emotions..had loads of expectations from the movie..from what i had seen from the promos..ofcourse since it starred Rajeev..
I Must say it proved me right..An Amazinggggg Movie..Stupendous performance by Rajeev and to top it all great background score..
A Different movie..A hatke debut for our hero..Rajeev was Superbb..His expressions..his dialogues..His eyes..Just Perfect..
Don't think anyone else could have played Aamir sooo well other than Rajeev..
Reccomends the last scene..The gripping climax..Tooo Gooddd..Just fabulous..
Three Cheers to the Aamir Team for making such a moviee..!!
Lovedd it..A Must watch for everyoneee..!!
Review By Yazh
How nice it would be to discuss each and every scene.
Not every minute but every single nano second counts, it is awesome. Every emotion is different and unique. Top notch actors can learn from him. But then u can't learn all this, it has to come from within. Nothing methodical, straight from the heart.
We heard about the aam aadmi so much, but it is actually the aam aadmi we get to see.
As I said earlier it is the chemistry between this aam aadmi on the screen and us in our seats that will create a flutter. He just connects!!!
Seldom have I seen as confident and competent a first-film as Aamir. It's a tight little thriller that sucks you into its drama less than five minutes into the film and keeps you hooked till the end credits roll.
Television's wonder-boy Rajeev Khandelwal stars as Aamir, a Muslim doctor returning to Mumbai after a stint in the UK, who finds his life turned upside down from the moment he steps out of the airport. A stranger slips him a mobile phone and a voice at the other end threatens to kill his family if he doesn't follow instructions.
From confusion, to shock, to fear, to anger, Aamir goes through all the motions as he follows the voice that leads him in and out of Mumbai's impoverished neighborhoods to have his nose rubbed in the stink and the poverty of the life he abandoned for the comforts of the West. As the voice on the phone leads him through a series of increasingly dangerous errands, it becomes clear what the caller's agenda is. In one last fateful instruction, Aamir is given the grim choice of carrying out a terrorist act or losing his family forever.
Skillfully directed by debutant Rajkumar Gupta from a story that sounds suspiciously similar to that of the Filipino film Cavite, Aamir works because it's filmed documentary-style, creating a breathless, urgent tempo, transporting the audience out there where the action is, side-by-side with the protagonist.
The film's only weak link, is the absence of any convincing explanation why Aamir and not anyone else in similar conditions was singled out for this operation. In fact, you'll find that little detail is satisfactorily handled in Cavite where there's a very specific back-story behind the selection of that particular protagonist. Also despite its running time of only 90 minutes, Aamir does, in a few places, tend to get repetitive and loose. But for the most part the film moves at a brisk pace, never really deviating from its thriller format.
The success and the impact of a film of this nature depends greatly on the credibility and the performance of its protagonist who occupies virtually every frame of the film from start to finish. In Rajeev Khandelwal, the filmmakers have found the perfect man for the job. Uninhibited, spontaneous and blessed with unmistakable presence, Khandelwal holds the screen like a seasoned artist. Using his face as a canvas to display emotions, he emerges the biggest strength of this little film.
More relevant to an Indian audience than Phone Booth or Cellular, two popular Hollywood films with a similar premise, Aamir has a moral core that will no doubt resonate with discerning viewers.
I'm going to go with three out of five and a thumbs up for Aamir, it's a remarkable film that you mustn't miss if you're tired of all the mindless entertainment that's hurled at you week after week at the movies. And Rajkumar Gupta is a director to look out for.
Rating: 3/5 (Good)
Film Aamir Review by Hanumant Bhansali
Cast: Rajeev Khandelwal
Director: Rajkumar Gupta
Producer: Anurag Kashyap, Deven Khote, Ronnie Screwvala, Zarina Mehta
Music Director: Amit Trivedi
Lyricist: Amitabh Varma
Editor: Aarti Bajaj (Aarti Kashyap)
EXCLUSIVE REVIEW BY HANUMANT BHANSALI
Rajeev Khandelwal, the heartthrob of Indian television marks his silverscreen debut with Aamir. He has earlier shown his class of acting in tele-series Kahiin to Hoga and Left Right Left. The film has been made under the banners of UTV Spot Boys Pictures and also marks the debut of director Rajkumar Gupta.
Visually, Aamir is very raw. The shooting locations can be related to the ones that an ordinary man comes across in his daily life. However, for an intelligent audience (which has increased in numbers) a good film can always expect appreciation, and that's where Aamir will find its success – in the heart of the audience.
Aamir is the story of an individual who is hit black and blue by the tides of religious waves and a web of introspected trap. The bullish attitude rises from the past from where he left his strength, and finds a new leash of life amidst the down streams of fears and tolerance.
He finds his true self entangled in the over crowded streets of Mumbai. Will our leading protagonist choose to win his trance or will his choice turn out to be a nightmare?
The theme carried by the strong script and brilliantly executed by the technical crew of Aamir stand out as the winners in this film. Cinematography and the background music are brilliant. Editing is slick.
Rajeev Khandelwal, playing the title role of Dr Aamir Ali, portrays his character brilliantly.The complete focus is on Aamir's character as there are no songs or sleazy item numbers to dilute your attention.
On the whole, Aamir's strength lies in its storyline and well-crafted plot.
Radiosargam Movie Rating: 7/10
Joined: 12 July 2005
Joined: 12 July 2005
Rajeev's E-mails regarding Aamir!!
Joined: 12 July 2005
Joined: 12 July 2005
Articles Related to Aamir(The Film) and Rajeev
|ublication:Times Of India Lucknow;||Date:Jun 25, 2008;||Section:Lucknow Times;||Page Number:19|
'TV actors don't make it big in films? Says who !'
Rajeev Khandelwal, after Shah Rukh Khan, is proving that transition from small to big screen is possible
ROSHNI K OLIVERA Times News Network
Just a few months ago it was "Look Sujal's here" or "See Captain Rajveer Shekhawat is around". But something's changed. He's Aamir for the world today, or actually Rajeev Khandelwal himself. His small screen character names are slowly fading into oblivion simply because the man has made a huge transition to the big screen with rave reviews about his performance in his debut film Aamir.
Incidentally, after Shah Rukh Khan, he's the first male TV actor to make the transition successfully. Many others who tried failed, some even miserably. Rajeev says about this, "I'm glad the mindset that TV actors can't make it on the big screen will change now. Also the fact that a small film with no heroine can work! It's all about the right script and execution."
So how much has life changed for him? "Life always remains the same. Things around you change. Today, there are a lot more expectations, a little more respect and a lot of love! The response I've got is overwhelming and I'm happy I've lived up to people's expectations." But he isn't celebrating his success and there's a reason behind that. "I'm not on cloud nine and that's because before my film released I'd decided that if it didn't do well, I wouldn't go into depression! So similarly, I'm not partying hard either."
He has signed his second film Peter Gaya Kaam Se, a romantic film, opposite a newcomer, where he plays a loverboy. He surely must have been waiting for this considering he's always had a romantic onscreen image. "Actually, I wanted to do something different from what I've done in my first film. And, for how long can I keep myself away from romance?" he laughs.
With competitors like Harman Baweja and Imran Khan who are well-packaged, where does he see himself fitting in, especially with song and dance? "I'm happy to have such good batchmates and there are so many of them... I think around 25 are making their debut this year. About me dancing on screen, well, it's going to be fun," he says excitedly.
Rajeev's always been the risktaker, whether it was when he quit the TV show Kahin Toh Hoga that made him a household name or later when he gave up television for films. "If you want to take a leap you have to take chances. One has to live life on the edge to make it exciting," is his mantra. His acting dream incidentally dates back to the time when he was in class three. And there's a dramatic twist to this, too! In class nine he got an opportunity to be part of a show for the local Doordarshan network in Jalandhar (his father, who was in the army was posted there). But that entailed going out of town and missing school and so his dad refused. "As I tore the script to bits, I decided I would become an actor one day. Here I am," he smiles.
THE RISING STAR: Rajeev Khandelwal
0 N M Y S H E L F
"I hope the script for my next film is on my shelf soon !"
Never let a hectic schedule affect your reading. I usually read a few books at a time. Right now, I have plenty lined up on my shelf, incuding Jeffrey Archer's latest, A Prisoner By Birth. It is simply unputdownable! A good book should have both a great plot as well as brilliant writing. Only then can it sustain interest. On these parameters, I vote for Ayn Rand and Jeffrey Archer as my favourite writers. My alltime faves are The Fountainhead and Kane And Abel. But what I'm eagerly awaiting now is the script of my third film. I hope that's on my shelf soon!
— As told to AMIN ALI
DIPS 'N' CURVES
—SUBHASH K JHA
Acluster of newcomers made their disastrous debuts last week in two romantic films. They deserved better. So did we. Romance, it would seem, has gone out of fashion. There was a time when debutants clamoured to be introduced in cotton-candy coochie-cooing excursions. No more. Everyone is looking for a different kind of launch. And so, Rajeev Khandelwal has no leading lady in Aamir. Aamir Khan's nephew and Priyanka Chopra's boyfriend who make their debuts next month are seen doing unconventional things in the promotional gambits. Luckily for Imraan and Harman, their heroines are tried and tested. Bollywood has a serious history of one newcomer falling by the wayside when double debutants appear together. Does anyone remember Harish and Kamal Sadanah who debuted opposite Karisma and Kajol in Prem Qaidi and Bekhudi, respectively?
Even the mighty Kamal Haasan was a casualty of addled stardom. He lost out to his co-star Rati Agnihotri in their Hindi debut Ek Duuje Ke Liye. And where is Vivek Mushran who made his maiden appearance with Manisha Koirala in Saudagar? It's not as if the ladies always march past their co-stars. Guys too leave the ladies behind quite often. Akshay Kumar debuted with Shantipriya in Saugandh. She vanished. He went from strength to strength. It can be said with a fair degree of conviction that none of the debutants from last week stand any chance of making it beyond the checkpost. And they included star kids (producer Kumar Mangat's daughter, Shekhar Suman's son) and wannabes from outside like Nakuul Mehta.
Kumar Mangat's daughter came to us with adequate publicity. And vocal and visible support from 'Ajay bhaiya' and 'Kajol bhabhi'. And stories of Adhayayan Suman's warm friendship with Kangna Ranaut reached us before his debut film did. Net result: No curiosity. So what makes a film hot at the box office? While chatting with Rani Mukerji the other day, I realised there's absolutely no rhyme or reason why a film does well or not. "Tara Rum Pum did well enough last year," she grumbled. "But it was dubbed a flop." Her new film is about a return to arcadian innocence that would be considered highly risky in these times of acute cynicism. In De Taali, Rimi
Sen is made to watch the unedited version of Ram Gopal Varma's Aag. Perhaps next year another wise guy will make another film that will show someone being tortured watching De Taali!
'There is no formula for success'
TV actor Rajeev Khandelwal, talks to Swati R Chaudhary about his debut film Aamir, a psychological thriller
How would you describe your debut film Aamir?
Aamir is a complete Bollywood commercial thriller. It is not one of those run-of-the-mill thrillers. You would be forced to think. It's a battle of ideologies. It's a psychological thriller. There are no superstars, larger than life locations or supporting cast to sell the film. Aamir is the story of an average middle class Indian.
What is your role in the film?
The film is about the problems average Indians face. It's the story of Aamir Ali who lands in Mumbai and is oblivious to the trap that is awaiting him. He is sucked deeper and deeper into it but eventually fights his way out. Aamir is an ordinary guy caught in extraordinary circumstances. He is no hero but becomes a hero.
How did Aamir happen?
After I quit my last television show, Left Right Left, I was offered Aamir. The script completely floored me. I think I was born to play Aamir. I have more than 25 bound scripts with me none of them excited me enough. I was not asked for any auditions or screen tests. Anurag Kashyap and his team showed a lot of confidence.
Chor bazaar, Nagpada, Crawford market, mutton market'85Why was the film shot at such congested locations?
The film is very real in terms of story telling. There are no larger than life portrayals in Aamir. To make it authentic, it was important for the film to be shot realistically. Mumbai is an integral part of the story line.
A first-time director (Rajkumar Gupta), no heroine, no item numbers, no exotic locales'85Why this chancy debut?
There is only one item in the film and that's me. (Laughs). My first film has to leave an impact and prove that I can deliver as an actor. Being an outsider, I knew no one would launch me in a Rs 35-cr magnum opus. Nobody would make a Saawariya with me. I know I have to make it on my own. As far as making a romantic, conventional debut is concerned, tell me which is the safest debut? There is no fixed formula to success. How many actors, who have made a romantic debut, have managed to stay back? There is no way to device a safe launch vehicle.
In retrospective, what do you feel about your decision of quitting television?
I was unhappy with the way things were happening. I am not much bothered about the zeroes on my paychecks than the script. Television was becoming mundane and unexciting. Besides, when is the right time to quit? When the show shuts down or people get bored of the show? The love and adulation is tempting but I believe you should leave things when you're at the helm of it. It takes a lot to detach and walk away at that peak time. But I have always believed in my decisions. It was difficult for me to walk out on the streets with everyone looking at me, smiling, blowing kisses especially when I knew I wasn't doing anything in the show (Kahinn to Hoga). I was doing something that was making absolutely no sense to me. That's when I decided to quit. I thought I wasn't worthy of all that adulation. I had to deliver. So I chose to walk out.
Any big banners or production houses lining up?
Big banners like YRF and Karan Johar haven't approached me. But some people who make a difference to the industry have approached me. I am just holding myself back. I am just doing another romantic film with UTV presently. I won't sign any more films until Aamir releases. I want people to see my work first.
Do people connect to you as 'Sujal' or Rajeev Khandelwal?
I am recognised more as Rajeev Khandelwal though Sujal is an intrinsic part of my life. When I walk out today, there are a lot of women who call me Sujal. There are plenty of people who call me Capt. Rajveer Shekhawat from Left Right Left. I feel very humbled. It's amazing feeling because every time someone walks up to me, I feel that they have decided to give me a couple of minutes out of their lives without expecting anything in return so the least I can do is make them feel special.
Apart from acting, what else are you passionate about?
I am passionate about life. I like cooking and love outdoor sports like mountaineering and river rafting. I like meeting people. My nariyal pani wala and the girl living down the slums are the most interesting people in my life. Whenever I return her smile, she blushes which makes me happy.
Your final take on Aamir?
I am proud of Aamir. I was destined to play Aamir. It had to happen to me. As far as the box office success of the film is concerned, I can't anything about it. — TWF
When Aamir landed in a lockup
16 May, 2008 07:15 am ISTlINDIATIMES MOVIES
Rajeev's Aamir has to Wait
Rajeev Khandelwal who swept the fairer sex off their feet with his role of the tough and introvert Sujal to become the heartthrob of the nation will have to wait for a while for his debut flick Aamir to hit the big screen. Aamir was slated to release by the end of May but now it is pushed to June 6. The actor has already started receiving rave reviews for the promos of the movie.
Talking about the delay of the movie, Rajeev says, "The release of Aamir is delayed as we are coming up with a song for the movie which would run for at least 15 days before its release. One can term it as a promotional strategy for the movie."
"This is a cult movie and people will find me in a different avatar altogether," adds the hunk.
The movie is about a bomb-blast that takes place in the city and Rajeev tries detecting and decoding it.
Well Rajeev whatever avatar you don all those girls can't wait anymore to see you back on-screen!
Aamir the story in Pictures !
|Aamir: Story in pictures|
Aamir is about a London-based doctor who returns to India only to find himself trapped in a political and religious dilemma.
|Aamir: Story in pictures|
He also took care of his makeup as the film was shot using hidden cameras so a vanity van was out of the question. He wanted real shots, therefore for continuity's sake, Rajeev would do his make up in a taxi or rickshaw.
On several occasions during the shoot Rajeev had to request his fans to allow them to shoot as the crowd was getting unmanageable.
I like Jaipur's character: Rajeev
Now June 6 hots up
By Taran Adarsh, May 20, 2008 - 09:06 IST
Multiple releases are the order of the day and the moment IPL concludes, the immediate week - June 6 - will witness a barrage of new films.
SARKAR RAJ was the first to block this date. AAMIR, Rajeev Khandelwal's debut film, was also shifted to this date subsequently. "AAMIR won't get affected by the SARKAR RAJ wave. Our film caters to a different audience," UTV's Siddharth Roy Kapur told me a few days ago.
Kamal Amrohi's grandson Mashhoor Amrohi makes his acting and directorial debut with HUMSEY HAI JAHAAN, also slated for release on June 6. Wait, there's one more film on this date - ZINDAGI TERE NAAM. This film was slated for release on May 30, but has been postponed to June 6 since the music is being launched on May 23 and its makers want to promote its music for at least two weeks before the film hits the marquee.
Bollywood's new star wars
'Aamir is not cashing in on the Jaipur blasts'
Still from Jannat
Why are you so selective about revealing the plot of your film?
Aamir is a cutting edge thriller about a common man who is pushed against the world and asked to do certain things. The crux of the film is whether he gives up or fights back to deal with the circumstances. It's a situation that any one of us can get into unknowingly and how one deals with it. Mine is a compelling, moving and entertaining film that doesn't have any conventional female lead. Since the thriller unfolds with each and every scene, I am reluctant to say anything further. At the most I can say the film is set against the backdrop of terrorism.
Jannat's release date coincided with the IPL matches. Aamir releases just weeks after the Jaipur serial blast. Do you think real-life connections will help your film at the box office?
The release date of my film was decided much before the tragedy struck. Aamir is not cashing in on the Jaipur blasts. No tragedy should be commercially exploited.
Producers are suddenly showing interest in making films on terrorism and the Naxalite movement. Is that because terrorism in India is again rearing its nasty head?
I am not aware of many recent films on terrorism. Of course, there is a herd mentality. But then, that's not Bollywood specific. The moment a certain genre of films is successful, Hollywood too throws up some more films in the same genre. As for terrorism, it has never remained dormant.
You are going on record to say that you weren't aware of Rajeev Khandelwal's previous work when you cast him as the lead. Considering that Rajeev is a popular television star, don't you think such comments can hurt his ego?
Frankly speaking, I have never followed television and hence didn't know about his work. I met him through common friends and interacted with him. Thereafter, he showed me some of his works on the DVD. Rajeev came across as an actor who never carried any baggage of being a television star. He had a lot of respect for the script and all of the technicians.
So, who is the real hero of your film - Rajeev or the script ?
The script. The only reason that my producers gave a break to a newcomer like me who has no filmi connections (I come from Hazaribagh) is because I had a cracking script. Of late, a number of big stars and production houses have released films that have bombed. The reason is that they didn't have a good script.
Do you do your research for a film and write the complete script before approaching your producers?
Yes. I've assisted Anurag Kashyap for Black Friday and No Smoking. And one must be prepared to show a bound script to every producer who wants to read it. A producer might reject a script and there could be chances of portions of one's script being copied by others because one has shown it to some producers. But that's a risk one has to take. Film-making, in any case, is a risky business.
What else did you learn from Anurag Kashyap?
He told me that a film has to be made from the heart. Budgets are no excuses. I can never say that my film would have been better had I got a crore more. Budgets don't decide whether a film is good or not.
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