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~~~FAN Reviews & BoxOffice Update 3~~~ DTNote:P94

NestleToulouse IF-Stunnerz
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Posted: 17 April 2016 at 1:01am | IP Logged

Take a bow, Shah Rukh Khan, raves Raja Sen.

Who could do this film but Shah Rukh Khan?

Conceptually, the basic idea propelling the narrative of Maneesh Sharma's Fan appears deceptively simple -- that of an obsessive fan, a bit of a cross between Misery and The King Of Comedy -- and, judged from the surface, this film works like a slickly efficient Darr homage.

Yet, behind the thriller-movie makeup it wears, there is so much more to Fan, a film that should be hailed for its satirical sharpness and for its subtle subversion. And it deserves to be celebrated for the way it allows the world's biggest movie star to cleverly lampoon his own absurdly, inevitably inflated legend. 

For this is a film where Shah Rukh Khan crowns himself his own greatest admirer. 

Lookalikes don't often resemble the celebrities they attempt to ape.

Styled to accentuate a passing resemblance, they more often than not look like a wonky wet-watercolour version of the real thing,something sculpted with less finesse and more raggedy edges.

Don't be taken in -- Fan is never a template film, especially when it begins most to resemble one.

Throughout the action there are clues to how blind faith in cinema steers you wrong.

It is a well-crafted, finely cast film, with significant performances from actors like Yogendra Tiku and Shriya Pilgaonkar, set against that precise Delhi detailing Sharma is so good at.

Cinematographer Manu Anand plays up both similarities and the lack of similarities between the two protagonists with great skill, his camera often slithering around them in compellingly framed close-ups and over-the-shoulder shots.

The difference between the two SRKs is pronouncedly stark in one scene, but they completely, creepily, coldly turn on the exact same amount of charm in the next. Khan's performance is an astonishing one, credibly creating both the young hungry-eyed kid falling back in anorgasmic swoon on beholding his idol in the flesh, as well as giving us the deeper portrayal of a superstar with such a fragile identity that depends far too much on perception. 

The film rightfully attacks the irresponsible and star-struck media scavengers through a smashing scene wherein a journalist tries to make a joke and Khan -- sorry, Khanna (or is it?) -- eviscerates her for laughing while they are speaking about a young girl being molested. And it deeply hacks away at the idea of the self-proclaimed superfan, an increasingly profane and vulgarly aggressive community in these times of social-media and constant online abuse. (To spell it out: Dear Salman fans who are already doubtless typing up swearwords based on how many stars this review has, please realise Sallu himself would not appreciate it. He might blush, even.) 

Take a bow, Shah Rukh Khan.

Not only for a phenomenal, genuinely groundbreaking performance but for being bold enough to give us the sight of a boy wearing painted-on abs while aping you dancing in a song where you, according to rumour, wore painted-on abs. For a glimpse at a worn out 50-year-old man -- massaging his temples, and stretching at the lines on his face -- before turning on the high-wattage smile and stepping out to market his myth. 

Of course Shah Rukh Khan is his own biggest fan. It's a rule that comes with the megastar territory, the need to believe in your own legend. What a film like Fan makes evident is that the rarified view from high up there may not always be the most pleasant. Especially when you're looking at the fan in the mirror. 

Rediff Rating: 4.5 Stars



Edited by luminescence - 17 April 2016 at 1:13am

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NestleToulouse IF-Stunnerz
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Posts: 37374

Posted: 17 April 2016 at 1:07am | IP Logged
Highest OPENING DAY biz of 2016 *so far*: 1. #Fan 19.20 cr 2. # Airlift 12.35 cr 3. #TheJungleBook 10.09 cr Note: Nett biz. India biz.



Edited by luminescence - 17 April 2016 at 1:08am

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Posted: 17 April 2016 at 1:11am | IP Logged
Yippee...new thread. 

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RabbitOnSkates_ IF-Sizzlerz
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Posted: 17 April 2016 at 1:24am | IP Logged
Originally posted by luminescence

Highest OPENING DAY biz of 2016 *so far*:
1. #Fan 19.20 cr
2. # Airlift 12.35 cr
3. #TheJungleBook 10.09 cr
Note: Nett biz. India biz.



Dont knw why i just love this pic of Gaurav.. looks so cute Heart

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Posted: 17 April 2016 at 1:25am | IP Logged
Bookmarked!! 
Breath-Mark IF-Sizzlerz
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Posted: 17 April 2016 at 1:26am | IP Logged
Bookmark
NestleToulouse IF-Stunnerz
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Posted: 17 April 2016 at 1:33am | IP Logged
Filmare Review
4/5

Fan is Shah Rukh Khan's best effort since Chak De! India. It's definitely not as good a film as the hockey based drama, but it is a solid thriller. It's a unique concept, it's been executed by some masterful CGI and SRK has dug deep into his reserves to give a stellar double-role performance. Watching Fan is a thrilling experience. The movie surprises you with its narrative control. It tells its story with a punch. With an engrossing combination of slick action and intense situations Fan keeps you on the edge of your seat. It stays away from the usual over-the-top facade that has plagued superstar vehicles for so long.

The story deals with an obsessive fan, Gaurav (SRK) and his bizarre aggression towards his icon, Bollywood star Aryan Khanna (also SRK). Yes this film borrows a plot idea from Robert De Niro's The Fan (1996). But the similarities are merely superficial. At its core, Fan is a thrilling encounter where a fan looking for acknowledgement from his inspiration, goes a little too far. The star resists the fan's overtures because they have unwarranted aggression. The fan almost becomes psychotic in his attempt to please his hero. Obviously the hero doesn't approve and that leads to the star and the fan fighting it out. It's a veritable clash of the egos. And it makes for some serious thrill.

Fan is unmistakably masala cinema. You have twists, chases, fights and full on dialogue baazi. But even when it employs formula, it stays away from filmmaking clichs. This is a solid screenplay by Habib Faisal. And director Maneesh Sharma adds a nice contemporary punch to the proceedings. He caters to the action genre but not at the expense of his story. So while two Shah Rukh Khan's are running around in Parkour inspired stunts, the moral dilemma of their actions and motives is clearly established throughout. The fan is just obsessed while the star is out on an ego trip. They could've settled the matter with civility, but they take it to theatrical levels because both don't know when to quit. That prevalent sense of logic makes Fan an intelligent film. It entertains you, but it also shows you the actual dark side of glamour and its obsession. There's even a monologue on the frivolous nature of being a star fan. Thankfully none of it is preachy.

What makes Fan even more unique is the technology employed to bring two SRKs face to face. Gaurav the maniacal fan is created entirely using 3D face mapping. So SRK's face, replete with his entire range of expressions, is created digitally and put on another person to create a whole new character. It doesn't matter that sometimes Gaurav's face looks a bit too plastic and that he eats like a fish. Minor gripes aside, this tech really makes double role scenarios look fantastic. SRK's voice modulation for Gaurav, with the Delhi twang is superb as well. In his lunatic avatar, SRK brings in memories of Darr and Anjaam. And then you have his technologically less-advanced portrayal of Aryan Khanna the star. The restraint and the intensity SRK exhibits as a righteous but power-crazed celebrity is phenomenal. His portrayal of Aryan brings reflect upon SRK's actual stardom. This is easily one of his career's best efforts.

SRK is on top of his game and so is director Maneesh Sharma. Some of his decisions are real aces. The no song-and-dance approach really adds to the film's experience. The background score as well as the cinematography add to the director's vision. Even though the film is two and a half hours in length, it feels breezy. This is definitely a taut film. It takes a fresh concept and adds the right amount of zing to it. You could argue with the formulaic approach, but the usual thrills and spills don't rob the story of its impact. Both the star and the fan have their grey shades. And that's what makes Fan a smart film.

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Posted: 17 April 2016 at 1:48am | IP Logged
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