Iss Pyaar Ko Kya Naam Doon

REBLAST 1 Episode 1 - 5 - Page 36

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indi52 thumbnail
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Posted: 8 years ago
spent some more time on episode 11... that dhruv thing is confounding. we keep saying things started going wrong later, but looks like loopholes started way back... i could see nani ji was severely toned down and bua ji too... that works perhaps with the "reveal" mode of the show itself... bad is good and good is bad, etc.

but an entire human being disappeared before appearing?



episode 11


"kya aap bina shakkar kheer bana sakte hain? nahin na?" can one make kheer without sugar? can't, right?

a smooth bridge with those words to the fabulous memory of a man in a blue shirt, gardening. looks like writers are having a lot of fun.

director joins in with that jalebi khushi pops into her mouth over the emotional embrace with payal.

 
she has just talked her father into letting her work, prompting her bua ji to roll her eyes and snap, she ought to have been in politics. but now she's all shaken up. work? that was not in the plan. the inner workings of a vulnerable yet

 
gutsy girl with "himmat" and a protective loving elder sister makes one emotional, then she bites into her jalebi and you have to giggle. chatori number one, indeed. the greedy one as her bua ji yells from time to time. khushi and her jalebis, asr and his suv, a thesis in themselves... two actually.

 
and there at the home of the man who can't have sugar, his dear aunt sits on the kitchen platform with a row of nail polish bottles fixing her nails as veggies look on, not a very serial bahu, is she. lo and behold, today rm has a maid in the kitchen. have counted up to four household staff by now. wish they hadn't disappeared without a trace as we went along.


back to: whimsical and touching little scene between sisters about their champagnia dreams... no one is going to work, we'll just get married and sit in our own homes, all dressed up and perfect wives, me watching tv after woh goes to work, you all happy tending to your saas. alas, that's not to be. 
 
isn't that what most girls even now grow up thinking no matter where they belong to? that dream of love and marriage? a tender look at young girls apart, there was lethal tongue in cheek writing and deepali too good going all giddy about taking care of saas. a satirical mind somewhere that's had enough of hindi serial junk... even though it may be writing a lot of it.
 
on the other side, naniji is ready to get her beloved's horoscope made. how dare you call her a goat, if you want to do business here, purohit, make lakshmi ji's kundli, born on guruvar too, our beauty. 

clearly, wealthy or not so, sanka is the order of the day.

 
a whole new meaning to "seluph serbhees," a grandmother rattled, a girl lands up on her first day at work, minus appointment letter, hellbent on teaching an arrogant young man that just having money doesn't make you superior in any way. and the arrogant young man, today pricey as these guys are prone to be; visible for all of less than a minute, sweetly slamming the phone on inquisitive di, leaving me gasping for more. 

 
light, crisp yet layered episode. the khushi off to office on first day with bua ji and payal scene pretty classic. lots of humour, bua ji's bent love, khushi's complex emotions of fear, excitement, nervousness, just plain nuttiness, and payal's love and concern finally eyes brimming over for her little sister. three really talented actors there.
 

i can feel much is coming at us and fast. nani ji is not one to sit quiet after hearing of a someone kashyap, also first time we hear of dhruv. but my ears stuck on, "woh humaar bitwa hai, koi aam nahin.. ki mausam dekhkar... achaar daale." he's my boy, not some mango, that we check the weather and make a pickle of him... (literal translation, but you get the point)


"chahe arnav ki ho, akash ki ho, ya phir dhruv ki," nani ji wasn't taking it lightly no matter whose wedding it was, asr's, akash's or dhruv's. this was the episode where the young man made his only appearance. in his grandma's dialogue. then he just disappeared in a swirl of jalebi. 

 
two sisters loved their siblings rather intensely, one was always in frame with hers, the other never quite could let him go even in her thoughts... must thank anjali for making that call though, so we could see the nasty suv driver and hear his caustic, if you're done with your joke for the day, i'm disconnecting. that cool low tone of voice when he is displeased, his grandma has a similar one. was this by design or wonderful chance? anyway, thanks to these two sisters the story of asr khushi started and keeps going forward. but if they hadn't been there, would the two never have met? the answer is hidden somewhere in those whorls of juicy orange crunchy things no doubt.

Edited by indi52 - 8 years ago
indi52 thumbnail
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Posted: 8 years ago
but the ears heard, the head had to begin to turn.
his killer turn what makes me crazy.




hi sohara,

great to see you back. hope all well and you are chilled out and very hungry for the man that turns. i mean hungry of course in the most achhi ladki way 😆.

thanks for reading the take.

about the goat. yes, not exactly thoughtful about where they do there business, and usually not cuddled and carried like that. i remember many childhood rhymes and notions involving said creature and its habits.

for some reason they wanted a goat though to be lakshmi ji... i wonder why. maybe just a thing aimed at heightening the "serial" element of ipk? gimmicky.

but i thought nani ji and khushi did a great job of making lakshmi part of story, almost genuinely affectionate both actors seemed... while mami ji's hoonh! ridden derision was too good.

maybe one day while writing someone said, asr is really a "bakra" despite all that rage and rave and out came the idea, let's throw a goat into the tale.

yes, asr was nasty to nk. actually, asr has a very very nasty side to him, no running away from it... he is like that as he even knows. says things without thinking, hurts people. but when he realises, feels like a heel.

i enjoy this totally human hero of mine.

so no whitewashing what isn't all that nice about him.

khushi too has her flaws and i love her because of that, she too feels real. which is why as they pushed her character around, one minute ott, next achhi bahu, or whatever the need of the hour, it really bothered me a lot.

i don't mind her overstepping the mark with asr. i don't even mind her not realising or apologising... she believes she did it for her sis and that's how it stays.

we don't have to be right and mechanically correct all the time to be lovely. she was also interfering and rather callous at times... good. huq hai uska.

Parii.. thumbnail
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Posted: 8 years ago
haye o rabha
i love them
love arshi alot
indi52 thumbnail
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Posted: 8 years ago
episode 167


asr looked fabulous. kkg was beautiful. the episode moved swiftly, and something said, this was possibly a filler. the amount of time spent on shyam chasing scorpion, then anjali cooing over shyam's imagined chot, clearly indicated there was no real story to tell right now.


in terms of plot, for it is certainly that so we can get to 170 and its annihilation, the pressure on kkg and the guptas had to be increased. and so it was that mami ji took offence at the supremely nervous waddling bua ji's little mistake and sped off in a flurry of maminess to give bua ji "jindagi bhar current". she spiked her drink and despite all the rigmarole of glasses nk set off, managed to get her opponent woozy and making mistakiyas on the floor.

and the scores took raizadas to 14 while guptas lagged behind at only 4.

two questions here.

1. the judges gave nani ji only 7 out of 10? really? these are very stringent judges and maybe should be instantly dispatched to our dance shows.

2. why did bua ji dance with mami ji if they were from opposite sides? so did they practice together? and if so when and how?

okay okay, not asking any questions. just wondering about the format of this yalgar yalgar sangeet. love the songs... now it's pardeh mein rahne do... yeah, someone sure is hidden from all here, in purdah.



khushi quoted everything, from shah rukh khan (so she was unfaithful to salman ji? bewafa?) and qaynaat to sarfaroshi ki tamanna in her melodramatic bid to instill courage and confidence in her humoungously nervous humongous aunt. but the war she was declaring was clearly against the laad governor, who was so terribly on her mind that all it took was for akash to ask a simple, "sab theek hai na?", everything all right?

next thing you know, khushi is off into a tirade about that man, "theek toh hum uss laad gov ko karenge unhe haraake," i'll fix that laad gov by beating him.

aksah is mystified. his bhai is nowhere around, yet his sis in law to be is gritting teeth, balling fist and giving it to him verbally. ah well, he assured her, all is fair in love and war. khushi kept quiet for almost thirty seconds. no, maybe ten.

"haan bilkul, hum uss laad governor se darte warte nahin hain!" yes, of course, i am not scared or anything of that laad gov, khushi yelled and waved her arms. you know who will overhear this. he is meant to. but perhaps a less predictable devise could have been found.


no matter. man looked good enough for me to forget all loopholes. shetty, as has been noted is many seventies' films, bik gaya.

arnav singh raizada was enjoying checking out the vision in maroon, but his eye was really on one and one thing only... winning. he kept the pressure up.


"dar koi aur raha hai... haath kissi aur ke kaap rahe hain..." someone else is scared, someone else's hand is shaking, he jeered in the most delicious low voice while kkg clutched her lehenga. khushi's emoting and expressing through her hands was always interesting.

and though i felt her reaction was a bit too marked, it may have underscored all the turbulence in this young girl as she battles with her own attraction for a man from outside her milieu. an exciting, challenging, handsome, undeniable, unstoppable, unforgettable, most irritating man. she must beat him. she mustn't lose.

yeah, though nothing much was said between the two. this episode the tension and torque in her was palpable. something was building.

a thing that struck me, though i couldn't figure out it's meaning, was that shot of the three nand kissore. three krishnas? is there a story or reference somewhere? felt as if the writers and director wanted to say something and it was more than just bua seeing triple in an inebriated haze.

how cutely, she beamed, "bahut natkhat hou!" you're very playful... and pinched the desperate nk's cheeks. then she asked about marriage.

i fell down laughing. the writers were having too much fun with madore as in madhumati and nand kishore. ah hidden love story of ipk.

in the visible love story the man smiled meanly at the girl. oh, yes, he means to win.


Edited by indi52 - 8 years ago
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Posted: 8 years ago
Originally posted by: indi52

episode 133



brothers and sister, enemies and lovers. an episode that opened out and seemed to do a big group hug all around, a smart move i thought by writers to bring two antagonists to a place where they must stop fighting and collaborate. and so it was that asr and khsuhi got seriously involved in sealing the fate of payal and akash's love story.
yes indeed. really smart move by writers to meliorate ASR and Khushi's acrimony. The situation became really nasty between them that time.

the two may hate each others faraq not padta ways, they may hurt each other, okay, he manages to hurt her more most times... but when it comes to their siblings, they are putty and completely like each other. they will both do pretty much anything for their family. some day he will use this knowledge to force her to a temple, but for now, he can't bear to see his coz, his brother, sweet lost akash so forlorn and she has understood that her sister actually loves akash ji, just that she is stubborn and must be persuaded to change her mind.
they indeed were ready to do anything for their siblings. the forced marriage also happened because of their siblings.

to solve this imbroglio, the gussa and the sanka are out on their first date. i am totally delighted, i don't care what the reason is why they sit across the table from each other, they are out together, makes me happy. kkg is looking totally cute and lovely today. never more kkg. and asr, uff in that brown three piece and all his asr-ness about him... supremely amused and superior, a bit giddy too i think.

of course, he repeats this "deal" will be good for akash, has kkg immediately cutting in "deal? deal matlab?" quite uncharacteristically i thought, he looks about a bit then says okay, "this" will be good for akash. of course, he is a good boy, because he is asr's brother. in that tom and jerry back and forth that is quite their way, kkg almost falls into the teapot as she says, yeah, despite that he's nice.


an eyebrow ascends. dealmaker hasn't missed it. must have sharp hearing i guess to be good at making deals.
oh sure undoubtedly; he became a successful entrepreneur at the age of 26.

"usske bawajood bhi jiji ne na kaha..." despite that jiji said no, aww poor sanka devi is trying to be nice to her favourite most hated laad governor.  he is not taken in.

he devices a simple plan to make payal change her mind. get akash to flood her with many gifts and...
he thinks that is what girls like... poor chap. i have to say, a part of me feels bad for this slightly dry young man who has never really understood girls or romance or anything like that. he has never gone that route and so the obvious things are what strike him.

kkg is horrified. what... never. not going to work. one must think, "kuch achha... dhamakedar... alag!"

priceless expression on self confessed unromantic man's face.

"humare paas ek plan hai!" i have a plan, beams she. the most "yeah, really!" look on his face and a matter of fact, "bolo." say.

she actually waves to him to come closer. lovely feel for khushi's character. when she is engrossed in something that she believes is important and all her energies are engaged, she forgets to keep barriers and be stiff, even with lg... i loved the way she beckons him.
that persona of her makes her unique.

so she must whisper this whole thing to him in the middle of a restaurant where no one knows them? completely ripping off an old ad slogan, all i can say is:"only kkg". maybe even, only sanaya.

while writing was smart and took the story forward effortlessly, there were many things that happened, that kkg or even at times asr did, which were really not that sharp and a bit silly too. i feel sanaya got khushi so so well, she could do the oddest even pretty duh stuff and still keep building khushi, making her come alive, everything added to that sunny jhalli sanka clean lovable and pretty sexy personality. there was a disarming openness in sanaya's acting that was hard not to fall for.👏 
I'm absolutely delighted to hear such awesome analysis of sanaya's acting. you know how much I love her acting.

not even the slightest self consciousness marred the portrayal... made khushi really unbelievably cute and dishy, despite all her weird ways and clothes, even her sanctimonious preachy bits.👏

"aaiye toh sahi!" she insists when he just looks around a bit frazzled.

"wait!" says tycoon loudly. killingly. that accent, sigh.

and then he actually leans across to hear her. 
aww how cute.

much gesticulating, he looks totally unconvinced.

"hamare beech jo kuch bhi hua hai... ya... ho..." whatever has happened between us... that... ahem... as they leave the restaurant, a truce is called for the sake of siblings. hands are shaken... but...

"par khushi ek problem hai, tumhara plan bahut stoopid hai.."

"kya!!" 

"fail ho jayga!"

he's sure her stoopid plan will fail. but then he is a man whose mind operates more rationally, western in attitude. he would possibly do a feasibility study, and apply other validated means of examining a situation before devising a plan based on research, calculation and much deliberation.

whereas madam is a master of the instinct. what's beyond the strictly rational. she knows her sister is stubborn, but she also knows her sis is in love and her key consumer insight comes from watching many films most likely... people in love behave irrationally. she is a hundred percent sure her plan will work. because it will tug where it needs to tug.

later he will tell her the plan had several loopholes... it did. yes, really, what was he doing bringing letters to payal if he knew his brother was out there about to kill himself. and yet, khushi is right... doesn't matter, plan is good. it worked. the proof of the pudding.

i thought, this is true in life too. we tend to over cogitate, over rationalise. sometimes you need a khushi strategy... kuch alag, dhamakedar, that comes straight from your gut and you just go for it.
yes yes. I sometimes also  do some silly things like her.


a poignant scene as he drops her off. a look in his eyes, a strange hesitation. takes off his shades... ruminative music, as if something is on his mind.

the little eye movements of asr...

he's trying to say something. was it sorry for his behaviour on diwali as i thought earlier? or was it an apology for that terrifying meeting in sheesh mahal? he has just realised, what khushi said that evening was true.
Good point. Maybe he wanted to apologize for sheesh mahal, as Payal mentioned it in the cafe a while ago. He looked perturbed when Payal accused him.

"khushi, mujhe tumse..." he takes a decision and turns around to talk to her, alas...

she is nowhere in sight. she is of course, sitting all alert and in high dramatic mode on the floor of the suv. normal. this is khushi after all.

"tum wahan kya kar rahi ho?" what are you doing there? a totally wacky and cute sanaya. seems jiji is out there and so she must elude detection. again i wonder... why? what would happen if jiji saw her with arnav ji... 
I think her mind was in preconceived notion. they had a tiff with Arnav and Akash in the cafe , so Payal could be incredulous to see her with him.


he actually leans back to see how her crawling off is going... khushi does take you to her crazy land with you. you forget to say this is dopey, even if you do, you go anyway. sanaya knew this bit of kkg like no one else could. we keep talking about the cleverness and smartness of script, but i abs believe, you needed these two actors to make this whole thing so totally unforgettable. even to pull it off.
Can't agree more. Barun-sanaya made Arnav-Khushi so lovable.

the hair brained plan involves the horoscope of course. so payal is a libran. yeah, she feels like one. does anyone know kkg's bday? she feels like a scorpio to me teehee. there's also suicide... we met this devil first in the funny post janmashtami scene in the guise of a scene from sholay, now it's here as the filmi ruse to get payal to agree... but in its third appearance suicide will be really damaging. i wonder who was into this self killing idea among the writers, seemed sort of irresponsible after a point. especially that third time. here, though, it didn't offend, it hinted more at the nature of the planner than anything else.

in his den, the leo is trying to assert his superior might.



no need to call the "client" four times as advised by that khushi, three is enough. why, asks hapless fuzzy akash. because you must do things with apne style, apni sharton, your own style, on your own conditions, client must not think you're desperate.

really, we must all remember, the other party is always "client", even if she is your lover or wife or light of your life.
Are you kidding?

he fails to sway his smitten brother, who decides he will do exactly as kkg says. again, kkg shows a feel for pitch... how far a thing must be taken to have the impact one desires. maybe she should start teaching marketing and advertising...👍🏼

a look from bhai. and like most of his looks, one can't put a price on it.

fourth call has a very angry payal...  and khushi in throes of major happiness.

she loves natak. this is essential khushi, i think she's born this way, the drama gene inherent in her. even with la, it's constantly weird overly dramatic means that she must devise for her to win over asr. the character comes with its resident over the topness...


the scene at the verandah... i guffawed at the thought of poor lord of all he surveys asr having to do things the way madam has decreed. so he stands there with a letter yelling at payal as per script provided by khushi. but when the smart, rather rationally oriented payal points out the gap in the whole scene. what are you doing standing here if your cousin is about to commit suicide?

the completely flummoxed laad governor.

the opposite of ott is he. no drama in him. not a jot. so now what... the deal maker is stumped.

and the cutest, angry, "kya boloon ab!" what should i say now. exasperated man. can't take all this any more.
he was so damn cute, just like a little kid, not like an astute man and without pretense, but naive as well. 

in her elements though is his partner in mission and she saves the day.

"mananiya arnav singh raizada ji.. yeh kya hai?" respected arnav singh raizada sir... what's this! sanaya does a brill job of reading the suicide note, which for some unknown reason has words in hindi printed on the flip side, the beginning of a letter to the honourable mr raizada. let's not discuss how it got there. writer was in kkg frame of mind no doubt... damn the loopholes, on with the plan.😆

"itne loopholes hain... tumhari jiji sahi kah rahi thi..." there are so many loopholes, your sister was right.

"shhh jiji aa gayi na, matlab plan achha tha." shh sis is here, means plan was good.

it was delightful to see the two who had fallen out so badly after diwali and who were both hurting at what had happened, on the same side and at complete ease with each other, vibing. every time something happened the way she had predicted it would, or there was success, he looked at her... then she at him... smiles, wonder, even liking perhaps in each others gazes.
it was impossible for both of them to live in peace after that diwali fight. they literally couldn't live without each other, though both denied it. They actually looked relieved when they started to talk again.


and when payal cried out, they ran together to be by her side. somehow this one scene really touched me.

khushi was anyway in that ecstatic mood over her sister and akash's love, because she believed in this emotion... so much.

not he. yet, the look on his face when with a "samhal ke, payal ji" his bro comes back... hmmm, again, no price tag.


when the mention of family comes up, the brave, strong brother steps in, "main baat karonga..." i'll talk to them.

asr is pretty much head of family when it comes to the big decisions, but for him to be involved in the romantic pursuits of akash, beautiful... and that look of almost gratitude, trusting and happy, kkg bestows on the khadoos... you can sense a trust, a bharossa grow.

the two hugs between siblings added layers to asr and kkg too... such complete people, not just whimsically drawn characters, devised to create dhakdhak trp generating romance.


of course, the most telling and lovely scene, khushi jumping with glee and grabbing asr's hand. they'd shared smiles at payal's despair before, two slightly heartless but completely loving brother and sister. now khushi held his hand, without thinking. an instinct? she knows whose hand she wants to hold maybe? and there's enough comfort between them despite all the nastiness of the past few days. there seemed to be that sense of huq she has too... and he didn't draw his hand away, just let it be.. looking at her searchingly. maybe  searching within him too to understand what he was really feeling. tender, ephemeral, beautiful moments.👏👏👏
my most favorite scene from the episode. and you analysed the moment so beautifully!

felt real to me. when people care for each other, they may hurt each other badly, even hate each other, but then that abates and somehow normalcy returns and sometimes with it a little unguarded moment of happiness shared.


four young people walked toward us, the sky big behind them. a simple effective shot. i always appreciated this about ipk... the creative team got the most out of whatever they had. and they rarely had fancy budgets or sets or locations. to me that's a sign of true creative ability, to find the dhamakedar, the alag, the achha, in the ordinary, in whatever one has.

as they walked, asr and khushi kept looking at each other... so much conversation in those silent gazes.

through payal and akash a love story continued and got thicker, more entrenched.




just a thought
seems initially there was no plan to write a payal akash romance, but then it came along... possibly as a good means of allowing the asr kkg relationship to progress. both deepali and akshay were great at being akash payal, a depth to their feelings added by payal's deep nature, her denser emotions that when expressed spoke volumes, balancing tat, the gentler, more expressed akash... this jodi deserved more attention i can't help but think.


Beautiful episode and your analysis is even more enthralling.
Absolutely agree what you said about Payal and Akash. 
All the lines I marked blue stood out for me and my comments are everywhere.
Crazy4IPK thumbnail
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Posted: 8 years ago
Originally posted by: indi52

but the ears heard, the head had to begin to turn.

his killer turn what makes me crazy.




hi sohara,

great to see you back. hope all well and you are chilled out and very hungry for the man that turns. i mean hungry of course in the most achhi ladki way 😆.
no guarantee of achchi larki you know. His sex appeal can make an achchi larki bad.

thanks for reading the take.

about the goat. yes, not exactly thoughtful about where they do there business, and usually not cuddled and carried like that. i remember many childhood rhymes and notions involving said creature and its habits.

for some reason they wanted a goat though to be lakshmi ji... i wonder why. maybe just a thing aimed at heightening the "serial" element of ipk? gimmicky.

but i thought nani ji and khushi did a great job of making lakshmi part of story, almost genuinely affectionate both actors seemed... while mami ji's hoonh! ridden derision was too good.

maybe one day while writing someone said, asr is really a "bakra" despite all that rage and rave and out came the idea, let's throw a goat into the tale.

yes, asr was nasty to nk. actually, asr has a very very nasty side to him, no running away from it... he is like that as he even knows. says things without thinking, hurts people. but when he realises, feels like a heel.

i enjoy this totally human hero of mine.

so no whitewashing what isn't all that nice about him.

khushi too has her flaws and i love her because of that, she too feels real. which is why as they pushed her character around, one minute ott, next achhi bahu, or whatever the need of the hour, it really bothered me a lot.

i don't mind her overstepping the mark with asr. i don't even mind her not realising or apologising... she believes she did it for her sis and that's how it stays.

we don't have to be right and mechanically correct all the time to be lovely. she was also interfering and rather callous at times... good. huq hai uska.

It is always a pleasure to be in the thread. So sorry that can't be here that much as AD became too demanding nowadays. But always feel the urge to come her.

Do you really think ASR was a bakra, so that bakri was created?😕

ASR and Khushi both had flaws, that's why they looked so real. after all we are human being not angels.

Please PM me all of your latest updates.

indi52 thumbnail
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Posted: 8 years ago

Beautiful episode and your analysis is even more enthralling.
Absolutely agree what you said about Payal and Akash. 
All the lines I marked blue stood out for me and my comments are everywhere.



hi sohara,

thanks so much. i know you love sanaya. i find her fabulous as khushi. especially when they are not ruining the character. also, i personally feel, i have seen her at her best when she acts with barun, actually everyone at ipk... but really barun. they have that thing that all successful jodis have: vibe. something beyond rational explanation. she has also said, he gives so much to his acting, you sort of respond to that and deliver at another level. this is true i think. plus they just gel fabulously.

i do hope some day we get to see them together again. in fact, would like to see the portray very different characters but as lead pair, have a feeling they're just going to be gorgeous together again.

two good actors, even if caught in something not outstanding, can search out beautiful moments. there's a show on on tv right now. usual song and dance and over drama, but has two very good actors as an elderly couple. just saw a little interlude between them, they were so good in a moment together, it was well written but nothing fabulous, what they turned it into was lovely and touching and sort of sexy.

i missed barun and sanaya as i watched them.

indi52 thumbnail
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Posted: 8 years ago
^^^

sohara,

asr bakra... 😆 😆 😆 he'll kill me if he thought i even dared to think that.

i was just wondering how this lakshmi thing happened. was strange. but never mind, worked out just fine.
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Posted: 8 years ago
Originally posted by: indi52

episode 167


asr looked fabulous. kkg was beautiful. the episode moved swiftly, and something said, this was possibly a filler. the amount of time spent on shyam chasing scorpion, then anjali cooing over shyam's imagined chot, clearly indicated there was no real story to tell right now.


in terms of plot, for it is certainly that so we can get to 170 and its annihilation, the pressure on kkg and the guptas had to be increased. and so it was that mami ji took offence at the supremely nervous waddling bua ji's little mistake and sped off in a flurry of maminess to give bua ji "jindagi bhar current". she spiked her drink and despite all the rigmarole of glasses nk set off, managed to get her opponent woozy and making mistakiyas on the floor.

and the scores took raizadas to 14 while guptas lagged behind at only 4.

two questions here.

1. the judges gave nani ji only 7 out of 10? really? these are very stringent judges and maybe should be instantly dispatched to our dance shows.

2. why did bua ji dance with mami ji if they were from opposite sides? so did they practice together? and if so when and how?

okay okay, not asking any questions. just wondering about the format of this yalgar yalgar sangeet. love the songs... now it's pardeh mein rahne do... yeah, someone sure is hidden from all here, in purdah.



khushi quoted everything, from shah rukh khan (so she was unfaithful to salman ji? bewafa?) and qaynaat to sarfaroshi ki tamanna in her melodramatic bid to instill courage and confidence in her humoungously nervous humongous aunt. but the war she was declaring was clearly against the laad governor, who was so terribly on her mind that all it took was for akash to ask a simple, "sab theek hai na?", everything all right?

next thing you know, khushi is off into a tirade about that man, "theek toh hum uss laad gov ko karenge unhe haraake," i'll fix that laad gov by beating him.

aksah is mystified. his bhai is nowhere around, yet his sis in law to be is gritting teeth, balling fist and giving it to him verbally. ah well, he assured her, all is fair in love and war. khushi kept quiet for almost thirty seconds. no, maybe ten.

"haan bilkul, hum uss laad governor se darte warte nahin hain!" yes, of course, i am not scared or anything of that laad gov, khushi yelled and waved her arms. you know who will overhear this. he is meant to. but perhaps a less predictable devise could have been found.


no matter. man looked good enough for me to forget all loopholes. shetty, as has been noted is many seventies' films, bik gaya.

arnav singh raizada was enjoying checking out the vision in maroon, but his eye was really on one and one thing only... winning. he kept the pressure up.


"dar koi aur raha hai... haath kissi aur ke kaap rahe hain..." someone else is scared, someone else's hand is shaking, he jeered in the most delicious low voice while kkg clutched her lehenga. khushi's emoting and expressing through her hands was always interesting.

and though i felt her reaction was a bit too marked, it may have underscored all the turbulence in this young girl as she battles with her own attraction for a man from outside her milieu. an exciting, challenging, handsome, undeniable, unstoppable, unforgettable, most irritating man. she must beat him. she mustn't lose.

yeah, though nothing much was said between the two. this episode the tension and torque in her was palpable. something was building.

a thing that struck me, though i couldn't figure out it's meaning, was that shot of the three nand kissore. three krishnas? is there a story or reference somewhere? felt as if the writers and director wanted to say something and it was more than just bua seeing triple in an inebriated haze.

how cutely, she beamed, "bahut natkhat hou!" you're very playful... and pinched the desperate nk's cheeks. then she asked about marriage.

i fell down laughing. the writers were having too much fun with madore as in madhumati and nand kishore. ah hidden love story of ipk.

in the visible love story the man smiled meanly at the girl. oh, yes, he means to win.





Such a fun filled episode and you have described so well.
Love the smirky guy and his equal half who never gives up easily either.May be this challenging nature of hers was keeping him on his toes.
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Posted: 8 years ago
^^^

hi apinky81,

thanks for reading. oh of course, that darti hai par karti hai, that not backing down, that ajeeb twist of hers, all of that totally kept him there. she was such an unexpected sort of girl. the man was caught. good to see you at reblast.