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Crisp Bytes SC - 14th Aug 13 (Page 8)

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Posted: 14 August 2013 at 10:23pm | IP Logged
Originally posted by shana0127

@anki i love ur cute jenny pics ...she looked so cute and typical Indian teenager in her teens


thnk u shanaEmbarrassed few months ago star network's YT channel star classic has uploaded all epis of their  popular series in HD... so this all pics frm sanju's magic pencil wala Shaka Laka Boom Boom...the chotu jen playd hobby teacher pia's character...nd the dressing style is jus lyk hw it used to b 10 yrs ago...though it is more of lyk jia of sharaarat...

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Posted: 14 August 2013 at 10:27pm | IP Logged
Originally posted by arshicritic


Makes sense Ivy, SLB keeps his stamp on the serial, but washes his hands off all creative thought. 

And sphere options - maybe it was a package deal. 

But why is any attempt to push the envelop blocked? SP, with its huge viewership base is in the best position to have at least one niche show, with steady TRP, free to experiment. 

Must every show fit into the formula and be money and number making? 

@Bold, not SLB Arshi, SP will. SLB is very particular about such. He will only lend his name to his particular 'vision". But SP sees the huge advantage in calling show "SLB's SC"... Maybe I'm wrong but and there is a strong likelihood, that Sphere will only be puppets dancing to the tunes of the puppet-masters (SP). Let's see =)

Bold2: Million dollar question, Arshi. It's all a numbers game at the end. A constant strive to get to the top and then a constant battle to stay at the top. Uneasy lies the head that wears the crown and all that. SP is too commercial-minded, too fearful and too fickle. Their "Nayi Soch" is simply a marketing gimmick. Their core TRP giving audience is too set in their television-habit ways, and SP is content to merely fulfill supply demands. For them, the grass is always greener on the other side. Their allegiance and loyalty is not to any show or viewers choice per se, but to what takes the general fancy and brings them more TRP's. They are all about the immediate. Thus, all their shows are "disposable" and prone to face the axe at any frickin' time, in favor of a better 'option'... And that option too will invariably suffer same fate in favor of another 'better'. It is but a vicious circle and SP is churning its wheels in the same place Ouch



Edited by IdiotViewer - 14 August 2013 at 10:28pm

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Posted: 14 August 2013 at 10:53pm | IP Logged
@Santhi, ivy 

Though your posts are very different about different points altogether, but my reply is the same, just bear with me for a while and hopefully you will see why 

Santhi the letter from Saras becoming his heroism - is an apprehension I have that it is a part of the plan to pander to TRPs, the point of Ivys post. 

These are the things that have been going on - 

Dukhbas proclamation of Kumud sasural nahi jayegi 

BDs remorse over Kumud Pramaad marriage 

BD turning to Saras for Kumud's protection

Alak taking a pro Kumud stand after Saras highlights Kumud's plight

Umess reappearing 


All these maybe to make Saras the shining hero, and Kumud the hapless victim

Any widow remarriage in TV is still shown as not the woman wanting marriage for herself, or falling in love again, it has always been out of a sense of duty, for the sake of parivar, and with the blessings of the sasural 

So according to 'nayi soch' it's ok to remarry, but only if elders deem it so! To move on and to want to enter into a new relationship for own self is still not accepted 

Here too I fear, ground is being laid for the same. So Saras Kumud union will happen because elders ESP her sasural walas will deem it right, and be the magnanimous heros with nayi soch 

Not because Kumud and Saras, are ready to forgive and forget and give their love another chance

Just like last time, Kumud will bow down to family wishes, we shall all be happy 

And none will question that under these conditions, Saras Kumud marriage is as wrong as pramaad Kumud marriage.

After a disastrous abusive marriage which ends in tragedy, that she would need time and closure, time to rebuild, time to dil se forgive Saras, rebuild that which was broken and only then think of marriage again , will be conveniently pushed aside 

That's what's bothering me with the letter business, that it is a laying of future track with SP soch, and not SLB dream. 

And hence the common reply to both of you. 

I hope I made sense

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Posted: 14 August 2013 at 10:55pm | IP Logged
Originally posted by arshicritic

Originally posted by smrth

Dugba'!Confused Her re 'awakening', is an eyesore disfigurement of source nuances, that even a casual reader would have noticed. Lousy. It unnecessarily fogs one of the strongest aspect of the original- Guniyal. But how bogus? For all din DB elicits, she is only messing up. A noisome adaption, much better if we would have been spared. But more humbug, real mother is noticeably kept aside. Why? Here she is, broadly mentioned as real life line of the clan; discreet, prudent and sharp. Why do they write her suddenly so off in case of her own daughter?? Did they forget, how natural Real Mothr-Daughter always come through?... But no. They gotta have Kumud's 'baby' rush to pseudo mother! As real parents were watching a 'drama'.OuchAnd a spurious melodrama, at that.Dead But unwittingly it reflects bent of the things that appears on card. Changes and shifts everywhere. Less sensible and more 'claps'. While real Potential and good sensibilities, 'go take a back seat.' Here are formulae, presumablySleepy fitter for instant TRPs and channels's GEC ratings. Welcome cacophony- as she makes good rattling sounds,'dug dug' ba.
And NavinSaras. He is fitting the bill. Trouble inventor. Until he effects a 'rescue'.Ouch

So agree with you smrth, dug dug ba, priceless

I remember you being bothered her being referred to as Dugba, instead of dukhba! Now we can treat that as a flash of brilliance and not an error! 

It had TRP pleasing written all over it! And such a contrast to PMS night, it was Guniyal's unquestioning faith that Kumud couldn't face, not dukhbas loud proclamations of Meri Kumud. 

And it was Gun's pragmatic handling of the issue that gave Kumud the desired peace, dukhba was kept out of that scene completely, and how powerful that was! 

All this dhol bajana, very TRP! 
We may see a power play Dukhbaa today Arshi. More 'concerned' and more 'upfront'. She would 'match' Pramaad and give him run for his every cents and 'shouts'. This I am sure. A Sumo Champion of 'cause' Kumud. Nothing wrong. Good and 'empowered'. But where would it all fit in the actual plot where story is poised otherwise?  For many good claps she may elicit, may one see hollowness/artifice? Needles usurpation? Why are real parents so subsumed? Why could we not see a more natural progression? Especially, when we know that Guniyal- Kumud has a good finesse available.
Is this to accommodate more weighty artists only? Here let me clarify. I have respect for Ragini. I had liked her  performance in two three Gujarati plays. Once at a very close range- at Prithvi or NCPA- don't remember exactly where.  She has a powerful presence and good act. Only thing, she is carrying stage habit of somewhat theatric loudness here too. And that is somehow not gelling too well for me. My protest is artificiality. Content, I too will applaud, as today I may. LOL




Edited by smrth - 14 August 2013 at 11:12pm

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Posted: 14 August 2013 at 11:37pm | IP Logged
Originally posted by smrth

Originally posted by arshicritic

Originally posted by smrth

Dugba'!Confused Her re 'awakening', is an eyesore disfigurement of source nuances, that even a casual reader would have noticed. Lousy. It unnecessarily fogs one of the strongest aspect of the original- Guniyal. But how bogus? For all din DB elicits, she is only messing up. A noisome adaption, much better if we would have been spared. But more humbug, real mother is noticeably kept aside. Why? Here she is, broadly mentioned as real life line of the clan; discreet, prudent and sharp. Why do they write her suddenly so off in case of her own daughter?? Did they forget, how natural Real Mothr-Daughter always come through?... But no. They gotta have Kumud's 'baby' rush to pseudo mother! As real parents were watching a 'drama'.OuchAnd a spurious melodrama, at that.Dead But unwittingly it reflects bent of the things that appears on card. Changes and shifts everywhere. Less sensible and more 'claps'. While real Potential and good sensibilities, 'go take a back seat.' Here are formulae, presumablySleepy fitter for instant TRPs and channels's GEC ratings. Welcome cacophony- as she makes good rattling sounds,'dug dug' ba.
And NavinSaras. He is fitting the bill. Trouble inventor. Until he effects a 'rescue'.Ouch

So agree with you smrth, dug dug ba, priceless

I remember you being bothered her being referred to as Dugba, instead of dukhba! Now we can treat that as a flash of brilliance and not an error! 

It had TRP pleasing written all over it! And such a contrast to PMS night, it was Guniyal's unquestioning faith that Kumud couldn't face, not dukhbas loud proclamations of Meri Kumud. 

And it was Gun's pragmatic handling of the issue that gave Kumud the desired peace, dukhba was kept out of that scene completely, and how powerful that was! 

All this dhol bajana, very TRP! 
We may see a power play Dukhbaa today Arshi. More 'concerned' and more 'upfront'. She would 'match' Pramaad and give him run for his every cents and 'shouts'. This I am sure. A Sumo Champion of 'cause' Kumud. Nothing wrong. Good and 'empowered'. But where would it all fit in the actual plot where story is poised otherwise?  For many good claps she may elicit, may one see hollowness/artifice? Needles usurpation? Why are real parents so subsumed? Why could we not see a more natural progression? Especially, when we know that Guniyal- Kumud has a good finesse available.
Is this to accommodate more weighty artists only? Here let me clarify. I have respect for Ragini. I had liked her  performance in two three Gujarati plays. Once at a very close range- at Prithvi or NCPA- don't remember exactly where.  She has a powerful presence and good act. Only thing, she is carrying stage habit of somewhat theatric loudness here too. And that is somehow not gelling too well for me. My protest is artificiality. Content, I too will applaud, as today I may. LOL



Even if its not Raginiji demanding more screen space, it certainly seems to be playing to the gallery. Dukhba is the more powerful character - power as in ability for theatrics! 

Reminds me of Tulsi Virani after the generation leap. Whereas, the gentle kind yet pragmatic Guniyal will not get that kind of front bench support . So again as TRP soch ! 

A dukhba who can now rant about her miserable past and fix Kumud's future is far more dramatic than a Guniyal, who can peep into her daughters heart and gently nudge her towards taking a step in the direction of fixing her life - not very meter shaking! 


Edited by arshicritic - 14 August 2013 at 11:38pm

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Posted: 14 August 2013 at 11:46pm | IP Logged
^^^
Actually yes Arshi. Dukhba fits the bill. Guniyal is too refined for likes of Gumaan and Pramaad. Let her deal with them. It's a fun to watch... But when it comes to Kumud and her 'Antarman'. Please let it be Guniyal, Cvs.


Edited by smrth - 14 August 2013 at 11:46pm

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Posted: 14 August 2013 at 11:46pm | IP Logged
smrth, Arshi... A digression plus concern... Would Sunny too be 'sacrificed' in favour of Danny (rumored to be making a return soon) in this determination, for "mass over class"? Sunny is not exactly "galley material" either? Ouch

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Posted: 14 August 2013 at 11:49pm | IP Logged
Ivy, 
'Chandrakant' is so under utilised. You know in book of Beta SC, chandrakant was real alpha! Taking all headlong. SC, VC, LN, Gumaan and Kusum...only one he always deferred to- Kumud!

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