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filmi_chick99
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Joined: 19 June 2006
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This is my first thread of this kind.....on one of my favorites, Ustad Nusrat Fateh Ali Khan.
Nusrat Fateh Ali Khan (Urdu: ? ) (October 13, 1948 - August 16, 1997), a world-renowned Pakistani musician, was primarily a singer of Qawwali, the devotional music of the Sufis, a mystical sect of Islam.
Traditionally, Qawwali has been a family business. Nusrat's family (originally from Afghanistan) has an unbroken tradition of performing qawwali for the last 600 years.
Nusrat was born in Faisalabad, Punjab on Wednesday, October 13, 1948 to Ustad Fateh Ali Khan, a distinguished musicologist, vocalist, instrumentalist, and skilled Qawwali performer. He had one brother, Farrukh Fateh Ali Khan. Initially, his father did not want Nusrat to follow him into the Qawwali business. He had his heart set on Nusrat choosing a much more respectable career path and becoming a doctor, because he felt Qawwali artists had low social status. However, Nusrat showed such an aptitude for, and interest in, Qawwali that his father finally relented and started to train him in the art of Qawwali and he was also taught to sing within the classical framework of Khayal. This training was still incomplete when Ustad Fateh Ali Khan died in 1964 while Nusrat was still in school, and the training was continued by Nusrat's paternal uncle, Ustad Mubarak Ali Khan. Ten days after his father's death, Nusrat had a dream where his father came to him and told him to sing, touching his throat. Nusrat woke up singing, and was moved by the dream to decide that he would make Qawwali his career. His first public performance was at his father's funeral ceremony forty days later. Under the guidance of Ustad Mubarak Ali Khan, he became the group's leader in 1965 and the group was called Nusrat Fateh Ali Khan, Mujahid Mubarak Ali Khan & Party ("party" is the term used in Qawwali for the supporting members of the group).
Nusrat's first public performance as leader of the family Qawwali group was in March 1965, at a studio recording broadcast as part of an annual music festival called Jashn-e-Baharan organized by Radio Pakistan. It took Nusrat several years more to perfect his craft and emerge from the shadow of the groups that were regarded as the leading contemporary Qawwals. But once he did, there was no looking back. He firmly established himself as the leading qawwal of the 20th century. His incredible voice and his complete mastery of the genre made him a superstar in the Islamic world, especially in Pakistan and India. He sang in Urdu and his native Punjabi, as well as Persian. He was also one of the first South Asian singers to perform before large Western audiences.
Nusrat took over his family's qawwali party in 1971 after the death of his father and his uncle. In Pakistan, his first major hit was the song "Haq Ali Ali" (listen here). This was performed in a traditional style and with traditional instrumentation, and featured only sparse use of Nusrat's innovative sargam improvisations. Nevertheless the song became a major hit, as many listeners were attracted to the timbre and other qualities of Nusrat's voice.
He reached out to Western audiences with a couple of fusion records produced by Canadian guitarist Michael Brook. In 1995, he collaborated with Eddie Vedder on the soundtrack to Dead Man Walking. His contribution to that and several other soundtracks and albums (including The Last Temptation of Christ), as well as his friendship with Peter Gabriel, helped to increase his popularity in Europe and the United States. Peter Gabriel's Real World label released five albums of Nusrat's traditional Qawwali performances in the West. He also performed traditional Qawwali live to Western audiences at several WOMAD world music festivals.
Apparently, when Nusrat toured in foreign countries, he would watch television commercials in order to identify the melodies and chord progressions popular in that country. He would then try to choose similar sounding songs from his repertoire for his performances.
According to the Guinness Book of World Records, Nusrat Fateh Ali Khan holds the world record for the largest recorded output by a Qawwali artist—a total of 125 albums.
Nusrat was taken ill with kidney and liver failure on Monday, August 11, 1997 in London, England while on the way to Los Angeles from Lahore to receive a kidney transplant. While still at Cromwell Hospital, Nusrat died of a sudden cardiac arrest on Saturday, August 16, 1997, aged 48. His body was then transported back to Faisalabad, Pakistan where thousands of distraught people attended his funeral and burial procession.
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Pori, -Chicha-, *dolly*,
filmi_chick99
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Joined: 19 June 2006
Posts: 4748
Nusrat's style of Qawwali
Nusrat was responsible for the modern evolution of qawwali. Although not the first to do so, he popularized the blending of khayal singing and techniques with qawwali. This in short took the form of improvised solos during the songs using the sargam technique, in which the performer sings the names of the notes he is singing (for example, in western notation it would be "do re mi"). He also attempted to blend qawwali music with more western styles such as techno.
Nusrat's qawwali songs usually follow the standard form. A song begins with a short instrumental prelude played on the harmonium and tabla. Then the instruments stop, and the main singers (but not the chorus) launch into the alap, which establishes the raga, the tonal structure of the song. At this point, introductory poetic verses are sung. These are usually drawn not from the main song, but from other thematically related songs. The melody is improvised within the structure of the raga. For example, listen to the verses being sung in a relatively straightforward way in one performance. Now compare this to the same verses being sung in another performance with more improvisation.
After the introductory verses, the main song starts, and the rhythmic portion of the song begins. The tabla and dholak begin to play, and the chorus aids and abets percussion by clapping their hands. The song proceeds in a call and response format. The same song may be sung quite differently by different groups. The lyrics will be essentially the same, but the melody can differ depending on which gharana or lineage the group belongs to. As is traditional in qawwali, Nusrat and the side-singers will interject alap solos, and fragments of other poems or even improvised lyrics A song usually has two or three sets of refrains, which can be compared to the verse chorus structure found in western music. Songs last about 20 minutes on average, with a few lasting an hour or more.
Nusrat was noted for introducing other forms of improvisation into the style. From his classical music training, he would interject much more complex alap improvisations, with more vibrato and note bending (listen here). He would also interject sargam improvisations (listen here).
While it is undoubtedly difficult to put into words what makes Nusrat's music appeal so deeply to so many listeners, many of whom do not understand a single word of the languages he sings in, here is one fan's attempt to explain: "Nusrat's music invites us to eavesdrop on a man communing with his God, ever so eloquently. He makes the act of singing a passionate offering to God. But we do not merely eavesdrop. The deepest part of Nusrat's magic lies in the fact that he is able to bring our hearts to resonate with the music, so deeply, that we ourselves become full partners in that offering. He sings to God, and by listening, we also sing to God."
filmi_chick99
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filmi_chick99
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filmi_chick99
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filmi_chick99
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