Ameerin Aadhi Bhagavan (AAB) releases today after being in the making
for more than two years. The lead actors, Jayam Ravi and Neetu Chandra,
have invested all their time and effort to make this movie worthy of
their presence. Coming with the tagline 'A Mafioso Action Love Story',
the movie majorly happens in Thailand and India. So, is it worth the
wait and will it join the list of memorable gangster movies?
The plot of the movie revolves around the mafia as the tagline says and
elements like betrayal, mystery and politics are also part of the mix.
There is also one major spike which gives the movie a huge fillip just
before the halfway point. And as expected, being an Ameer product, the
film has its fair share of raw violence, gritty action and in fact there
is a certain manic streak in the entire movie.
Pre-release,
Ameer had said that if he had to work again with the same hero, he would
opt for Jayam Ravi and now we realize why he said so. AAB is definitely
Ravi's most daring and gutsy performance till date. In two absolutely
varying roles, the star has put his heart and soul into the movie. He is
quick in his moves during the action sequences and the suspense behind
his second role better be guarded, because that is when the movie picks
up some pace and interest after a bland first half which moves along
like Scarface. Characters like Sudha Chandran and Ravi's sister that
come in the first half are cliched and wasted. Ravi has also seemingly
worked on his voice modulation to make it sound stern and rough.
Neetu Chandra surprises with her character which is not a typical 'damsel in distress' role.
Her expertise at taekwondo comes in handy when she has to do some
ass-kicking towards the end. But, her lip sync for her Tamil dialogs is
below-par, truth to tell.
Babu Antony appears in the initial
portions of the movie before disappearing after the action shifts to
India. Former lead actress Sakshi grooves harmoniously for the
'Yeisalamey' number but her visage has aged obviously.
The
stunt sequences are definitely among the other highlights of the movie.
The action is really chaotic, raw and the cinematographer Devaraj has
made sure that his camera has captured the action from close quarters.
The chase sequence in Goa in the climax and all the fist combats in both
the halves have been done painstakingly. But, the action might hurt the
eye too as the cuts are quick and abrupt.
The movie definitely
has its share of other flaws like the overdose of Hindi in the movie.
Tamil dialogues have been superimposed over the existing track and
despite the disclaimer before the movie starts and before the interval,
we get the feeling that we are seeing a dubbed movie. The lip sync for
this 'Tamil on top of Hindi' routine, leaves a lot to be desired and
this proves unsettling.
One may feel that even the other
Ravi character's mannerisms and gestures are stretched, making them
appear artificial. The actor sure seems to have a taste for the
theatrics as evidenced in his second role.
The pace of the
movie is laborious in the first half and Aadhi Bhagavan is definitely
not one of those movies which scores on the brevity front.
Yuvan Shankar Raja's songs don't have much of a presence in the movie,
with two of the romantic melodies totally chopped off. One feels even
the 'Kaatriley Nadandhene' track could have been done away with. The
Bhagavan rap gels with the movie while the 'Agadam Bagadam' song towards
the end dampens the proceedings just as they become tense. Yuvan's
background score is apt enough for the action genre of the movie.
So, after 6 years we have an Ameer directed movie and though this movie
is in stark contrast to his earlier movies thanks to its commercial
intentions, it is still worth a trip to the theaters thanks to Jayam
Ravi's versatility and the action set pieces in the movie. Though the
movie as a whole is watchable and bearable, a little more sprucing and
tightening could have helped matters even more.
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