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Alisha Coelho enjoys writing on movies, fashion and current affairs. Performs at parties, accepts bacon as payment
With his last movie, Yash Chopra certainly doesn't
redefine romance, but does celebrate it with big-budget pomp and glory. 'Jab Tak Hai Jaan' is an easy watch and even though it doesn't
tick every logical box, it's the sort of movie that will make you fall in love
with love again.
What's it about?
Major Samar Anand
(Shah Rukh Khan) is an Indian army officer with the bomb disposal unit, who's
gained a reputation for being the man who cannot die, defusing explosives
without a protective suit. He rescues documentary maker Akira (Anushka Sharma)
from drowning and accidentally leaves behind his diary. Akira reads it and
discovers that the real reason behind Samar's devil-may-care attitude is his
lost love, Meera (Katrina Kaif). In a flashback, Meera and Samar's love story in
London is told, and Akira is inspired enough to make Samar the subject of her
new documentary. Several twists of fate force the three to cross paths, and love
stories, old and new, are tested to their breaking point.
Khan is in his
element, sweeping his leading ladies and women in the audience off their feet,
with intense stares and memorable monologues. But the man certainly can't kiss.
His lip locks with
Katrina Kaif in the film look awkward and we've seen him blow air kisses to
fans with more feeling. Anushka Sharma
lights up the screen in every one of her scenes. Her chemistry with Khan has
grown ten fold since 'Rab Ne Bana Di Jodi' and she delivers a likeable and
confident performance.
The real problem with 'Jab Tak Hai Jaan' is china
doll, Katrina Kaif. She's pretty as a picture but has the emoting skills of a
block of wood. Her dialogue delivery is affected and her weeping looks as real
as Koena Mitra's nose. The movie's also ridden with plot holes, particularly in
Samar and Meera's love story. While we can let some slide citing creative
license, others require an inhuman leap of logic and with a running time of
nearly three hours, your patience is bound to wear thin.
What to
do?
Still, 'Jab Tak Hai Jaan' has its heart in the right place. Go
watch it to resurrect the hidden romantic in you.
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Screen count: #JTHJ close to 2,500 screens, #SOS around 2,000 screens.
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The Shah Rukh Khan starrer Jab Tak Hai Jaan has set the ticket windows buzzing and had an excellent opening across India with 70% occupancy and went even housefull in some part of India.
Shah Rukh Khan and Katrina Kaif in a still from Jab Tak Hai Jaan Movie
The movie performed excellent in Mysore and West Bengal and took a bumper opening in Noida. JTHJ may even manage a record opening day total in Mysore. But, the single screens, though are showing strong opening indications, are comparatively earning lesser than the Multiplexes. The multiplexes are doing quite a good business.
However, the collections might see a drop in the late afternoon and evening shows due to Diwali Puja's.
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The festival of lights is marked in India and across the globe. Slideshow
Still from the movie ''Jab Tak Hai Jaan''.
Credit: Reuters/Handout
By Shilpa Jamkhandikar
Tue Nov 13, 2012 6:18pm IST
It is difficult to judge "Jab Tak Hai Jaan" solely as a movie. Like it or not, it is the swansong of one of the defining directors of the Indian film industry and you cannot help but think of Yash Chopra's legacy as you watch his last film.
There are shades of "Kabhi Kabhie", "Dil To Pagal Hai" and "Veer Zaara", and as you watch Shah Rukh Khan kissing Katrina Kaif on a lush, green meadow, you cannot help but think that this man knew his romance.
The best parts of "Jab Tak Hai Jaan" are undoubtedly the scenes between Shah Rukh Khan and Katrina Kaif. This is about pretty people falling in love -- not a hair out place and every scene straight out of a postcard.
These are people who are poor but own expensive guitars and designer leather jackets, and this is a world where even when someone throws away two coffee cups with reckless abandon, they land in exactly the same way. It might be unbelievable, but it is all very beautiful on screen.
Khan and Kaif are Samar and Meera, the picture perfect lovers in this three-hour saga. Their story, a huge chunk of the first half, is the best part of "Jab Tak Hai Jaan" and Chopra makes sure he gives it enough screen time. It also helps that the chemistry between the two leads is crackling. Kaif brings a softness to her character that makes it difficult to take your eyes off her.
So far, so good. But then comes a plot twist flimsier than a chiffon saree on a Yash Chopra heroine. Meera, a rich London girl who is prone to making "deals" with God (giving up smoking, or wearing fur if God grants her wishes), makes the most ridiculous deal of all when Samar meets with what appears to be a minor accident, promising that she won't meet him again if God saves his life.
Samar leaves London and goes from being a waiter to leading a bomb disposal squad in the Indian army. Goodbye reality, hello suspension of belief. He metamorphoses into "The Man Who Cannot Die", disposing bombs without any safety gear. Enter the most irritating character you will encounter at the movies - Anushka Sharma, playing a documentary film-maker chronicling Samar's story.
Her over-the-top, shrill performance will set your teeth on edge. Her entrance also marks the downward spiral of the film. Hackneyed plot devices like memory loss, a random bomb on a train, and some corny dialogue mean that the film degenerates rapidly and while Katrina's re-entry does provide some relief from Sharma's Cheshire cat grin, it doesn't do much for the pace of the film, which takes its own sweet time getting to the end.
Samar does get the best lines in the film and Shah Rukh Khan carries it off with trademark style -- strumming a fake guitar, or defusing a bomb with equal aplomb. He carries off the rather flimsy script admirably and shows why he is best at romancing women.
In his last film, Yash Chopra makes some references to the new generation's ideas of romance, throwing around words like "sex" and "relationship" rather carelessly, but it is obvious that old-world romance was his forte. For a man who gave us "Kabhi Kabhie" and "Silsila", "Jab Tak Hai Jaan" is certainly not a fitting swansong, but it is a reminder of why his brand of romance always worked.
(Opinions expressed are those of the author)
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