B,
I should just warn you that the topic and the content are poles apart... You will find FQ's reply as the last post...
B,
I should just warn you that the topic and the content are poles apart... You will find FQ's reply as the last post...
I only have one explanation - his only reference point about marriage is the relationships he sees in his own house, and they seem terrible to him.
I doubt that.. So far Radhaji and Kukkuji hasnt fought in his presence.. Given how he has distanced himself from them, I dont think he has any idea about their real situation. But yes, he seems to have realised that marriage gives him open access to Madhu allowing him to do what he wants with her.
So when he wants to make Madhu pay for what she's done to him, that's the form of torture he hits upon.
True...
I don't think he's thought of social and legal repercussions - all he knows is that an unfeeling marriage can be hell.
I agree...
😆
Here is what I think.. Posted it earlier in the 2nd page of the same thread.. Just copying it again..
Couldnt sleep because I finally got the answer to why RK is not shouting at Dipali...
Clues:
1. Dipali's reference to the decorated bed...
2. RK's anger towards his mother..
3. RK + Dipali = Dreadful past...
4. RK mellowness towards Madhu and his awkwardness (not the sexual kind) with her..
Solution:
In my earlier post I suggested Rishu was possessive towards his mother and didnt want her to marry.. I think in his anger at his mother he probably created a scene in Radhaji- Kukuji's bedroom- probably destroyed their decked up bed.. It was witnessed by young Dipali (remember, clunky plot device of clunkdonia)... Since Dipali knows his emotional outburst, he is silently tolerating her. As long as she doesnt openly voice his past, he will continue to tolerate her..
I should have been a script writer!
- FG
Topic started by Foucaults-qalam
Last replied by Foucaults-qalam