Joined: 21 June 2005
"I was a little touchy when I heard about it... because our film 'Guide' touched the spiritual heights, which weren't there even in the novel... They are such intelligent people. They don't need to fall back on remakes," the evergreen Dev Anand told us in an interview about reports that Rituparno Ghosh and Pritish Nandy were planning to remake the film.
The 1965 film, which was based on R.K. Narayan's novel, starred the legendary actor and Waheeda Rehman and is considered one of the most remarkable films of Indian cinema.
The actor feels it is more challenging to find a new idea than to take inspiration from old movies. "I personally feel it's a great challenge to find a new idea and venture into the unknown. If the idea works it stays alive for at least 50 years."
Excerpts from the Interview:
Dev saab, I believe you are very upset about "Guide" being remade?
But that's cleared now. The director Rituparno Ghosh has clearly stated he is not remaking "Guide". So the matter is closed. No one can remake "Guide".
"Guide" is R.K. Narayan's "Guide", "Guide" is Dev Anand's and Vijay Anand's "Guide". You are free to get inspired from any source. That's the creative mind's prerogative. But you can't claim to remake "Guide". I was a little touchy when I heard about it... because our film "Guide" touched the spiritual heights, which weren't there even in the novel.
The book doesn't have that spiritual feel of our film. Pritish Nandy is a good friend of mine. I fired off a letter asking why he was doing "Guide". They are such intelligent people. They don't need to fall back on remakes. My reaction was quite natural.
I remember Rituparno had come to me in Delhi when I had won the Dadasaheb Phalke award, asking me for the remake rights of "Guide". I had advised him against remaking "Guide".
Ritu thinks it is an inviolable classic.
He is a wonderful man. I admire him for what he says. I feel flattered when people credit so much sanctity to "Guide". I hold this film and many of my old films close to my heart. Why should anyone have the right to borrow my films?
Would you say "Guide" is the most important film of your career?
That would be unfair to some of my other films. You know my career graph! In all the films that my company Navketan has made, I have always experimented with new ideas, walked the road of originality even at the risk of failure. Every film I have made is different, including my latest "Mr. Prime Minister".
Thoughts flow through my head constantly. Suddenly a thought clicks, and I'm on to my next film, even at the risk of my reputation, my career and my money.
What do you think of that trend?
Why go to remakes instead of your inner resources? I am asked many times why I don't remake my "Guide" or "Hare Rama Hare Krishna". I say, 'Not again, please!'
Am I intellectually so bankrupt that I need to go back to my past? If I did I'd cease to be a creative artiste.
You have never looked back.
Not so far. Providence and my willpower have helped me to always stride forward. Is there anybody else in the world who's actively making motion pictures at my age?
For the first time in my life I am looking back. I have just completed my autobiography, which I have given to my publishers. I am soon going to make it public. It spans my 62 working years in the motion-picture business. I could have gone on and on writing. That's me and I love the process of creating. I have got an international publisher and they are going through my manuscript right now. I have written my thoughts, in my style.
Was it difficult going back?
You are a writer. You know what a pleasure it is to recreate events in your life. As I went into my life I often realised, 'My god, I never knew this had happened!' The mind is such a huge ocean of memories and information. The mind is capable of climbing as high as any mountain and going as a deep as any ocean.
Do you like the films that are being made these days?
Different filmmakers have different temperaments and they are working accordingly. Today's filmmakers are very lucky because they have the works of the great masters to fall back on. In our times we knew only the relatively recent work of New Theatres, Bombay Talkies. We fell back on our own experiences to create movies. Which was good, really!
Today's motion-picture makers are blessed. They are exposed to satellite television, the Internet...They can experience the best of world cinema at international film festivals.
That's also stopping our filmmakers from being original.
That's my point. Images from international films, TV channels and the Internet stay in their minds. We didn't have exposure to such things... Every writer has the prerogative to be original. The minute he or she stops being original, it's time to question the purpose of creativity. The world is looking at the creative artiste. Shouldn't he move forward instead of going back?
Where do you get the energy to go on?
I don't know. I still feel I've a lot of energy. I feel I have done nothing yet, believe me! I have finished my book and I was supposed to go to Nepal for a film. But there's political stress in Nepal. Since I can't sit idle I've gravitated to another script for a film that I'll start soon.
And what would that be?
It's a murder mystery. Once I finish the script I'll start casting. But yes, it will feature me.
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