RABINDRANATH TAGORE : The Poet - Page 4

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Qwest thumbnail
Posted: 18 years ago

Selected Quotations of

RABINDRANATH TAGORE

A dewdrop is a perfect integrity that has no filial memory of its parentage.

A mind all logic is like a knife all blade. It makes the hand bleed that uses it.

According to the true Indian view, our consciousness of the world, merely as the sum total of things that exist, and as governed by laws, is imperfect. But it is perfect when our consciousness realizes all things as spiritually one with it, and therefore capable of giving us joy. For us the highest purpose of this world is not merely living in it, knowing it and making use of it, but realizing our own selves in it through expansion of sympathy; not alienating ourselves from it and dominating it, but comprehending and uniting it with ourselves in perfect union.

All men have poetry in their hearts, and it is necessary for them, as much as possible, to express their feelings. For this they must have a medium, moving and pliant, which can refreshingly become their own, age after age. All great languages undergo change. Those languages which resist the spirit of change are doomed and will never produce great harvests of thought and literature. When forms become fixed, the spirit either weakly accepts its imprisonment or rebels. All revolutions consists of the "within" fighting against invasion from "without"... All great human movements are related to some great idea.

Asks the Possible of the Impossible, "Where is your dwelling-place?" "In the dreams of the Impotent," comes the answer.

Beauty is in the ideal of perfect harmony which is in the universal being; truth the perfect comprehension of the universal mind. We individuals approach it through our own mistakes and blunders, through our accumulated experience, through our illumined consciousness - how, otherwise, can we know truth?

Beauty is truth's smile when she beholds her own face in a perfect mirror.

Bigotry tries to keep truth safe in its hand with a grip that kills it.

Children are living beings - more living than grown-up people who have built shells of habit around themselves. Therefore it is absolutely necessary for their mental health and development that they should not have mere schools for their lessons, but a world whose guiding spirit is personal love.

Death is not extinguishing the light; it is putting out the lamp because the dawn has come.

Do not say, "It is morning," and dismiss it with a name of yesterday. See it for the first time as a new-born child that has no name.

Everything comes to us that belongs to us if we create the capacity to receive it.

Facts are many, but the truth is one.

For the current of our spiritual life creeds, rituals and channels that may thwart or help, according to their fixity or openness. When a symbol or spiritual idea becomes rigidly elaborate in its construction, it supplants the idea which it should support.

Gross utility kills beauty. We now have all over the world huge production of things, huge organizations, huge administrations of empire - all obstructing the path of life. Civilization is waiting for a great consummation, for an expression of its soul in beauty. This must be your contribution to the world.

He who wants to do good knocks at the gate; he who loves finds the gate open.

I have spent my days stringing and unstringing my instrument while the song I came to sing remains unsung.

I slept and dreamt that life was joy. I awoke and saw that life was service. I acted and behold, service was joy.

If anger be the basis of our political activities, the excitement tends to become an end in itself, at the expense of the object to be achieved. side issues then assume an exaggerated importance, and all gravity of thought and action is lost; such excitement is not an exercise of strength, but a display of weakness.

Edited by Qwest - 18 years ago
Qwest thumbnail
Posted: 18 years ago

                      Selected Quotations 

If lifes journey be endless where is its goal? The answer is, it is everywhere. We are in a palace which has no end, but which we have reached. By exploring it and extending our relationship with it we are ever making it more and more our own. The infant is born in the same universe where lives the adult of ripe mind. But its position is not like a schoolboy who has yet to learn his alphabet, finding himself in a college class. The infant has it own joy of life because the world is not a mere road, but a home, of which it will have more and more as it grows up in wisdom. With our road that gain is at every step, for it is the road and the home in one; it leads us on yet gives us shelter.

If you shut your door to all errors truth will be shut out.

If you shut your door to all errors truth will be shut out.

In love all the contradiction of existence merge themselves and are lost. Only in love are unity and duality not at variance. Love must be one and two at the same time. Only love is motion and rest in one. Our heart ever changes its place till it finds love, and then it has its rest... Bondage and liberation are not antagonistic in love. for love is most free and at the same time most bound.

In our desire for eternal life we pray for an eternity of our habit and comfort, forgetting that immortality is in repeatedly transcending the definite forms of life in order to pursue the infinite truth of life.

In the dualism of death and life there is a harmony. We know that the life of a soul, which is finite in its expression and infinite in its principle, must go through the portals of death in its journey to realise the infinite. It is death which is monistic, it has no life in it. But life is dualistic; it has an appearance as well as truth; and death is that appearance, that maya, which is an inseparable companion to life.

In the night we stumble over things and become acutely conscious of their separateness, but the day reveals the unity which embraces them. And the man whose inner vision is bathed in consciousness at once realizes the spiritual unity which reigns over all racial differences, and his mind no longer stumbles over individual facts, accepting them as final. He realizes that peace is an inner harmony and not an outer adjustment, that beauty carries the assurance of our relationship to reality, which waits for its perfection in the response of our love.

Leave out my name from the gift if it be a burden, but keep my song.

Let the dead have the immortality of fame, but the living the immortality of love.

Let us not pray to be sheltered from dangers but to be fearless when facing them.

Life is given to us, we earn it by giving it.

Life is perpetually creative because it contains in itself that surplus which ever overflows the boundaries of the immediate time and space, restlessly pursuing its adventure of expression in the varied forms of self-realization.

Life, like a child, laughs, shaking its rattle of death as it runs.

Life's errors cry for the merciful beauty that can modulate their isolation into a harmony with the whole.

Love adorns itself; it seeks to prove inward joy by outward beauty.

Love does not claim possession, but gives freedom.

Love gives beauty to everything it touches. Not greed and utility; they produce offices, but not dwelling houses. To be able to love material things, to clothe them with tender grace, and yet not be attached to them, this is a great service. Providence expects that we should make this world our own, and not live in it as though it were a rented tenement. We can only make it our own through some service, and that service is to lend it love and beauty from our soul. Your own experience shows you the difference between the beautiful, the tender, the hospitable, and the mechanically neat and monotonously useful.

Love is an endless mystery, for it has nothing else to explain it.

Love is not a mere impulse, it must contain truth, which is law.

Love is the only reality and it is not a mere sentiment. It is the ultimate truth that lies at the heart of creation.

Love is the only reality and it is not a mere sentiment. It is the ultimate truth that lies at the heart of creation.

Loves overbrimming mystery joins death and life. It has filled my cup of pain with joy.

Love's gift cannot be given, it waits to be accepted.

Man goes into the noisy crowd to drown his own clamour of silence.

Man has a fund of emotional energy which is not all occupied with his self-preservation. This surplus seeks its outlet in the creation of art, for mans civilization is built upon his surplus... In everyday life, when we are mostly moved by our habits, we are economical in our expression, for then our soul-consciousness is at its low level - it has just volume enough to guide on in accustomed grooves. But when our heart is fully awakened in love, or in other great emotions, our personality is in its flood-tide.

Mans abiding happiness is not in getting anything but in giving himself up to what is greater than himself, to ideas which are larger than his individual life, the idea of his country, of humanity, of God.

Mans cry is to reach his fullest expression.

Men are cruel, but Man is kind.

Music fills the infinite between two souls. This has been muffled by the mist of our daily habits.

Never be afraid of the moments - thus sings the voice of the ever-lasting.

Objects of knowledge maintain an infinite distance from us who are the knowers. For knowledge is not union. Therefore the further world of freedom awaits us there where we reach truth, not through feeling it by senses or knowing it by reason, but through union of perfect sympathy.

Obstacles are necessary companions to expression, and we know that the positive element in language is not in its obstructiveness. Exclusively viewed from the side of the obstacle, nature appears inimical to the idea of morality. But if that were absolutely true, moral life could never come to exists. Life, moral or physical, is not a completed fact, but a continual process, depending for its movement upon two contrary forces, the force of resistance and that of expression. Dividing these forces into two mutually opposing principles does not help us, for the truth dwells not in the opposition but in its continual reconciliation.

Our creation is the modification of relationship.

Our nature is obscured by work done by the compulsion of want or fear. The mother reveals herself in the service of her children, so our true freedom is not the freedom from action but freedom in action, which can only be attained in the work of love.

Praise shames me, for I secretly beg for it.

Religion is not a fractional thing that can be doled out in fixed weekly or daily measures as one among various subjects in the school syllabus. It is the truth of our complete being, the consciousness of our personal relationship with the infinite; it is the true center of gravity of our life. This we can attain during our childhood by daily living in a place where the truth of the spiritual world is not obscured by a crowd of necessities assuming artificial importance; where life is simple, surrounded by fullness of leisure, by ample space and pure air and profound peace of nature; and where men live with a perfect faith in the eternal life before them.

Religion, like poetry, is not a mere idea, it is expression. The self-expression of God is in the endless variety of creation; and our attitude toward the Infinite Being must also in its expression have a variety of individuality ceaseless and unending. Those sects which jealously build their boundaries with too rigid creeds excluding all spontaneous movement of the living spirit may hoard their theology but they kill religion.

Science urges us to occupy by our mind the immensity of the knowable world; our spiritual teacher enjoins us to comprehend by our soul the infinite spirit which is in the depth of the moving and changing facts of the world; the urging of our artistic nature is to realize the manifestation of personality in the world of appearance, the reality of existence which is in harmony with the real within us. Where this harmony is not deeply felt, there we are aliens and perpetually homesick. For man by nature is an artist; he never receives passively and accurately in his mind a physical representation of things around him.

So our daily worship of God is not really the process of gradual acquisition of him, but the daily process of surrendering ourselves, removing all obstacles to union and extending our consciousness of him in devotion and service, in goodness and in love.... Thus to be conscious of being absolutely enveloped by Brahma is not an act of mere concentration of mind. It must be the aim of the whole of our life. In all our thoughts and deeds we must be conscious of the infinite.

That I exist is a perpetual surprise which is life.

That I exist is a perpetual surprise which is life.

The best of us still have our aspirations for the supreme goals of life, which is so often mocked by prosperous people who now control the world. We still believe that the world has a deeper meaning than what is apparent, and that therein the human soul finds its ultimate harmony and peace. We still know that only in spiritual wealth does civilization attain its end, not in a prolific production of materials, and not in the competition of intemperate power with power.

The butterfly counts not months but moments, and has time enough.

The butterfly counts not months but moments, and has time enough.

The child learns so easily because he has a natural gift, but adults, because they are tyrants, ignore natural gifts and say that children must learn through the same process that they learned by. We insist upon forced mental feeding and our lessons become a form of torture. This is one of mans most cruel and wasteful mistakes.

The current of the world has its boundaries, otherwise it could have no existence, but its purpose is not shown in the boundaries which restrain it, but in its movement, which is toward perfection. The wonder is not that there should be obstacles and sufferings in this world, but that there should be law and order, beauty and joy, goodness and love.

The emancipation of our physical nature is in attaining health, of our social being in attaining goodness, and of our self in attaining love.

The fish in the water is silent, the animals on the earth is noisy, the bird in the air is singing. But man has in him the silence of the sea, the noise of the earth and the music of the air.

The fundamental desire of life is the desire to exist.

The greed of gain has no time or limit to its capaciousness. Its one object is to produce and consume. It has pity neither for beautiful nature nor for living human beings. It is ruthlessly ready without a moment's hesitation to crush beauty and life out of them, molding them into money.

The higher nature in man always seeks for something which transcends itself and yet is its deepest truth; which claims all its sacrifice, yet makes this sacrifice its own recompense. This is mans dharma, mans religion, and mans self is the vessel which is to carry this sacrifice to the altar.

The man who aims at his own agrandisement underrates everything else.

The meaning of our self is not to be found in its separateness from God and others, but in the ceaseless realisation of yoga, of union.

The most important lesson that man can learn from his life is not that there is pain in this world, but that it depends upon him to turn it into good account, that it is possible for him to transmute it into joy... Mans freedom is never in being saved troubles, but it is the freedom to take trouble for his own good, to make the trouble an element in his joy... that in pain is symbolised the infinite possibility of perfection, the eternal unfolding of joy.

The newer people, of this modern age, are more eager to amass than to realize.

The object of education is to give man the unity of truth... I believe in a spiritual world - not as anything separate from this world - but as its innermost truth. With the breath we draw we must always feel this truth, that we are living in God. Born in this great world, full of the mystery of the infinite, we cannot accept our existence as a momentary outburst of chance drifting on the current of matter toward an eternal nowhere. We cannot look upon our lives as dreams of a dreamer who has no awakening in all time. We have a personality to which matter and force are unmeaning unless related to something infinitely personal, whose nature we have discovered, in some measure, in human love, in the greatness of the good, in the martyrdom of heroic souls, in the ineffable beauty of nature which can never be a mere physical fact nor anything but an expression of personality.

The picture of a flower in a botanical book is information; its mission ends with our knowledge. But in pure art it is a personal communication. And therefore until it finds its harmony in the depth of our personality it misses the mark. We can treat existence solely as a textbook furnishing us lessons, and we shall not be disappointed, but we know that there its mission does not end. For in our joy in it, which is an end in itself, we feel that it is a communication, the final response of our knowing but the response of our being.

The pious sectarian is proud because he is confident of his right of possession in God. The man of devotion is meek because he is conscious of Gods right of love over his life and soul. The object of our possession becomes smaller than ourselves, and without acknowledging it in so many words the bigoted sectarian has an implicit belief that God can be kept secured for certain individuals in a cage which is of their own make. In a similar manner the primitive races of men believe that their ceremonials have a magic influence upon their deities. Sectarianism is a perverse form of worldliness in the disguise of religion; it breeds a narrowness of heart in a greater measure than the cult of the world based upon material interest can ever do. For undisguised pursuit of self has its safety in openness, like filth exposed to the sun and air. But the self-magnification with its consequent lessening of God that goes on unchecked under the cover of sectarianism loses its chance of salvation because it defiles the very source of purity.

The potentiality of perfection outweighs actual contradictions... Existence in itself is here to prove that it cannot be an evil.

The progress of our soul is like a perfect poem. It has an infinite idea which once realised makes all movements full of meaning and joy. But if we detach its movements from that ultimate idea, if we do not see the infinite rest and only see the infinite motion, then existence appears to us a monstrous evil., impetuously rushing towards an unending aimlessness.

The question why there is evil in existence is the same as why there is imperfection... But this is the real question we ought to ask: Is this imperfection the final truth, is evil absolute and ultimate?

The significance which is in unity is an eternal wonder.

The tendency in modern civilization is to make the world uniform... Let the mind be universal. The individual should not be sacrificed.

The water in a vessel is sparkling; the water in the sea is dark. The small truth has words which are clear; the great truth has great silence.

There are men whose idea of life is tactic, who long for its continuation after death only because of their wish for permanence and not perfection; they love to imagine that the things to which they are accustomed will persist for ever. They completely identify themselves in their minds with their fixed surroundings and with whatever they have gathered, and to have to leave these is death for them. They forget that the true meaning of living is outliving, it is ever growing out of itself.

There is a point where in the mystery of existence contradictions meet; where movement is not all movement and stillness is not all stillness; where the idea and the form, the within and the without, are united; where infinite becomes finite, yet not losing its infinity. If this meeting is dissolved, then things become unreal.

Things are distinct not in their essence but in their appearance; in other words, in their relation to one to whom they appear. This is art, the truth of which is not in substance or logic, but in expression. Abstract truth may belong to science and metaphysics, but the world of reality belongs to art.

Things in which we do not take joy are either a burden upon our minds to be got rid of at any cost; or they are useful, and therefore in temporary and partial relation to us, becoming burdensome when their utility is lost; or they are like wandering vagabonds, loitering for a moment on the outskirts of our recognition, and then passing on. A thing is only completely our own when it is a thing of joy to us.

This is the ultimate end of man, to find the One which is in him; which is his truth, which is his soul; the key with which he opens the gate of the spiritual life, the heavenly kingdom.

Those institutions which are static in their nature raise walls of division; this is why, in the history of religions, priesthood has always maintained dissensions and hindered the freedom of man. But the principle of life unites, it deals with the varied, and seeks unity.

Time is a wealth of change, but the clock in its parody makes it mere change and no wealth.

To be outspoken is easy when you do not wait to speak the complete truth.

To understand anything is to find in it something which is our own, and it is the discovery of ourselves outside us which makes us glad. This relation of understanding is partial, but the relation of love is complete. In love the sense of difference is obliterated and the human soul fulfills its purpose in perfection, transcending the limits of itself and reaching across the threshold of the infinite. Therefore love is the highest bliss that man can attain to, for through it alone he truly knows that he is more than himself, and that he is at one with the All.

Truth cannot afford to be tolerant where it faces positive evil.

Want of love is a degree of callousness; for love is the perfection of consciousness. We do not love because we do not comprehend, or rather we do not comprehend because we do not love. For love is the ultimate meaning of everything around us. It is not a mere sentiment; it is truth; it is the joy that is at the root of all creation.

We can look upon a road from two different points of view. One regards it as dividing us from the object of desire; in that case we count every step of our journey over it as something attained by force in the face of obstruction. The other sees it as the road which leads us to our destination; and as such is part of our goal. It is already the beginning of our attainment, and by journeying over it we can only gain that which in itself it offers to us.

We can make truth ours by actively modulating its inter-relations. This is the work of art; for reality is not based in the substance of things but in the principle of relationship. Truth is the infinite pursued by metaphysics; fact is the infinite pursued by science, while reality is the definition of the infinite which relates truth to the person. Reality is human; it is what we are conscious of, by which we are affected, that which we express.

We come nearest to the great when we are great in humility.

We do not raise our hands to the void for things beyond hope.

We gain freedom when we have paid the full price for our right to live.

We live in this world when we love it.

"What is Art?" It is the response of mans creative soul to the call of the real.

Whatever we treasure for ourselves separates us from others; our possessions are our limitations.

When he has the power to see things detached from self-interest and from the insistent claims of the lust of the senses, then alone can he have the true vision of the beauty that is everywhere. Then only can he see that what is unpleasant to us is not necessarily unbeautiful, but has its beauty in truth.

When the heat and motion of blind impulses and passions distract it on all sides, we can neither give nor receive anything truly. But when we find our centre in our soul by the power of self-restraint, by the force that harmonises all warring elements and unifies those that are apart, then all our isolated impressions reduce themselves to wisdom, and all our momentary impulses of heart find their completion in love; then all the petty details of our life reveal an infinite purpose, and all our thoughts and deeds unite themselves inseparably in an internal harmony.

When we accept any discipline for ourselves, we try to avoid everything except that which is necessary for our purpose; it is this purposefulness, which belongs to the adult mind, that we force upon school children. We say, "Never keep your mind alert, attend to what is before you, what has been given you." This tortures the child because it contradicts natures purpose, and nature, the greatest of all teachers, is thwarted at every step by the human teacher who believes in machine-made lessons rather than life lessons, so that the growth of the childs mind is not only injured, but forcibly spoiled. Children should be surrounded with the things of nature which have their own educational value. Their minds should be allowed to stumble upon and be surprised at everything that happens in todays life; the new tomorrow will stimulate their attention with new facts of life.

When we rejoice in our fullness, then we can part with out fruits with joy.

Whenever our life is stirred by truth, it expresses energy and comes to be filled, as it were, with a creative ardor. This consciousness of the creative urge is evidence of the force of truth on our mind.

Your mission is proving that a love for the earth, and for the things of the earth, is possible without materialism, a love without greed... I entreat you not to be turned by the call of vulgar strength, of stupendous size, by the spirit of storage, by the multiplication of millions, without meaning and without end. Cherish the ideal of perfection, and to that, relate all your work and all your movements. Though you love the material things of earth, they will not hurt you and you will bring heaven to earth and soul into things.

Edited by Qwest - 18 years ago
Qwest thumbnail
Posted: 18 years ago
Originally posted by: Qwest

Smita Sinha: Transition of a Tagorean by birth Part 2

 On the Jorasanko Thakurbari: Part 2

My father was the grand son of Dwijendranath Tagore. Although born at Jorasanko Thakurbari, I was not fortunate to get a feeling of the grandeur of Jorashanko Thakur Bari. By the time I was born, the house was almost empty. However, I was fortunate to see and be amidst Rabindranath although I was merely seven and half years old when he died. All the brothers and sisters of Rabindranath were genius but they were overshadowed by his multifaceted talent and therefore talking about Thakur Bari, one only thinks of Rabindranath.
The No 6, Jorasanko, which is now known as Maharshi Bhavan, was divided into several portions, each belonging to one of the brothers. In Dwijenranath's portion my brother and I were the only two children. In Hirendranath's portion of the house Subho Tagore and his two brothers used to reside. Then gradually they sold off their portion and went away. Just beside them Ritendranath Tagore (whose wife was Amiya Tagore, the famous singer), another grandson of Hirendranath Thakur, stayed. They had a son and a daughter. So four of us were growing up together at Jorasanko. But, in the house where Abanindranath and Gaganendranath stayed, which was the original Baithakkhana of Dwarakanath Tagore, there were many children. So that was the place where we used to play. But when I was still a child, they sold off the house to a Marwari and it was demolished in front of our eyes. It was an agonising sight. Everywhere in the world all the heritage buildings, like William Shakespeare's house, are preserved as heritage of pride. But we are so unfortunate that in the same house at 5, Dwarakanath Tagore Lane, Abanindranath and Gagendranath grew up and created their matchless paintings, the famous Dakshiner Baranda the portico on the southern part of the building Now everything has gone out of existence. Now Rabindra Bharati's Rathindra Bhavan is the only symbol of that glorious past standing as the mute witness.

 

Smita Sinha: Transition of a Tagorean by birth Part 3


About Santiniketan:

Although I had spent quite a good part of my childhood in Santiniketan, my stay was intermittent to the zamindari attitude of my father. After staying there for a year or two, my father used to say, "Let us get back to Jorasanko." So I did not study in Santiniketan at a stretch. Often, I had to get enrolled in a school in Calcutta. In those days, enrolment in schools was not a problem. I was first enrolled in the infant class at Santiketan. Along with the studies, we could learn singing, stitching, and even crafts such as leather craft there. The milieu of Santiniketan in those days was absolutely different from the present one. We were never conscious about our dresses and used to attend school bare-foot. However, one thing hasn't changed. The classes are still taken under the trees. On most of the rainy days there were no classes and on some occasions classes were held at Singha Sadan or the library or other covered places. We did not have our own house in Santiniketan and we stayed at Dinendranath Tagore's house which is just behind the Ratan Kuthi. It was then the only pucca house there in those days. On the eastern side was s the railway line. The Santhal village was beyond the horizon.
We had our music lessons from Kanika Bandopadhyay or Mohordi. At that time she had just started teaching music. During our Sahitya Sabha sessions, we used to ask Sailajaranjan Majumdar, the great exponent of Rabindra Sangeet which what song we should sing, Sailajada chose and told us to learn a particular song from Mohordi.
In 1944, when I was a student of class six or seven, I came back to Calcutta from Santiniketan permanently. We had to do so due to the death of Dinendranath's wife. The house went into the possession of to his nephews since Dinendranath had no issue.
But Tagore never wanted Santiniketan to be a university. Once an institution is being converted into a university, it is likely to imbibe vices that destroy intrinsic virtues. It is very unfortunate that ideals Rabindranath stood for are now shelved. In the days of Rabindranath, Santiniketan was a very small place. The teachers had close relations with their students and the institution was like a close-knit family. But gradually as it grew in size, this we-feeling petered out. To put it candidly, Santiniketan was very good when it was poor. Rabindranath, even in his old age took his troop to different places and performed dance programmes to raise funds for Santiniketan. Decline in moral values, attitude towards life, which have engulfed the society, have affected Santiniketan too. The teachers have become more commercialised. I feel the trouble started when Visva Bharati came into being. Now the university is flooded with grants but the ideals are terribly missing. It is now exploiting Rabindranath. One major reason for Visva Bharati not leaving the copyright of Tagore's works is, by doing so, it will lose a large source of income.

Smita Sinha: Transition of a Tagorean by birth Part 4

On Rabindranath Tagore:

I remember Rabindranath very vaguely and faintly. I saw him basically in Santiniketan. He liked my mother very much. In fact, he was instrumental in bringing my mother to the Tagore family as his grand daughter-in-law. My grandfather, Ajit Chakraborty, was also very close to Rabindranath. He used to love my grandfather like his own son. He was the first critique of Rabindranath Tagore's poems and wrote it in a treatise Kabya Praikrama. He died at an early age of 32. At the time of his death, my mother was just eight-year-old and she had three younger brothers and sisters. My grandmother brought them up braving many odds. After the tragedy, Rabindranath took them to Santiniketan.My granny was appointed as the superintendent of the girls' hostel. So my mother's education was also at Santiniketan. After passing matriculation, my mother wanted to study further as Rabindranath was very keen to bring her his grand daughter-in-law. So my mother was married at an early age. Rabindranath himself was the Acharya at the marriage and he composed several songs and poems for that occasion.

Smita Sinha: Transition of a Tagorean by birth Part 5
The day Rabindranath died:

Oh, that day in 1941 is still vivid in my memory. Then I was a student at the Victoria Institution. I didn't know why my mother sent me to school knowing full well that Rabindranath's condition was very serious. My mother and others like Nandita Kripalni (daughter of Mira Devi), were by his bedside. At 12 PM the news came that Rabindranath was no more. The Chitpur Road was too packed with people to let the school bus enter Jorasanko Lane. I had to enter the house with great difficulty. The crowd was absolutely unruly. Nowadays when a celebrity like Satyajit Ray or any other famous person dies, the funeral is knitly-arranged. The deadbody is kept in Rabindra Sadan and the whole thing is done systematically. But on that day I do not think any leader was in the city who could control the mob. It was a shameful act of hooliganism. Young boys were climbing up the rainpipes. Commoners who thronged there thought that Rabindranath's body would be taken to Santiniketan and so they were abusing any one of our family whom they could come across. They were shouting: "Is Rabindranath only yours?"


I think his body could have been kept at our Jorasanko residence for a day or two since there were many steps in the staircase leading to the room where Rabindranath breathed his last and which is now visited by thousands. Anyway, he was taken to the burning ghat very quickly. I remember that the wooden staircase along which he was taken downwards, collapsed. In the courtyard, his head fell from the pillow and banged against the concrete. Amidst this pandemonium, people started tearing his beard and hairs. This agonising memory still haunts me. It was quite natural that thousands would throng the city on such a day. It was the responsibility of the leaders of the state at that time to ensure discipline. Sadly enough, none of the top leaders was present in the city. I don't know where Shyama Prasad was but Bidhan Chandra Roy was very much in the city.

anecdotes that are indelible in her memory - when Tagore bade adieu to the mundane world make the interview an interesting reading

Qwest thumbnail
Posted: 18 years ago
Originally posted by: amogh8188

Qwest Bhai aapko Pranam.
Ati uttam !!!!!!!!

Thanks, hope you will enjoy knowing little more about Guru ji.
soulsoup thumbnail
Posted: 18 years ago
Qwest ji - do you have the 'Lekhon' (shart poems) handy? - that won't even require translation
Qwest thumbnail
Posted: 18 years ago
Originally posted by: soulsoup

Qwest ji - do you have the 'Lekhon' (shart poems) handy? - that won't even require translation

No not really at this moment. Sorry
*Jaya* thumbnail
Posted: 18 years ago
Posted on Sun, Jan. 01, 2006
The green-eyed monster: Jealousy in Tagore's novels
By Yasmin Faruque
Special to the Herald

Jealousy has been depicted as the green-eyed monster in Shakespeare's plays, such as "King Lear" and "Othello." King Lear's two elder daughters, Goneril and Regan, are jealous of their younger sister, Cordelia, whom they thought their father loved most. They both are married, yet they profess to love their father above everyone else. How the falsity of their protestations of love is proved beyond a doubt forms the body of this play. In the end, it is Cordelia who comes to her father's aid. The truth is, both Goneril and Regan want the lion's share of their father's kingdom, and they are playing up to an old man's craving for affection.

In "Othello," the plot is more complex. Othello, the Moorish general, is married to Desdemona, the daughter of Brabantio. Othello is black; Desdemona is white. So, a little racial tension does enter here.
However, the real emotion behind all these awful happenings is jealousy. The man who sets the wheels of these terrible events rolling is Iago, ostensibly Othello's best friend. He insinuates that Desdemona has cheated on Othello with Cassio, another of their friends. Iago is the arch-villain, concealing his ulterior motives under the guise of friendship. Now, Othello has given his bride a perfumed handkerchief as a token of love. When Othello asks for that handkerchief, Desdemona is not able to find it, for the scheming Iago has stolen it himself. Othello is so filled with anger that when they are together in their bedroom he kills her. This seems a gross injustice, as it in fact is; Othello has killed his innocent flower of a bride in a fit of jealous rage.

From Shakespeare to D.H. Lawrence, many writers have written about jealousy and its consequences, and Rabindranath Tagore is no exception. Tagore, one the world's most prolific writers, is best known as a poet and lyricist. However, the luster from his golden pen shone on all genres of literature: poetry, music, dance, opera, dramas, musicals, and last but not least, a dozen witty pithy and insightful novels.
In these novels, which he termed "dramatized metaphors of the novelist's own philosophy of life," Tagore deals with a range of emotions; however, in five of the 12 novels he wrote, jealousy looms large. These are "Jogajog" (Crosscurrents), "Chokher Bali" (The Scorned One), "Malancha" (The Garden-bower), Ghare-Bairy" (The Home and the World) and "Shesher Kabita" (The Ultimate Poem).

Crosscurrents
In "Jogajog" (Crosscurrents), we come across a scenario like this: Kumudini has been brought up in loving affection by her parents; she is very close to her brothers as well. When, after her parents' deaths, she is married into a wealthy family, she comes prepared to give wholly of herself. However, she had not reckoned with her husband, Madhusudan's contradictory nature; he manages to drive a wedge between himself and the person he most desires, Kumu. The more Kumu tries to fit in, the further Madhu drives her away. He is insanely jealous of her relationships with other people - especially with her eldest brother, just as Gertrude Morel is of her son Paul's relationships in D.H. Lawrence's novel "Sons and Lovers." She is as unwilling to let Paul have a relationship with Miriam as Madhu is of letting Kumu have a relationship with anyone but him.
Madhu knows what he is doing, and that makes him far more cold-blooded and calculating than any other character in any other novel, except perhaps Sandip in "Ghare-Bairey" (The Home and the World). There is an element of brute force in him, which may lend an illusion of masculinity, but it certainly does little to make him a better man.

The Scorned One
In "Chokher Bali" (The Scorned One), we meet a widowed mother, Rajlakshmi, who is so possessive of her son, Mahendra, that she tries to keep everyone who would have claim of closeness to him away. Mahendra, his parents' only child, is all Rajlakshmi believes she has in the world. Even Annapurna, Rajlakshmi's sister-in-law and Mahendra's aunt, is not allowed to get close to him.
When a childhood chum requests Mahendra's hand in marriage for her daughter, Vinodini, Rajlakshmi agrees readily. She cannot conceive of Mahendra turning this offer down. When he does, her feelings are hurt. Vinodini is later married to a distant nephew of Rajlakshmi's and soon after her wedding, is widowed. Mahendra marries Ashalata (Chuni), Annapurna's niece.
It is after this wedding that events take place so fast they spiral out of control. Rajlakshmi is loathe, nay, unwilling, to let the newlyweds alone. When Mahendra and Asha are together in their bedroom, she peeps in on them. Out of propriety, Mahendra cannot say anything, but he feels he has brought his child bride into an unhappy home. Rajlakshmi plunges into ostensibly teaching Asha how to keep house; however, this is just a ploy to keep the bride and groom apart. The conflict in this novel, mainly is situational; however, Rajlakshmi's pugnacity lends a hint of character conflict as well. Poor Ahsa, squeezed tight between a rock and a hard place, is the one who suffers most here; the appearance of the more mature, accomplished Vinodini only serves to remind Asha how immature and inept she is. Both Rajlakshmi and Vinodini take a sort of jealous pleasure in this. Mahendra, who had hoped for a happy home, has his hopes dashed by his jealously possessive mother and by Vinodini, who hopes to drive Asha from his heart and home.

The Garden-bower
In "Malancha" (The Garden-bower), we meet Aditya, whose name means "the sun," and Neeraja, his wife, whose name means "the lotus." Just as the lotus looks up to the sun for life and love, so does Neerja look up to Aditya. Neerja is bedridden because of a chronic illness. However, before she falls ill, she has 10 years of nearly perfect relationship with her husband. Aditya is an avid gardener, whose reputation rests in the beautiful flowers and perfect fruit he grows and ships all around. For 10 years, Neeraja co-operated with her husband; now, when she is ill in bed, she wishes for him to pay more attention to her. She is jealous of Sarala, Aditya's cousin, whom she sees as her rival in his work as well as in his life. Confinement has made her a mean woman; her meanness is more poignant when on her deathbed she curses Sarala. This is a futile jealousy, for nothing comes of it.

The Home and the World
In "Ghare-Bairey" (The Home and the World), we see that when the world calls Bimala, her home is left behind. Her undoing comes in the guise of her husband's friend, Sandip, who at first calls her to service for her country. He takes money and jewelry from her, saying these will be her contribution to the funs for the "nationalistic movement" homemade and home-consumed. However, his methods are based on brute force and infatuation.
He forces Bimala to denude herself; having taken from Bimala what to her was most precious, he reaches for her. Bimala knows what is happening cannot be for the good of all, and that it might prove disastrous. Yet, she is unable to stop herself. Bimala reminds us of Meggie O'Neill in Colleen McCullough's "The Thorn Birds," where Meggie, out of love with her husband, Luke, for his insensitive brutishness, conceives a child by Ralph be Bricassart, the local priest. She also puts us in mind of Lady Constance Chatterley, in "Lady Chatterley's Lover," by D.H. Lawrence, who out of frustration with her disabled, impotent husband, forms a relationship with Mellors the gardener. Gerald Chatterley is jealous of Connie's love for Mellors, as Luke is envious of Meggie's relationship with Father Ralph.

The Ultimate Poem
In "Shesher Kabita" (The Ultimate Poem), we see love blossoming between Amit Roy, the advocate, and Labanya Datta, the governess. This love is not consummated by marriage, and yet it is not futile - for it teaches both Labanya and Amit that true love endures. The first meeting between Amit and Labanya is a chance encounter; however, they continue to meet, and their relationship soon matures into love. There is an unspoken agreement between them to marry. The lady of the house where Labanya is governess looks on the young lovers with indulgence, and does everything in her power to unite the two.
At this critical juncture, Amit has all but forgotten about his first love, Katie Mitter, the sister of his friend Naren, whom he had saved from an undesirable situation in London seven years ago. Seeing Amit's commitment to Labanya, Katie is resentful. She had hoped that on the force of a promise made on that moonlit night, Amit is hers. It seems that Amit's betrayal and seeming neglect of her has turned Katie from a sweet, innocent girl to an embittered, disillusioned woman.
There is a bit of history on Labanya's side, too. Her father tutors students, on among whom, Shobhanlal, opens his heart to her, and a relationships begins. Labanya, haughty to a certain extent because of her quest for knowledge, refuses the young man. This hurts Shobhanlal's feelings, and he goes away.
When Labanya meets Amit, she thinks this is her chance to start over. She pushes Shobhanlal out of her mind. When he resurfaces, both he and Labanya have matured, and the attraction they felt when they were younger has ripened into love.
What Labanya and Amit have it infatuation, whereas between Amit and Katie the flame of love burns clear and true. The same is the case between Labanya and Shobhanlal.
In Dickens' novel "Great Expectations," we see that Pip loves Estella, but Dickens leaves it unclear if they marry in the end. We know for sure in "Shesher Kabita" (The ultimate poem), that Labanya and Amit never marry. Katie Mitter feels that on the force of a promise made years earlier, Amit is hers. In the end, Labanya marries Shobhanlal, and Amit weds Katie.
Katie is jealous of Labanya; yet she knows that it is impossible for any woman not to love Amit. Cissy and Lissie, Amit's sisters, side with her, too. Whereas in "Jogajog" (Crosscurrents), "Malancha" (The Garden-Bower) and "Chokher Bali" (The Scorned One), jealousy can be easily discerned, in "Shesher Kabita" (The Ultimate Poem) it is concealed. Herein lies the distinction between the two classes of novel.

Faruque attended Dhaka (Bangladesh) University and immigrated to the United States in 1994. She lives in Grand Forks.

Qwest thumbnail
Posted: 18 years ago
Jaya ji,
Excellent post now you made me more desperate to go and meet her she leaves in my region I need to find a way to go and meet her. Thank you so much very good material to read and do some more brain storming. Edited by Qwest - 18 years ago
*Jaya* thumbnail
Posted: 18 years ago
Thx QWest ji 😊

I thought this was excellent analysis of some of Tagore's works on this aspect of human emotions... Also, this is great synopsis of the Rabindranath's novels, which I somehow think did not get its due (when compared to his songs and poems), when he was absolutely at par, if not better than Sharatchandra or Bamkim'babu..
Qwest thumbnail
Posted: 18 years ago

Originally posted by: jayc1234

Thx QWest ji 😊

I thought this was excellent analysis of some of Tagore's works on this aspect of human emotions... Also, this is great synopsis of the Rabindranath's novels, which I somehow think did not get its due (when compared to his songs and poems), when he was absolutely at par, if not better than Sharatchandra or Bamkim'babu..

You are absolutely right if you get a chance read I have posted an article in Abhi ji thread  this morning the Global concept the world is going to day in the same direction of emotion freedom and religion Tagore has thought and tried to implement that almost a century ago and one other think I find that between East and West they have a passion of the people for the people you has wrote in English and not got translated.

Edited by Qwest - 18 years ago