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PRATIGYA18th March WRITTEN UPDATE (Page 4)

tanthya IF-Addictz
tanthya
tanthya

Joined: 24 July 2009
Posts: 52575

Posted: 18 March 2011 at 2:16pm | IP Logged
Originally posted by starlight123

Originally posted by tanthya

Originally posted by MERARAI

Originally posted by starlight123

Originally posted by tanthya

Originally posted by MERARAI

Are we going to see a sick relationship like western soaps and have Kesamma and KN have an affair?Shocked  The sasuma is putting the moves on him and the man who could never say no to any attention from any woman except Piasiya of course is eating this up like a starved man served a feast.   Kesamma looks more like Piasiya's mother than Kesar's.  Kesar and Prats are so dignified compared to the rest of the Jungle aka Niwas.Confused


 I am thinking ..more like Kesmma will gang up with Shakhti , fill his head with nonsense...like separation of house, splitting of proerty ..[The Cv's have established that she is greedy] ..


From the way things are progressing..Shakhti we all know is follower , moreover he was  a loyal follower of Sajjan Singh..but after the 8 bars treatment, Shakthis loyalty has weakened...In to this gap Steps in Kesmma..she has begun her moves right under Ss's Nose [the growing appreciation of Shakthi towards Kesmma.] ...and Ss is not aware of it..

I think I should put this in viewer's..........


If they play her right she can change the dynamics of the Takurs and that to me would be interesting to watch...The chess moves and where do each Takur land and if this will be the making of K or not...


I like both your trains of thoughts.  I remember SS saying in one interview with Baba by his side, that he loves his son Krishna and he knows in his old age it will be Krishna who takes care of him and not send him packing off to an old age home.

WIth KN and Kesamma going for a split, Kesar and her baby (her mother is not really there for Kesar but what she can own materially) are on their own to fend for themselves. Will it be Krishna who comes to the family's rescue and step in to do things the right way after all?


do you remember that lunch box analogy when Krishna comes fully expecting to be insulted..one scene in that


Ss will take the lunch box from Krishna's hands..open it..sniff it appreciatively , close it and place it by his side..Krishna will then gently take it and clasp it around his bosom..I thought may be they are showing that K will be the future provider ..but then thought such symbolic shots ceased a long time back in MKAP ...Now I wonder whether it really was symbolic..


There have been quite a few instances where SS has relied on K in subte ways..Do u remember when he used K support to get up when Ksr returned...and I wonder if he will follow SS in business...Confused


earlier on, yes..but in between he was throwing him out, neglecting him..but now again both are sitting side by side ...as equals ..equal sharer , or the heir to the crown...

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MERARAI

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Joined: 06 July 2010
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Posted: 18 March 2011 at 2:18pm | IP Logged
Originally posted by tanthya

Originally posted by MERARAI


Tanths

They bring a lot of symbolism into the track but abandon it along the way. Reminds me of someone carrying a bunch of air filled balloons but never quite gets the lot of the party as expected as they lose them along the way.

Recently the show has turned a corner but hope they sustain the track and the intensity that had us on the edge of our seats with unpredictable twists once again.  mid June - mid Jan left a very bad taste in our mouths.  Those six months wiped out the opinion that people had about the show being exceptional and unique.


I certainly hope so, Mera..The direction is improving except for y'day ...but screen play is still dheela ...it has to be tightened..and also some fresh dialogues  for Amma, Sax Clan, Pratigya..[She opens her mouth either to give gratuitous advice or deliver a homily , rarely seen her talking like a human being] Is this the writers fault, the directors fault or PG fault???? To me they've not made her character human with vices...Very robotic in her stance and delivery, IMO..Even today PG showed no emotions or nuances in her performance...She needs to learn to do more in a scene other than standing and giving blank stares, IMO

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my_viewMERARAI

tanthya IF-Addictz
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Joined: 24 July 2009
Posts: 52575

Posted: 18 March 2011 at 2:28pm | IP Logged
Originally posted by starlight123

Originally posted by tanthya

Originally posted by MERARAI


Tanths

They bring a lot of symbolism into the track but abandon it along the way. Reminds me of someone carrying a bunch of air filled balloons but never quite gets the lot of the party as expected as they lose them along the way.

Recently the show has turned a corner but hope they sustain the track and the intensity that had us on the edge of our seats with unpredictable twists once again.  mid June - mid Jan left a very bad taste in our mouths.  Those six months wiped out the opinion that people had about the show being exceptional and unique.


I certainly hope so, Mera..The direction is improving except for y'day ...but screen play is still dheela ...it has to be tightened..and also some fresh dialogues  for Amma, Sax Clan, Pratigya..[She opens her mouth either to give gratuitous advice or deliver a homily , rarely seen her talking like a human being] Is this the writers fault, the directors fault or PG fault???? To me they've not made her character human with vices...Very robotic in her stance and delivery, IMO..Even today PG showed no emotions or nuances in her performance...She needs to learn to do more in a scene other than standing and giving blank stares, IMO


Not only ur's..even for  me..she is mechanical ...

in fact, I would say Komal is effective while doing the senti stuff..soft but firm whereas PG begins to coo in a falsetto which is grating after a few seconds..and yes..she has to work on BL and expression's in her eyes..


Bhashan is both writer's and PG's fault and also PH's fault..when they have realized that the bhashan's are not having the determined effect..why pitch it ??give it to Ab or AS or even PS ..

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MERARAI-Sheena-

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Joined: 13 April 2010
Posts: 18864

Posted: 18 March 2011 at 2:30pm | IP Logged
Originally posted by starlight123

Originally posted by tanthya

Originally posted by MERARAI


Tanths

They bring a lot of symbolism into the track but abandon it along the way. Reminds me of someone carrying a bunch of air filled balloons but never quite gets the lot of the party as expected as they lose them along the way.

Recently the show has turned a corner but hope they sustain the track and the intensity that had us on the edge of our seats with unpredictable twists once again.  mid June - mid Jan left a very bad taste in our mouths.  Those six months wiped out the opinion that people had about the show being exceptional and unique.


I certainly hope so, Mera..The direction is improving except for y'day ...but screen play is still dheela ...it has to be tightened..and also some fresh dialogues  for Amma, Sax Clan, Pratigya..[She opens her mouth either to give gratuitous advice or deliver a homily , rarely seen her talking like a human being] Is this the writers fault, the directors fault or PG fault???? To me they've not made her character human with vices...Very robotic in her stance and delivery, IMO..Even today PG showed no emotions or nuances in her performance...She needs to learn to do more in a scene other than standing and giving blank stares, IMO


Star

Blank stares do wonders, I can vouch for that LOLas I use it a lot to get the person to reflect.  But Prats had that one expression all day today. 

The other thing I find strange in MKAP is the way they all stand like statues. SS pulls his dhoti and tucks it in his pocket and looks more natural.  Takurain stands with her hands on her hip which is very natural and Kesar holds her saree around her shoulder to give her hands something to do. But Prats stands with hands by her sides that want to move into natural action but has been told by director she can't so it comes off as being unnatural.  Even KN is lounging or moving around. It's Prats and Krishna who end up being robotic in their moves for most part and they need to loosen up a little. Prats's body language sometimes doesn't match her dialogues or her delivery of them. Good acting takes expressions, movements and dialogue delivery as a unit and those who can give a unified performance are called great actors..


-Sheena- IF-Sizzlerz
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Joined: 06 July 2010
Posts: 17603

Posted: 18 March 2011 at 2:31pm | IP Logged
Originally posted by tanthya

Originally posted by starlight123

Originally posted by tanthya

Originally posted by MERARAI


Tanths

They bring a lot of symbolism into the track but abandon it along the way. Reminds me of someone carrying a bunch of air filled balloons but never quite gets the lot of the party as expected as they lose them along the way.

Recently the show has turned a corner but hope they sustain the track and the intensity that had us on the edge of our seats with unpredictable twists once again.  mid June - mid Jan left a very bad taste in our mouths.  Those six months wiped out the opinion that people had about the show being exceptional and unique.


I certainly hope so, Mera..The direction is improving except for y'day ...but screen play is still dheela ...it has to be tightened..and also some fresh dialogues  for Amma, Sax Clan, Pratigya..[She opens her mouth either to give gratuitous advice or deliver a homily , rarely seen her talking like a human being] Is this the writers fault, the directors fault or PG fault???? To me they've not made her character human with vices...Very robotic in her stance and delivery, IMO..Even today PG showed no emotions or nuances in her performance...She needs to learn to do more in a scene other than standing and giving blank stares, IMO


Not only ur's..even for  me..she is mechanical ...

in fact, I would say Komal is effective while doing the senti stuff..soft but firm whereas PG begins to coo in a falsetto which is grating after a few seconds..and yes..she has to work on BL and expression's in her eyes..


Bhashan is both writer's and PG's fault and also PH's fault..when they have realized that the bhashan's are not having the determined effect..why pitch it ??give it to Ab or AS or even PS ..


Or that little boy,,he was good too..LOL...ME will be having one, I suspect...Confused

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tanthya

tanthya IF-Addictz
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Joined: 24 July 2009
Posts: 52575

Posted: 18 March 2011 at 2:36pm | IP Logged
Originally posted by starlight123

Originally posted by tanthya

Originally posted by starlight123

Originally posted by tanthya

Originally posted by MERARAI


Tanths

They bring a lot of symbolism into the track but abandon it along the way. Reminds me of someone carrying a bunch of air filled balloons but never quite gets the lot of the party as expected as they lose them along the way.

Recently the show has turned a corner but hope they sustain the track and the intensity that had us on the edge of our seats with unpredictable twists once again.  mid June - mid Jan left a very bad taste in our mouths.  Those six months wiped out the opinion that people had about the show being exceptional and unique.


I certainly hope so, Mera..The direction is improving except for y'day ...but screen play is still dheela ...it has to be tightened..and also some fresh dialogues  for Amma, Sax Clan, Pratigya..[She opens her mouth either to give gratuitous advice or deliver a homily , rarely seen her talking like a human being] Is this the writers fault, the directors fault or PG fault???? To me they've not made her character human with vices...Very robotic in her stance and delivery, IMO..Even today PG showed no emotions or nuances in her performance...She needs to learn to do more in a scene other than standing and giving blank stares, IMO


Not only ur's..even for  me..she is mechanical ...

in fact, I would say Komal is effective while doing the senti stuff..soft but firm whereas PG begins to coo in a falsetto which is grating after a few seconds..and yes..she has to work on BL and expression's in her eyes..


Bhashan is both writer's and PG's fault and also PH's fault..when they have realized that the bhashan's are not having the determined effect..why pitch it ??give it to Ab or AS or even PS ..


Or that little boy,,he was good too..LOL...ME will be having one, I suspect...Confused


Thankfully, I'll be reading by ur LUD so will skip when u write bhashan Stuff LOLLOLLOL 
tanthya IF-Addictz
tanthya
tanthya

Joined: 24 July 2009
Posts: 52575

Posted: 18 March 2011 at 2:38pm | IP Logged
Originally posted by MERARAI

Originally posted by starlight123

Originally posted by tanthya

Originally posted by MERARAI


Tanths

They bring a lot of symbolism into the track but abandon it along the way. Reminds me of someone carrying a bunch of air filled balloons but never quite gets the lot of the party as expected as they lose them along the way.

Recently the show has turned a corner but hope they sustain the track and the intensity that had us on the edge of our seats with unpredictable twists once again.  mid June - mid Jan left a very bad taste in our mouths.  Those six months wiped out the opinion that people had about the show being exceptional and unique.


I certainly hope so, Mera..The direction is improving except for y'day ...but screen play is still dheela ...it has to be tightened..and also some fresh dialogues  for Amma, Sax Clan, Pratigya..[She opens her mouth either to give gratuitous advice or deliver a homily , rarely seen her talking like a human being] Is this the writers fault, the directors fault or PG fault???? To me they've not made her character human with vices...Very robotic in her stance and delivery, IMO..Even today PG showed no emotions or nuances in her performance...She needs to learn to do more in a scene other than standing and giving blank stares, IMO


Star

Blank stares do wonders, I can vouch for that LOLas I use it a lot to get the person to reflect.  But Prats had that one expression all day today. 

The other thing I find strange in MKAP is the way they all stand like statues. SS pulls his dhoti and tucks it in his pocket and looks more natural.  Takurain stands with her hands on her hip which is very natural and Kesar holds her saree around her shoulder to give her hands something to do. But Prats stands with hands by her sides that want to move into natural action but has been told by director she can't so it comes off as being unnatural.  Even KN is lounging or moving around. It's Prats and Krishna who end up being robotic in their moves for most part and they need to loosen up a little. Prats's body language sometimes doesn't match her dialogues or her delivery of them. Good acting takes expressions, movements and dialogue delivery as a unit and those who can give a unified performance are called great actors..




even AB sometimes leans on the pillar or his face will be reacting to the happenings..but PG will be standing without any reaction's ...somehow jarring..

The following 1 member(s) liked the above post:

-Sheena-

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Joined: 06 July 2010
Posts: 17603

Posted: 18 March 2011 at 2:39pm | IP Logged
Originally posted by tanthya

Originally posted by starlight123

Originally posted by tanthya

Originally posted by starlight123

Originally posted by tanthya

Originally posted by MERARAI


Tanths

They bring a lot of symbolism into the track but abandon it along the way. Reminds me of someone carrying a bunch of air filled balloons but never quite gets the lot of the party as expected as they lose them along the way.

Recently the show has turned a corner but hope they sustain the track and the intensity that had us on the edge of our seats with unpredictable twists once again.  mid June - mid Jan left a very bad taste in our mouths.  Those six months wiped out the opinion that people had about the show being exceptional and unique.


I certainly hope so, Mera..The direction is improving except for y'day ...but screen play is still dheela ...it has to be tightened..and also some fresh dialogues  for Amma, Sax Clan, Pratigya..[She opens her mouth either to give gratuitous advice or deliver a homily , rarely seen her talking like a human being] Is this the writers fault, the directors fault or PG fault???? To me they've not made her character human with vices...Very robotic in her stance and delivery, IMO..Even today PG showed no emotions or nuances in her performance...She needs to learn to do more in a scene other than standing and giving blank stares, IMO


Not only ur's..even for  me..she is mechanical ...

in fact, I would say Komal is effective while doing the senti stuff..soft but firm whereas PG begins to coo in a falsetto which is grating after a few seconds..and yes..she has to work on BL and expression's in her eyes..


Bhashan is both writer's and PG's fault and also PH's fault..when they have realized that the bhashan's are not having the determined effect..why pitch it ??give it to Ab or AS or even PS ..


Or that little boy,,he was good too..LOL...ME will be having one, I suspect...Confused


Thankfully, I'll be reading by ur LUD so will skip when u write bhashan Stuff LOLLOLLOL 


Me like K go blank on them......WinkLOL. I'll end up making my own bhashan....Tongue

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tanthya

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