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Posted: 13 years ago

Anupama Chopra's Reviews

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Review: Break Ke Baad

With Break Ke Baad, I'm officially instituting the two and three- quarter star rating on our show. This is for films, which show promise and sparkle but eventually don't deliver the goods.

Break Ke Baad, co-written and directed by debutant Danish Aslam, starts off well enough. Over a long title sequence, we are introduced to Abhay, played by Imran Khan and Aaliya, played by Deepika Padukone, both Hindi movie fanatics who share their first kiss during their third viewing of Kuch Kuch Hota Hai.

She's gorgeous, headstrong and sometimes insensitive or as she puts it during a drunken interlude, she is a soaring kite and he is her strong manjha. Which means he is sincere, committed and pretty dull.

It's not the most original scenario but Renuka Kunzru, who has done the dialogue and screenplay, makes it crackle.

Imran is saddled with a bland, supporting role but together, the two create some genuine charm. The feisty and stubborn Aaliya doesn't match the inspired madness of Geet in Jab We Met but she has vitality. And Deepika, whose beautiful but inexpressive face usually seems disconnected from any emotion, actually makes her come alive. This is her best performance to date.

And then the film moves to Australia where Aaliya must go ostensibly to study but also for a break from Abhay. She moves into a beach shack accommodation, run by a gruff tattoo artist and an oversexed but harmless bar man. These one-note, wannabe hipsters signal the downward curve. Abhay follows Aaliya and slowly but surely the charm and buoyancy deflates and the film becomes a whiney, synthetic tale of how he and Aaliya find, lose and find each other again.

Aaliya learns to be more sensitive, Abhay finds his vocation but the viewer finds little cheer. The second half of the film is a silly and tedious runabout somewhat leavened by the appearance of Lillette Dubey as Abhay's salty, thrice-divorced aunt who refers to Aaliya as chudail.

At one point, she insightfully says: Tum log sab chahtey ho aur chahtey ho ki dard bhi na ho. Aaliya delivers a nice climactic speech but by that time, my eyes had glazed over and like Rhett Butler in Gone with the Wind, I just wanted to say: Frankly, my dear, I don't give a damn.

Still, if you must watch a rom-com this weekend, Break ke Baad is a little better than recent outings like Anjaana Anjaani and I Hate Luv Storys. Check it out.

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Posted: 13 years ago
^Not bad. Not bad..similar to xetaxeta's/slightly better 😆 

Some of the Critic's reviews are 'ulta' for this movie, Taran doesn't approve & Anupama approves. I'm sure Rajeev Masand & Baradwaj Rangan are going to shred it, though 😆
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Posted: 13 years ago
I am going to watch the movie tonight!!!
 
PS : Only cause I got free tickets!!!
 
Will post the review tomorrow! (And because I am not spending my hard-earned money on the tickets, rest assured, my review will not be negative!😆)
 
Did you guys see Immu and Deepu's interview on Star News? They were both very cute!
 
 
 
 
 
Edited by poppy2009 - 13 years ago
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Posted: 13 years ago

Break ke pehle works. Baad all bad!

Sukanya Verma reviews Break Ke Baad.
Blame it on Aditya Chopra [ Images ] and Karan Johar [ Images ]!

More than a decade ago, Bollywood found its unsought messiah in these two filmmakers with a pretty similar history and decided to hail them as something of a Steve Jobs and Bill Gates [ Images ] of glitz and gloss.

Both belonged to film families and are instrumental in expanding the family business of movie-making from mind-blowing to monumental by taking inspiration from Sooraj Barjatya, another young director with a similar background and successful record in sweet, sentimental, celebration-themed romances; they each wrote and directed a grand love story.

Both Dilwale Dulhania Le Jayenge [ Images ] and Kuch Kuch Hota Hai [ Images ] became blockbusters. Moreover its impact on the culture of dating and dressing was undeniable. Perhaps, in many ways, it was our very first real introduction to cool.  

But while regular fans moved on, a bunch of boys, probably in their teens, did not. They grew up and turned directors with the single-minded goal of making cool movies.

What that really meant was channeling the DDLJ and KKHH legacy shamelessly and tediously, be it as an act of premature tribute, intentional ridicule or direct reference. A pattern, which was mostly amusing before the overkill, most obvious in films like Bachna Ae Haseeno [ Images ], I Hate Luv Storys [ Images ] and now Break Ke Baad (adding bits of Mr India [ Images ] and Jo Jeeta Wohi Sikander for variety). Though the latter-most belongs to neither Yashraj nor Dharma, the connection can be traced back to its producer Kunal Kohli, an YRF loyalist turned independent filmmaker.

Only in post-Friends 2000s, the depiction and dynamics of modern relationships in urban India have undergone a dramatic change. As much as one reveres the beatific professions of love between Raj and Simran [ Images ] or sigh over the high drama surrounding Rahul and Anjali, the Facebook generation relates better to the casual, conversation-happy boy-girl equation in contemporary fare like Dil Chahta Hai [ Images ], Jab We Met [ Images ], Jaane Tu [ Images ] Ya...Jaane Na, Love Aaj Kal [ Images ] and Wake Up Sid [ Images ].

It would seem Danish Aslam's directorial debut Break Ke Baad is along those lines with its long-distance relationship theme. To think the first hour and half goes off like a breeze with its attractive opening credits, zippy pace, witty rejoinders, slick packaging and two extremely good-looking protagonists.

Despite the advertising overload (Kit Kat chocolates, Volkswagen [ Images ] Beetles, Zen mobile) and a mandatory big, fat Punju wedding, Aslam maintains a mellow vibe and concentrates on establishing the close friendship between Abhay (Imran Khan [ Images ]) and Aaliya (Deepika Padukone [ Images ]). Their Hindu/Muslim status is, mercifully, never a subject of concern or speculation.

Imran Khan revisits a character he's already essayed quite effectively in Jaane Tu...Ya Jaane Na. His Abhay Gulati is a vanilla-faced epitome of patience, sensitivity and goodness; the quintessential Mr Right putting up with his insolent, spoilt, self-seeking, nonconforming, 'Screw you' spewing childhood sweetheart, Aaliya (Deepika Padukone).  

She address her mom on first-name basis, plus she's ambitious, an enduring taboo in Hindi films. Negative connotations aside, Aaliya is hardly rooting material. She's a manipulative, cold-hearted you-know-what for us to care or invest. What's liberating about lying to a caring boyfriend and jetting out to pursue an acting career in the garb of a mass-communication course in Gold Coast, Australia [
Images ] (it's Mauritius, really)? If Aslam's intention is to portray Abhay as a clingy and aimless contrast, it does not come through.


Truth be told, Imran's Abhay is less of a smitten Archie and more of an accommodating Betty to Deepika's haughty-as-hell Veronica. It's hard to understand why he loves this offensive, wannabe brat. That she's played by Ms Padukone only adds to our befuddlement.

Apart from her supermodel long legs and smouldering sex appeal, which she flashes endlessly, Deepika's strained dialogue delivery and tough girl aggression is rather affected and superficial. The discrepancies in her oddly written character show up every few seconds. On one hand, she's the daughter of an affluent yesteryear actress (Sharmila Tagore [ Images ]) residing in a sprawling bungalow, moving about in luxury sedans. Next moment, she's bashing up some lecherous desi with unproven claims about how she's DTC-trained and well-equipped against the creepy types.

She's better suited for the lighter scenes, especially the sloshed 'Shah Rukh-Sunita' exchange between her and Imran on the terrace. Once, however, the plot slips into an extended impasse, her inability to rise above the written material becomes far more conspicuous than those perfectly-toned stems.

Except the mismatched lead pair, the casting is fairly on the ball. It's always nice to see infrequent veterans like Sharmila Tagore and Navin Nischol to lend the banal some renewed warmth. Even though it's a part she's played on several occasions, Lillete Dubey nails the raunchy single aunt with enough tongue-in-cheek quips to crib.

To Aslam's credit, he keeps the humour zany and understated. Many a times the jokes are blurted out in such hushed-tone, they could go unheard. Dubey, along with Yudhishtr Urs as Imran's buddy crack the funnies while an emo-inspired Shahana Goswami [ Images ] is wasted in a half-hearted sidekick's role.

Post-interval, the promise of delving into the complications of long-distance romance begin to dwindle as Break Ke Baad runs out of ideas, spark, focus and momentum, procrastinating endlessly, before racking up yet another addition in the list of far-fetched 'n' filmi fairytale endings.

The whole point of a reel romance is lost if the rapport between the lead pair isn't radiating dazzling passion or teenybopper sweetness. Though he's sufficiently genuine, Imran, no offence, is no SRK [ Images ]. As much as we deplore the King of fluff for playing Raj/Rahul over and over, he can effortlessly create magic with his co-stars, even other than Kajol [ Images ]. Imran cannot. Fleeting kiss notwithstanding, his pairing with Deepika fails to generate that all-important chemistry, she's more of a bullying big sister in face of his Dennis-no menace adorability.

Also, Imran, for all his Lindt-rich appeal, is officially in stereotype territory with these Dhingra-Gulati roles. His latest bears a striking resemblance to the few months-old, I Hate Luv Storys, which is slightly better off with a decidedly superior Vishal-Shekhar soundtrack and Sonam Kapoor [
Images ], in terms of visuals, styling and production values.

Both Break Ke Baad and IHLS are helmed by first-timers for different production houses but it's hard to tell one apart from the other. Call it tribute or inspiration, the prospect of zero individuality in a creative medium is hardly a deal breaker. And it's definitely not cool anymore.  

Rediff Rating:

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Posted: 13 years ago
Break Ke Baad Has Decent Start At High End Multiplexes

 

Friday 26th November 2010 12.00 IST

Boxofficeindia.Com Trade Network

 

Break Ke Baad had a decent start of 50-60% at high end multiplexes in big urban centres but other multiplexes were lower in the 30-50% depending on location. Single screens are likely to be even lower.

 

Similar films like I Hate Luv Storys and Anjaana Anjaani which also catered to the urban youth were much stronger on their respective first day mornings.

 

Break Ke Baad is likely to collect better at high end multiplexes like PVR in Delhi NCR and Inox in Mumbai as per early trends.

 

PVR Ambience Gurgaon

10.15 am - 32,000 (47%)

 

PVR Prashant Vihar Delhi

10.15 am - 16,000 (68%)

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Posted: 13 years ago

Break Ke Baad' Review By Komal Nahta

Star cast: Imran Khan, Deepika Padukone, Sharmila Tagore, Navin Nischol, Lillette Dubey, Shahana Goswami, Yudhishtir Urs.

Plot: Imran and Deepika love each other but decide to take a break from one another for a year. The break leads to a breakup. What next?

What's Good: Performances of the actors; the dialogues in the first half.

What's Bad: The post-interval portion.

Verdict: Break Ke Baad is for the youth in the cities; its reasonable price is an asset.

Loo break: A couple in the second half.

Reliance Big Pictures and Kunal Kohli Productions' Break Ke Baad is the story of a young boy and a young girl, who love each other, but then comes a break in their relationship, which leads to a break-up. What happens thereafter?

Abhay Gulati (Imran Khan) and Aaliya (Deepika Padukone) are childhood friends. Their friendship blossoms into love. Aaliya's life is defined by her burning desire to become an actress and she is so consumed by this that she is unmindful of what or who comes in her way. Abhay, working in his father's cinema, is unsure about what he wants to do in life. He loves Aaliya very much and is prepared to overlook all her faults and childish qualities.

One day, Aaliya decides to go to Australia for a year for further studies. Abhay is against the idea for fear of losing Aaliya but he gives in when she proposes that they both take a break from one another. Abhay soon finds himself in Australia by his girlfriend's side because he senses, he might lose her. This angers Aaliya so much that she decides to break up the relationship completely. She asks him to return to India but he stays on, hoping to get Aaliya back into his life. Helping Abhay are their new friends in Australia – Nadia (Shahana Goswami) whose house Abhay and Aaliya have rented, and Cyrus (Yudhishtir Urs).

Abhay returns to India when, after trying hard, he is unable to convince Aaliya to revive their relationship. To win her over while in Australia, Abhay also starts his own little business in Australia. However, Aaliya, who had promised to only complete a course in mass communication there, also takes up an acting assignment that comes her way.

Back in India, does Abhay decide to forget Aaliya? Is Aaliya able to erase Abhay out of her thoughts while in Australia? What eventually happens after the break and break-up?

Script & Screenplay

Danish Aslam and Renuka Kunzru's story is quite interesting because it is about how young lovers in today's age and time behave – they are in love at one moment and out of it the next moment. It captures the volatility of modern-day relationships effectively. But Renuka Kunzru's screenplay is good in parts only and, moreover, it is very city-centric. Aaliya's demand for a break looks convincing but when it comes to a break-up, it seems a bit too contrived, if only because the build-up to the break-up is neither enough nor very convincing. Likewise, Abhay's struggle to woo Aaliya back looks too easy and half-baked what with an ever-helpful friend like Nadia by his side, who makes everything in a foreign land seem so easy for him. In short, the break does engage the viewers but the break-up rarely tugs at the heart strings because somewhere, it begins to look fake and resting on a shaky foundation.

Since the break-up doesn't sadden the heart, the audience doesn't root for the lovers to come back together as much as it should in a love story like this. In other words, the love story works upto a point, not thereafter. Absence of hit music in a youthful and modern love story like the one this is, is a drawback.

Structurally, the drama is quite engaging till interval but drops down quite badly post-interval. The interest level of the audience picks up towards the climax but it is also true that the ending is predictable. What works very well in the film is the racy first half and the entertaining dialogues between Abhay and Aaliya. What doesn't quite work is the second half and the absence of entertaining dialogues between the two. Renuka Kunzru's dialogues are very well-written. Overall, the film and its humour would impress mainly the youngsters, that too, in the big cities.

Star Performances

Imran Khan does well. In many scenes, he has to play subservient to his lady love and he does that very convincingly. Deepika Padukone is fantastic. She lives the role of Aaliya and delivers a performance that will be remembered for a long time. She looks extremely glamorous and carries off her sexy costumes (Ayesha Dasgupta) with lan. Sharmila Tagore ably does what is required of her as Aaliya's mother. Navin Nischol is fair. Lillette Dubey is endearing and supremely natural. Shahana Goswami also shines. Yudhishtir Urs leaves a lovely mark and evokes laughter at several points. Others in the cast lend able support.

Direction, Music & Editing

Danish Aslam makes a confident debut as a director. His directorial touches in several scenes underline the fact that he knows his job and is a director with a promising future. Vishal-Shekhar's music should've been better because this youthful love story definitely needed hit and super-hit songs. 'Adhoore' is the best song, followed by 'Ajab leher hai' and 'Dooriyaan hai zaroori', all effectively penned by Prasoon Joshi. Song picturisations are good but could've done with far more novelty. Andre Menezes' cinematography is eye-filling. Hitesh Sonik's background score is good. Editing (Anand Subaya) is crisp.

The Last Word

On the whole, Break Ke Baad is entertaining break (interval) ke pehle but not equally so break ke baad. Given its reasonable cost (less than Rs. 30 crore) on the one hand and its impressive recoveries from non-theatrical revenue streams and reasonably good initial on the other, it should prove to be an earning proposition for all concerned.



Read more: 'Break Ke Baad' Review By Komal Nahta | Koimoi.com
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Posted: 13 years ago
An advice to Imran khan..learn from your Mamu...Amir became a huge star when he got rid of his cutie pie image with films like Lagaan,Ghulam,Sarfarosh etc...you looked pretty even in your action films..cover your red lips..get a beard.. whatever.
 
Remember Saif in early days..he was prettier than you and worse actor...all that changed with Omkara,ek Hasina thi,Race etc.
 
Deepika who is an outsider..understood that very well..If an actor sheds his /her vanity...He/she will connect with the critics and public instantly..Those over at Pink Villa may throw tantrums for her recent  'bad' looks...
But she walks away with more accolades than any glamorous newbie has done so early in their career..
Hits come and go ..Only talent will survive through ups and downs..look at Kareena,Priyanka,Konkona..
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Posted: 13 years ago
Dainik Bhaskar
Movie Review: Break Ke Baad
Source: Swati Bhattacharyya   |   Last Updated 12:44(26/11/10)
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Star Cast: Imran Khan, Deepika Padukone, Shahana Goswami, Yudhisthir, Sharmila Tagore

Rating: ***

Director: Danish Aslam

Producer: Kunal Kohli

Music Director: Vishal Dadlani

Genre: Romantic Comedy

Will you let go of your dream, if you are in love? If your relationship is complicated and you are still thinking to take that ' desired break' in relationship to make it simpler, Danish Aslam's Break Ke Baad is a must watch for you.

Abhay Gulati ( Imran Khan) and Aaliya Khan ( Deepika Padukone) are childhood sweethearts who are in their teenage love. Though they have known each other since childhood, but the differences in their personality pulls them apart. While Aaliya is too ambitious and wants to become an actress, Abhay is still unaware of what he wants to do in his life. Gradually as they move from their teenage love to a long term relationship, their viewpoint about relationship changes respectively. While Aaliya wants to pursue her dreams and wants a 'break' in the relationship, Abhay wants to sort it out by staying together. This 'break' in their relationship gives them an understanding of their love and dreams. Both of them commit several mistakes to the extent of breaking up with each other, but still they unite for their undying love. While Aaliya becomes more mature and emotional, Abhay's 'unplanned career' gets streamlined and he finds his true identity.

Deepika and Imran's pairing is unconventional, yet they create some good onscreen chemistry. Dashing Imran plays the perfect role of a 'chocolaty goodie boy' immensely in love with his childhood sweetheart. His emotions are perfect, though at times when he is snubbed by Aaliya, his shy demeanor goes bit too overboard. Deepika's teenage chic look compliments her ambitious and commitment phobic character. Both Imran and Deepika has grown as actors and given a performance which is worth seeing. Both look fresh and make a good pair. Shahana and Yudhisthir who played the role of close common friends of Deepika and Imran have given a convincing performance.

Debut Director Danish Aslam has done a good job in giving us a romantic comedy which brings in a fresh breath of romance now and then. The way he has introduced the plot is refreshing with real life emotions which makes it an interesting watch. His shots and narrative clearly shows how he is influenced by his mentor Kunal Kohli as 'Break Ke Baad' clearly bears resemblance to Hum Tum's mushy love story narrative. Debut director Danish Aslam knows his job well and produces an unconventional, striking yet unpredictable story in front of you.

The music by Vishal Dadlani is soothing and peppy in accordance with the romantic backdrop. His western influence has surely pepped up the music in 'Break Ke Baad'. The music resembles contemporary urban track which is not conventional like a ' lambi judaai ' offer. The song ' adhoore' is striking and works for its modern take on love.

Diologues by Renuka Kunzru is modern, catchy and matches today's lingo. Deepika's mimicked version of calling sirname ' Gulati' as Gelato and creating abbreviations of every name goes with today's generation and she seems to have captured the youth pulse. In fact, Imran's aunty considers ' Devdaas' really unsexy as he wasted his life on liquor for his undying love for one girl ' Paro'.

The narration could have been stronger as it lack punches and at times become predictable. The climax is bit stretching, but predictable. Deepika's justification for the initial 'break' was not clear neither justified. Imran's sudden fire to kick start his business was sudden and abrupt. In fact the realization could have come more early. Deepika's mom's sudden change of thoughts regarding her career was surprising and boring. Yet, with little bit of flaws, it does make a good entertainer.

So, if you are ambitious and your partner is aimless? If your story sounds similar, go with your loved one to know the fate of your love. Recommended for a one time watch! A good entertainer for all you guys who love mushy love stories! Imran and Deepika will surely not disappoint you.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
 
 
 
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Posted: 13 years ago
Break Ke Baad review: Trying too hard to be cool
Movie
Break Ke Baad
Director
Danish Aslam
Cast
Deepika Padukone, Imran Khan, Sharmila Tagore, Shahana Goswami, Yudishtir Urs, Lilette Dubey, Naveen Nischol
 
Sonia Chopra
 
The simplistically conceptualised characters gnaw at your nerves. Aaliya (Deepika Padukone), for example, is ambitious - which in Hindi film language usually translates to a person who doesn't value relationships. And a person who shrieks a lot. Aaliya does both. At the other end of the spectrum is the boyfriend of 10 years, Abhay (Imran Khan), who is sober, sorted, and wants to subtly tame the shrew.
 
Special: All about Break Ke Baad | Check out Imran and Deepika's chemistry in Break Ke Baad You dislike the central characters instantly - one is too clingy, the other wants to break up without a significant reason. And then there's the single mother (Sharmila Tagore) and thrice-divorced aunt (Lillette Dubey), on both sides, respectively goading them to end up together or move on, depending on where we are in the story. So Aaliya nurtures the ambition of becoming an actor. She gets through to a prestigious university in Australia. Only thing is, she lies to her mother that she's going for a mass-communication course for a short period. The boyfriend is outraged (despite it being a short-term course), because he's wondering how the relationship will fit in her future plans. He applies emotional blackmail, she responds by wanting out. They are now officially broken up. Girl enjoys her time at the university, making new friends, etcetera, until Clingy Boyfriend follows her to woo her back. Tired of the claustrophobic relationship, she wants space. He feels there's no scope for space in a relationship. There's also the other angle of Aaliya's focussed ambition versus Abhay's conflict of working in his father's business despite hating it. So far, bearable. But now on, things go downhill. Aaliya and Abhay , now in Australia, live as neighbouring roomies in a sea-facing apartment that's so cheap, it's "too good to be true". Add two side characters (Shahana Goswami, Yudishtir Urs) - the owners of the place - who act as, well, side characters to the Boy and Girl. Meanwhile the film morphs from a rom-com (romantic comedy) to a fairytale where everyone's dreams come true and there's that happily ever after. The film's weak foundation and lack of fun moments make it a cumbersome watch. Aaliya's ambition and desire to follow her passion has everyone tied up in knots. The boyfriend asks her to make a choice between him and her career, though not in so many words.
 
 
When she gets a breakthrough opportunity after an audition, her mother walks away in a huff because that would mean Aaliya staying back in Australia for longer than promised. The writers have built up characters that could be described in a couple of words - so lacking are they in depth. The dialogue shows an occasional spark, but is otherwise dull. Deepika Padukone is spunky enough and has come to be identified with roles that defy the archetypal heroine mould. Imran Khan appears in yet another rom-com after his debut film Jaane Tu... Ya Jaane Na and the recent I Hate Luv Storys. Khan is charming and dignified throughout, but his character - that's supposed to manipulate the audience into agreeing with him - doesn't quite work. And the bizarre ending has Khan looking as unconvinced as the audience viewing it. Director Danish Aslam treads carefully (too carefully) to make a film he's hoping will please all. So there's the shaadi portions, the boyfriend's chauvinism covered under the facade of him being lost without goals, the girl finally realising her 'mistake' and understanding that relationships are supremely valuable, and so on. But the storytelling merely scratches the surface of the characters' conflicts, preferring not to delve any further, and unconvincingly served to the audience.
 
 
Break-ups come in as many varieties as relationships. The concept of breaks-ups and relationships was dealt in a far spiffier manner (within the limitations of the genre) in Love Aaj Kal (also starring Deepika Padukone), where the film starts with a break-up, then proceeds to the couple meeting new people, and so on. At least, it had a graph, and a conflict that the film then proceeded to resolve. Here, you're not quite sure what the problem is: with the characters and between them as well. Then how do you sympathize? So there you have it: a trying-too-hard to be cool film where the effort is glaring. Watch it if you haven't had enough of rom-coms already.

Rating: 2 stars

Edited by ajooni - 13 years ago
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Posted: 13 years ago

Bad reviews :/ average opening! :(

i was expecting it so be so much better and bigger but anyway what matters the most to me it how much i like it , if it manages to bring a smile on my face or not :)