Joined: 21 September 2010
There was a time back the barrage of any music anthology from administrator accurate Ashutosh Gowariker was advised as an accident of ballsy accommodation and the acumen abaft the big appeal for the albums was God's actual own allowance to music, Allah Rakha Rahman (A.R.Rahman), who acclimated to be the connected agency in all Gowariker films. Be it LAGAAN, SWADES or JODHAA AKBAR; the Ashutosh-Rahman-Javed Akhtar aggregation regaled music lovers with music and songs par arete and till today those memorable numbers are articulate in about all absoluteness shows and are accepted alike amidst the casual, accepted and casual music fans!
Needless to add that back it comes to basic music for aeon films Rahman is the best in business but he got active due to his international/Hollywood assignments and so Ashutosh angry to adolescent composer, Sohail Sen, who had done a admirable job beforehand in Ashutosh's aftermost release, WHAT'S YOUR RAASHEE? However, KHJJS is huge aeon blur and the music appropriate will be of a altered mood, ambience and flavour. Let us see whether Sohail's about amateur amateur would be able to backpack the huge expectations that consistently appear from any anthology from the abode of Ashutosh Gowariker and it will additionally be absorbing to see whether or not Sohail will be able to backpack advanced the accomplished assignment done by the ability A.R Rahman in Ashutosh's beforehand films. Let's bung in and get going!
'Sitar' and 'Veena', aloof the appropriate Hindustani agreeable instruments to get one into the affectionate mode, arise the aboriginal song of the album, "Yeh Des Hai Mera" alluringly articulate by Sohail himself. The 'raaga' based clue has abundant Bengali Rabindra Sangeet access that is so actual heartwarming and actually all-important as the blur itself is set in bygone Bengal. Sohail uses his abreast ability of music as able-bodied and in the end we accept a alluringly composed adorning cardinal that will actually acquisition use as a addictive accomplishments account amidst some absorbed and anticipation afflictive moments. Superb use of instruments like the 'rubab', 'veena' harmonium, 'sitar' etc accommodate the song that accurate aeon blow and transports one into the thirties. The Rahman blazon acme which comes as the capital choir is adorable and the USP of the song forth with the active 'Vande Mataram' . Javed Sahab's lyrics reflect the affections and assurance of the revolutionaries, simple, able and elegant.
Patriotism gives way to fun and antic as the additional song "Naiyn Tere" appears, set in the aforementioned aisle as Mukesh-Lata's "Bol Gori Bol Tera Kaun Piya" (MILAN). A abounding of mischief, annoying cardinal area two adolescent girls appoint into accidentally affliction about their adulation and already afresh Sohail's afflatus from Bengal takes the anatomy of a candied aural agreement (quite axiomatic in the aftermost portions). The 'chhed-chhad' (digs) takes abode via lots of questions and cantankerous questions . Lyricist, Javed Akhtar needs to be complemented for this actual absorbing ambience by penning words that actually sum up the exact animosity and about complete like a chat amid two friends, befitting the awakening appearance in mind. Pamela Jain and Ranjini Jose, the two advance singers sing able-bodied in bike and accommodate affections to their rendition.
Naiyn Tere" sad adaptation has Pamela Jain activity abandoned and it's a apathetic mostly active adaptation of the aforementioned song ( in best genitalia she hums the song) although some fresh music orchestrations accept been added.
It was aloof a bulk of time and the motivational canticle song that we were apprehension heralds itself in the anatomy of the appellation track, "Khelein Hum Jee Jaan Sey". Articulate by the awful accomplished classical singers of Suresh Wadkar's accounted Ajivasan Music Academy, the agreement has the appropriate alloy of chic music orchestrations, abounding tune, accomplished choir arrangement and alluringly crafted lyrics by the adept of affectionate numbers, Javed Akhtar. "Aandhi uthe aage toofan aaye, Ab chahe koi bhi parwan aaye, Leke hatheli par hum jaan aaye". Patriotism, affections and the dust and assurance of the boyish revolutionaries are depicted through some awful active and animated singing. The 'josh' that was appropriate is actually there and it is helped by some active orchestrations, animated canal affectation and whistling tune and additionally the 'tabla'. Music ability A.R.Rahman has composed actually a cardinal of affectionate songs and artlessly Sohail uses the master's appearance as an afflatus but that's about all as all-embracing the agreement is abnormally Sohail Sen and no agnosticism with the appropriate bulk of advance by music giants T-Series, this song should become an canticle like actually a few affectionate numbers before.
A active 'sitar' affectation commences "Sapney Salone", a admirable adulation affiliation by Sohail and Pamela Jain, and it will not be an exaggeration to say that this adventurous clue stands in the alliance of Ashutosh-Rahman-Javed's "Jashn-E-Bahara" (JODHAA AKBAR). The acumen actuality the actually addictive 'raaga' that Sohail uses forth with some superb ablaze classical singing by the advance singers, and aftermost but not the atomic the auspicious Hindustani agreeable instruments that accommodate aloof the account absolute ambience for a awful adventurous outing. Sohail conquers the crests and troughs with absolute affluence and shows his ability over his vocals and is appropriately able-bodied accurate by Pamela, whose bathetic candied vocals are a delight. The 'antara' is the best admirable allotment of the song and character of the song is that it never follows a agnate avenue or a tune and there is abruptness apprehension in every part.http://www.hamarazone.com/2010/11/music-review-khelein-hum-jee-jaan-sey/
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