Salman Khan: The Good Bad Boy

 

 

 

The biggest paycheck in Bollywood this year has landed. It reached a star who's 5-foot 9-3/4 inches and weighs 78 kg. He dresses in clothes chosen by his two sisters and lives a floor below his parents. He sleeps for three hours a day and eats five meals daily. He's Salman Khan. And he's made Rs 170 crore and still counting from Dabangg, Rs 24 crore from Bigg Boss 4, and Rs 15 crore from three endorsements signed earlier this year. He is at the top of the entertainment game, measured in the only language Mumbai understands: money.

 

 

For someone who started work at 14 and whose first pay was Rs 75 as a background dancer, becoming the star of Bollywood's second biggest hit ever has not been easy. The pinnacle has come 22 years after he began as a doe-eyed, silken-haired 45-kg son of a famous father, a second lead in the tepid Biwi Ho To Aisi. Salman has reason to be pleased though he cannot look you in the eye, mind you. A little accident with a surgery to fix the unflattering pouches under his eyes has ensured that he cannot take off his dark glasses for another week. But as the star sits on his black leather couch, the centrepiece of his one-bedroom flat in Mumbai, with the steaming cup of coffee to be replaced by successive glasses of Bacardi and Coke as the evening wears on, he knows his fans have seen worse. They have seen him wearing a bikini in Baaghi, dancing with a towel between his legs in Mujhse Shaadi Karoge, being a "manly" Marilyn Monroe in Jaan-e-Mann and in Dabangg, romancing a girl who was a year old when he began his career.

And they are not surprised that he now commands Rs 5 crore for each of his five endorsements; that he's taken the ratings of the opening episode of Bigg Boss 4 to a high of 4.83, bettered only by Amitabh Bachchan's Kaun Banega Crorepati 4 TRP of 6.21; and that his next yet-to-be-shot film is being sold at Rs 75 crore. The bhai who never grew up seems to have finally become the boy who can do no wrong. Or even if he does, it is quickly forgiven. Perhaps because he is seen as someone with his heart in the right place and his tongue in the wrong place. As an equal opportunity offender, who, if he is unprofessional, is so with everyone big or small. As a loveable lout who may be feudal and flawed but is still very funny. As a star who is less about the brand and more about the body. Which may explain why while everybody is busy wearing branded clothes, he's happy taking them off.

Perhaps it's because the audience watching him suspects that behind the bluster is a boy who can still get slapped by his father, scriptwriter Salim Khan, and still stands to attention when he's on the phone. In many ways, Salman is the retrosexual man every boy would like to be. His brothers are his best friends and despite having dated four stunningly beautiful professional actors, he still believes that women should not "expose" onscreen. Unlike middle class darlings Shah Rukh Khan and Aamir Khan, film scholar Shohini Ghosh believes Salman's films echo our more complicated "good and bad times". Movies like Tere Naam and Garv portray him as a brooding hero while even in his most raucous comedies he often loses the girl or gets trumped by another star. Like the young Amitabh Bachchan, despite his elite upbringing, he has a common touch. He can play the folk hero of the masses as much as he can embody the rock star swagger.

Salman hasn't worked with too many star directors and he still cannot remember the dialogue of Pyaasa that he and director Sajid Khan had to learn in acting classes with Daisy Irani, but he seems to have found a new commitment to work. Always known more for his body than his brains, he is not only completing movies in one schedule to maintain continuity of physicality and character, but he has also reserved the right of final edit. "When I see a film now, I see it from the point of view of the audience, not myself. Yuvraaj was 25 minutes too long, London Dreams would have been super 35 minutes less, and for Veer, I just needed more shooting dates. It's my fault that I didn't put my foot down. But I didn't whether out of respect or not wanting a misunderstanding. Perhaps they would have been worse if I had put my foot down," he says.

 

 

 

 

 

 

Good, bad, indifferent. Salman Khan is proud that in a 71-film career, only 15 can be called flops. 

Maine Pyar Kiya (1989), Sooraj Barjatya
Bhagyashree quit and I had no work for six months. My father had to ask G.P. Sippy to announce a film with me. Ramesh Taurani gave an advance (Rs 5 lakh) for the music, and he did.

 

Hum Aapke Hain Koun (1994), Sooraj Barjatya
I played Prem, a character I'm returning to in my next film, Ready. A movie works only if the love story works in it.

 

 

Andaz Apna Apna (1994), Rajkumar Santoshi
It's one of my favourite films, like the unsuccessful Love with Revathi. But it was a little too ahead of its time.

 

 

Tere Naam (2003), Satish Kaushik
After a point, you're wondering what's happening here. The girl has left him and he's mourning. Now get on with your life.

 

 

Wanted (2009), Prabhu Deva
Action is tough to do. Ive broken both wrists at the same time. And my leg twice. The only part of me that is intact is my head.

 

 

Dabangg (2010), Abhinav Kashyap
The one scene where I was dipped in mustard oil took 11 days to film. It gets in your hair, clothes, everywhere. It looks cool, but it takes time.

 

 

 

 

way 2 go salman