Koolsadhu,
The bewilderment of faithful viewers is very well put, for theirs is a much misplaced and abused, that loyalty is. But here is a clear case of expecting depth from the shallow-substance from the emptiness. The writers, if we may dare to deem them as such, simply do not have it in them. They have created such a mess for themselves, confused and lost; they can not find their way out.
In your new style- " jo chori chori nazare milaye to 'apvitra' ho gaye, aur jo nahi milaye to koi 'rishta'/baat hi rahe nahi!"- ye to script writers ne apne aap ko gadha bana diya!
If they try to revive magical romance bet'n the leads, they render the leads 'unheroic' out of their pledges but if they don't then the whole story stalls and the stagnancy.
More interesting is the use of Hindi in your story telling and first fiction coming from you. ππYes perhaps this is the only way out of stagnancy: to hell with the heroism and up with some realism and some selfishness. And please, no 'preaching' remorse on the parts of the leads in aftermath-for once let them be.
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