If viewers don't clap on Ajay's entry, I'll refund money: Sajid Khan

A diehard fan of cinema of the 1980s, director Sajid Khan is attempting to recreate the magic with his "Himmatwala" remake that he says has all the elements of a bygone era - mother-son drama, heroism and, last but not the least, "a

Thursday, March 07, 2013 | 9:46:04 AM IST (+05:30 GMT)
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sajid khan

A diehard fan of cinema of the 1980s, director Sajid Khan is attempting to recreate the magic with his "Himmatwala (2013)" remake that he says has all the elements of a bygone era - mother-son drama, heroism and, last but not the least, "a grand entry for (lead actor) Ajay Devgn" that will force viewers to clap.

"The film is based in 1983. I have kept references of 1980s. I have included a rush where Mohinder Amarnath LBWed a West Indies player (got him out on leg before wicket) and India won the World Cup (in 1983). For that commentary, I have roped in Ameen Sayani saab, Mr. (Amitabh) Bachchan of radio," Sajid said during a group interview here.

He clarified that the film not a spoof and would see Ajay fighting with a tiger for the second time after "Vijaypath".

"If you talk about the 1980s - what used to happen in 1980s movies - it doesn't happen any more - the hero's entry. Except for a couple of Salman Khan's films, no importance is given to the hero's entry. The kind of entry that Amitabh Bachchan had in "Coolie", for me, it's the entry of all time," said Sajid and added he liked Ajay's entry in "Phool Aur Kaante".

"This is an open challenge that if viewers won't clap on Ajay's entry in 'Himmatwala', I will refund the ticket money.

"I have designed such an entry for Ajay that I was clapping while I was writing it, I was clapping while I was shooting it. I have given a lot of stress on entry," he added.

For his version of "Himmatwala", Sajid has also roped in southern actress Tamanna.

"When I wrote scenes, I wrote it in the 1980s style. The mother-son drama, hero will fight with tiger, hero will save the whole village, he will be friends with a tiger, and 'dialoguebaazi'... something that made Mr. Bachchan or Vinod Khanna or Dharmendara a star," Sajid said.

He rues such films are not being made in Bollywoood any more, but southern filmmakers are keeping the genre alive.

"That kind of cinema is coming now only with two stars - Salman Khan and Ajay," Sajid said, adding that "Dabangg" and "Wanted (2009)" became big hits because they had heroism, which is very prevalent in the south. "In northern India, we are shying away from this and our culture is going more towards western cinema. I wanted to bring that back because I have grown up watching cinema of the 1970s and 1980s."

Sajid pointed out that director K. Raghavendra Rao's 1983 "Himmatwala", which had Jeetendra and Sridevi in the lead roles, "started the wave of the southern cinema (in Bollywood) with 'matkas', over-the-top dialogues and Kadar Khan and Shakti Kapoor".

"But it later became vulgar. From 1987-1988 it got vulgar, but before that it used to be clean-cut comedy, clean family dramas," added Sajid, who made a successful transition from TV to films with his directorial debut "Heyy Babby".

He has so far directed three films, including "Housefull" and "Housefull 2", and all of them were big hits. Sajid however doesn't take himself seriously as a filmmaker. "I take myself seriously only when I'm making a film. I make it from the audience's point of view," he added.

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Posted on: 07 March 2013 at 4:44am
Well u should refund now cos I dont plan on clapping. U overconfident moron!!!

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Posted on: 06 March 2013 at 10:55pm
He just cant stop boasting Confused.

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Posted on: 06 March 2013 at 10:49pm
He's motivating me to actually watch the movie just so I don't clap at Ajay's entry.

Will he be giving me my money back for all the petrol that is used during my trip to and from the theatre as well?

Edited on:06 March 2013 at 10:49pm

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Posted on: 06 March 2013 at 10:12pm
after hey babbby.. im lookn forward to this movie of sajid's... just wish he'd stop ripping off from old hollywood/bollywood films all d time...

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